neoscenes: projects

projects:
	neoscenes presents Remote Presence: Streaming Life at the Pixelache2007 Architectures of Participation Festival in Helsinki. on 31 March 2007 from 2000 - 2400 EST (GMT+2) there is a live/online collaborative streaming event -- send us a stream, or just tune in, relax, and chill out. (archive stream )
	recently finished, a new DVD, indeterminacy, is ready to head out the door. four new video works, island, skipper, crossing the yampa, and indeterminacy:fragments explore aspects of liquid skies, edge lines, the poetics of Smetana, and other visceral eye-raking.
	as part of the global Music for Peace Project funksoup presents deCrypt0graphic -- "an experiment within a new paradigm for interaction, moving from an age of information and coding, to an age of the imagination where "hard and fast" choices do not need to be made because "hard" will give way to supple," Stony Brook University, Wang Center, 10 April 2005. (stream index)
	welcome to The Box, a project by the students of the "Networks, Dialogue, Tactical Media, and Creativity" workshop, University of Bremen, Department of Informatiks, 24 February 2005... (video)
	The Overgaden SoundArt Festival (08-09.04) brought neoscenes together with nine other curators and more than 100 artists working at the intersection of art, sound, music, and technology together for a month-long exhibition and performance series located at the Overgaden Art Center in Copenhagen, Denmark. Björn Ross, the initiator, is another networking friend from way back. a little bit more in the travelog...
	ethernity -- at the end of a 2-week intensive workshop at the University of Bremen, Department of Digital Media & Informatiks, my students created this 6-hour live/online streaming happening.
	SoundCalendar is an early (1997-8) collaborative web project by Mathias Fuchs and Sylvia Eckermann featuring sound and image works by several artists. it was featured at the Stockholm Electronic Arts Festival in 1997 and at the UT/AUT ©allery in Toronto in 1998.
	where are we eating? was a translocal radio feast taking place during August 2004. Site-specific dining at ISEA 2004 and around the world. This is a project which aims to nourish.
	after meeting Eric Fisher by chance, I joined the Dialogues between Two Cultures colloquium at University of Colorado - Boulder that he initiated. the goal of the colloquium is "to explore the concept and place of dialogue as a means to understand and overcome the intellectual divide between science and the humanities."
	<di>fusion 2: difusion 2003 was the second annual 24-hour live/online happening that took place at the University of Colorado in the Department of Art & Art History's Techne Lab on 18-19 April, 2003.
	<di>fusion 1: difusion 2002 was a 24-hour live/online happening that took place locally at the University of Colorado in the Department of Computer Science's student lounge and in the broader internet on 26-27 April, 2002.
	eight dialogues -- a work commissioned for the ground-breaking PORT: Navigating Digital Culture exhibition at the Reference Gallery, MIT List Visual Arts center in Cambridge, Massachusetts in 1997. all projects were essentially remote and/or virtual regarding the gallery which featured only four Internet-connected computers with video projectors. eight dialogues linked participants in six countries in tableaus of direct, intimate, and spontaneous dialogue.
	womanifesto 2003 Procreation/Postcreation was an exhibition and publication about collecting/archiving/documenting personal stories, old and new beliefs and tales, medical facts, sayings, advice, taboos, recipes, lullabies, poems and more - before some of this knowledge gets forgotten and lost in time. The exhibition was held in Bangkok, Thailand.
	nordic-baltic conference on art and technology
	media and ethics conf -- The symposium in Helsinki was a gathering of critics and artists from the Baltic Sea countries and the surrounding region. The main topic under discussion was new media as a twofold challenge. The first challenge focused on the potentialities of emerging art spaces, such as www, cd-rom and telematics. The second challenge was to discuss these media as critical forums and dialogical spaces. How do traditional museums, galleries, periodicals and other mainstream media react to these changes? What types of alternatives have been developed?
	24-hour internet project took place live in the Cantor Art Gallery and online at the conclusion of a week-long residency at Holy Cross College in Worchester, Massachusetts in February, 1996.
	portfolio 1995 -- long before digital portfolios were accepted, I used this one to distribute on floppy disk. Never did get a job that way, though. Too much a head of the curve.