tag: the road
upheaval
John Hopkins → 01::March::2010 08:53 → cats::thesis
Upheaving, upheaval. Testing dependence and independence. Just when the path looks stable, where the knowns gradually coagulate to staunch the in-and-out-pouring stresses of un-knowning; the flow is not turbulent, the road is straight and wide, with interesting terrains somewhere up ahead. Then one finds a dip, through a desert wash, unseen just a short distance away. In this dip is a mess of flash-flood debris, and a double-fork in the road: change comes along with deep choices to be made between diverging pathways. One is obscured by the morning fog of oracle’s lack, so that what lies ahead cannot be distinguished; the other way may be seen, but with curves that carry it quickly out of sight. The third apparently climbs out of the one dip, and is the road that one perceived from a distance to be the straight and wide, but turns out that there are many dips, as when crossing a wide alluvial fan spreading out from the base of a mountain canyon.

Then there is the idea of the bush-whack. A process that forgets the roads and launches out into the countryside, a self-determined goal in sight or hinted at by the terrain to cover. The bush-whack presumes a base, often, with measured forays out on a daily basis, rather than a continuous and wearing, un-remitting confrontation of the unknown. It is the frontiersman, one who stays at the edge of stable regions, the fraying or un-formed edges. One foot in, one foot out. Solitary. Progress not determined by forward motion, but rather by the growing determination to remain in motion at all. That is progress, in the Light of how life comes and goes, the determination to continue is a hard kernel around which to wrap the discoveries that occur along the way.
My dear friends, let me sing you the song of solitude. Without solitude there is no suffering, without solitude there is no heroism. But the solitude I have in mind is not the solitude of the blithe poets or of the theater, where the fountain bubbles so sweetly at the mouth of the hermit’s cave.
From childhood to manhood is only one step, one single step. In taking that step you break away from father and mother, you become yourself; it is a step into solitude. No one takes it completely. Even the holiest hermit, he grumpiest old bear in the bleakest of mountains, takes with him, or draws after him, a thread that binds him to his father and mother, to the loving warmth of kinship and friendship. My friends, when you speak so fervently of people and fatherland, I see the thread dangling from you, and I smile. When your great men speak of their “task” and responsibility, that thread hangs out of their mouths. Your great men, your leaders and orators, never speak of tasks directed against themselves, they never speak of responsibility to destiny! They hang by a thread that leads them back to mother and to all the cozy warmth that the poets recall when they sing of childhood and its pure joys. No one severs the thread entirely, except in death and then only if he succeeds in dying his own death.
Most men, the herd, have never tasted solitude. They leave father and mother, but only to crawl to a wife and quietly succumb to new warmth and new ties. They are never alone, they never commune with themselves. And when a solitary man crosses their path, they fear him and hate him like the plague; they fling stones at him and find no peace until they are far away from him. The air around him smells of stars, of cold stellar spaces; he lacks the soft warm fragrance of the home and hatchery.
Zarathustra has something of this starry smell, this forbidding coldness. Zarathustra has gone a long way on the path of solitude. He has attended the school of suffering. He has seen the forge of destiny and been wrought in it.
Ah, my friends, I don’t know whether I ought to tell you any more about solitude. I should gladly tempt you to take that path, I should gladly sing you a song of the icy raptures of cosmic space. But I know that few men can travel that path without injury. It is hard, my dear friends, to live without a mother; it is hard to live without home and people, without fatherland or fame, without the pleasures of life in a community. It is hard to live in the cold, and most of those who have started on the path have fallen. A man must be indifferent to the possibility of falling, if he wants to taste of solitude and to face up to his own destiny. It is easier and sweeter to walk with a people, with a multitude — even through misery. It is easier and more comforting to devote oneself to the “tasks” of the day, the tasks meted out by the collectivity. See how happy the people are in their crowded streets. Shots are being fired, their lives are in danger, yet every one of them would far rather die with the masses than walk alone in the cold outer night.
But how, my young friends, could I tempt you or lead you? Solitude is not chosen, any more than destiny is chosen. Solitude comes to us if we have within us the magic stone that attracts destiny. Many, far too many, have gone out into the desert and led the lives of herd men in a pretty hermitage beside a lovely spring. While others stand in the thick of the crowd, and yet the air of the stars blows round their heads.
But blessed be he who has found his solitude, not the solitude pictured in painting or poetry, but his own, unique, predestined solitude. Blessed be he who knows how to suffer! Blessed be he who bears the magic stone in his heart. To him comes destiny, from him comes authentic action. — Hermann Hesse
the protocols of pathway
John Hopkins → 16::February::2010 23:02 → cats::thesis
comment → tags::enroute, images, pathway, portrait, protocol, techno-social, the road, thesis, travel → permalinkrouted, rooted
John Hopkins → 09::February::2010 09:22 → cats::thesis
If everything now becomes about the Road: it all falls along that infinitely converging line, that pavement rising to the foot, hard, on occasion scraping the nose, the knees, or the palms; it is both that which is down-trodden, and the means to get there. A path for social flows, climbing, gathering, consuming, dispersing. Freedom, indeterminacy, hydrocarbon wastage, imperial protocols, signage, regulation, safety, danger, possibility, newness. On the road, carrying the old with oneSelf, in a worn knapsack, that which is old, known, important, very important.
So, three or four threads: 1) the Self on the road; 2) the encounter with the Other on the road; 3) the road as an expression of the techno-social context for human relation; 4) what to do on the road that cannot be done elsewhere or under other conditions — what the road proffers to life, how one gets there, that and imagining the end of the road (Oz! to meet the Wizard (or Sorceress) hehe, from the Yellowbrick Road to Oz, now ain’t that whacked!).
In that moment I was able, so to speak, to place myself in a future which may one day be realized. I saw not only what I might one day be able to do, but also I saw this — that the anticipation of the event was an augur of the deed itself. Suddenly I realized how it had been with the struggle to express myself in writing. I saw back to the period when I had the most intense, exalted visions of words written and spoken, but in fact could only mutter brokenly. Today I see that my steadfast desire was alone responsible for whatever progress or mastery I have made. The reality is always there, and it is preceded by vision. And if one keeps looking steadily the vision crystallizes into fact or deed. There is no escaping it. It doesn’t matter what route one travels — every route brings you eventually to the goal. “All roads lead to Heaven,” is the Chinese proverb. If one accepted that fully, one would get there so much more quickly. One should not be worrying about the degree of “success” obtained by each and every effort, but only concentrate on maintaining the vision, keeping it pure and steady. The rest is sleight-of-hand work in the dark, a genuine automatic process, no less somnambulistic because accompanied by pains and aches. — Henry Miller, “To Paint is to Love Again”
Writing on the road. The translation of movement and sensual input to text. Learning what filters to apply, what social protocols to apply, what protocols to transcend, what to hold, what to release. Discipline.
musings before a roadtrip
John Hopkins → 07::February::2010 22:57 → cats::thesis
Leaving aside the refined mapping of experience-once-removed. And instead, gathering experience first hand, in the moment, where circumspection is (wistful) wasteful or even dangerous.
Music on the road. Traveling minstrels, buskers, harmonica-playing hobos. playing for people on the road, or playing whilst on the road. Meeting at the roadhouse. Beyond the city limits. What goes down when humans engage beyond the control of the proper social order. What goes on outside the ordered flows of town. Interstitial in the sense that between towns lie the open roads. bandits, women and men of loose moral fortitude, and wild animals. The space of chaotic flow.
We suspect that even though travel in the modern world seems to have been taken over by the Commodity — even though the networks of convivial reciprocity seem to have vanished from the map — even though tourism seems to have triumphed — even so — we continue to suspect that other pathways still persist, other tracks, unofficial, not noted on the map, perhaps even “secret” — pathways still linked to the possibility of an economy of the Gift, smugglers’ routes for free spirits, known only to the geomantic guerrillas of the art of travel.
As a matter of fact, we don’t just “suspect” it. We know it. We know there exists an art of travel. — Hakim Bey, Overcoming Tourism
What is the nature of what is feared outside the purview of human controlled flows? Is it merely nature? It is the presence of (risk of) death — that singular element that lies completely beyond human control, for ever. It cannot be erased from the wild kernel of being. Some seek the thrill of facing it, some hide in paranoid control to keep it as far away as possible, backing away only to fall over a precipice unseen behind. Religion is the construct that irrationally rationalizes the presence of the unknown, of death, and of corrupt social order.
… back to the road …
The body of speed. (hunt and/or be hunted). Movement is the first escape from death. Running to safety, to the nearest tree. Running to fetch the weapon that you left at home. Running for the crowd so that the odds of getting eaten are marginally lowered. Running fast. Running to change places. Running to make a moving target. Running for help! Running to the Library!
The Book as fuel for keeping warm and The Book as weapon: dictionaries and encyclopedias work best for both purposes. Book as pillow. Book as door-stop. Book as object sensed orbiting centers of cultural gravity. Textual asteroids and debris. Escape that field.
The Book as tool for enhancing procreative potential and staving off death. Rather, Books on how to enhance procreative potential and how to stave off death. Reading about how to enhance procreative potential and how to stave off death. Reading-while-driving. Speed. And then it comes. uuuuuhhh.
nah. gotcha, I’m outta here, step on it, hit the gas, burn some rubber, spray some gravel in ‘is face…

viam munire
John Hopkins → 02::February::2010 08:26 → cats::thesis

viam munire. Stretching my Latin. The Road for Munitions? Or, Road of Fortification or Road of Security. Homeland Security? Interstate Defense Highway System. Autobahn. All roads lead to Rome.
the protocols of pathway
John Hopkins → 13::January::2010 08:15 → cats::thesis
comment → tags::enroute, images, pathway, protocol, techno-social, the road, thesis, travel → permalinkthe protocols of pathway
John Hopkins → 07::January::2010 10:51 → cats::images
comment → tags::images, pathway, protocol, techno-social, the road → permalinkroad relations
John Hopkins → 05::January::2010 23:02 → cats::thesis
As long as man’s wants and his desires for military conquest were confined to petty hostilities between individuals or tribes, the necessity for roads other than mere pathways or trails was not felt. With the beginnings of land commerce and the spirit of conquest between nations, there arose the necessity of ways better adapted to the changed needs and conditions, and with the growth of trade and military operations successive improvements in the character of the ways and the means of transportation were made only to give way to others with new conditions made a change imperative. — Charles Whittle in “Ancient and Modern Highways”
We were not a wealthy Nation when we began improving our highways… but the roads themselves helped us create a new wealth, in business and industry and land values… So it was not our wealth that made our highways possible. Rather, it was our highways that made our wealth possible. — Thomas H. MacDonald, Chief, U.S. Bureau of Public Roads
the creation of pathways onto which energy flow is restrictively directed/sanctioned is primarily for the benefit of those who occupy the nexus of power within any particular system. all roads lead to Rome.
roadkill
John Hopkins → 07::December::2009 08:52 → cats::thesis
death strewn on the highway. roadkill. carnivore, herbivore, amphibian, insect: getting to the other side of the road is just part of the inexorable (natural) systemic flow. Roadkill represents one intersection of human-defined flows and naturally-existing flows. The result of this fundamental intersection is near-death or absolute annihilation, a rapid reduction to component complex molecules. from the thathunk of meatier species to the simple fluttering splat of the butterfly. Leathery carcasses that persist for days despite the brutal pounding of truck tires and hard-to-remove stains on the windshield that resist even the most vigorous squeegee scrubbing whilst filling-up the tank.
Insects with a low weight-to-surface-area ratio can sometimes avoid liquidation by the slipstream effect which will carry them up and over the vehicle. But trajectory is all, and the meatier bugs, the swarming locusts and grasshoppers, have too much mass in their sagging torsos to experience this sanctified reprieve and thus become one with their maker in a soul-wrenching milli-second that can be a marvel of colorful abstraction a-la Pollack.
Along one stretch of the UFO Highway in Nevada, red locusts were on the march northward along a specific pathway that they were intent on following without regard to individual survival. At 60 MPH, the dynamic was such that their flight reaction to the approaching truck got them only a couple feet off the ground, not over the height of the hood, so, the lower grill was a mass of dessicated carcasses by the time we got to the Grand Army of the Republic Highway, a hundred miles away. Many more were simply crushed by the wheels, leaving greasy red-greenish stains on the road and in the wheel-wells: their natural trajectory on the ground was clearly discernible where it intersected with roads. I noticed in the gas station parking lot in Ely there was a small flock of birds who were picking over the the resulting detritus on the ground, and when they could manage, actually hanging onto the grills and directly harvesting the carnage, ‘burp!’ What would the evolutionary outcomes be? Birds that can smell idling cars? Locusts who tunnel for 40 feet underground when they encounter traces of heavy hydrocarbons, with luck, getting to the other side.
Larger animals, the mammals are the worst, though, when encountered at any speed. Moose and elk torsos will behave something like the old paper-straw-through-the-raw-potato trick — inertial physics at its most fundamental. The front bumper of the car will take out the long spindly legs whilst the massive quarter-ton of body-meat, at just the right height to clear the hood, will simply stay where it is. But where it is relative to the speeding windshield means that it will simply obliterate anything in the front seats of the vehicle. At low speeds, this can mean a struggling, injured animal in the laps of struggling, injured humans, gah.
A start to meditations on The Road
John Hopkins → 06::December::2009 12:40 → cats::thesis
The road-as-pathway is a channel for the flow of energy. It is defined by socially-constructed standards and protocols: a web of socially-applied energies follow the limitations and directedness of those protocols. Roads are a human construct in response to the existence of natural blockages that divert from desired trajectories, that expend communal life-energies and threaten the control of energy resources.
The road is perhaps a synthesized mirror for the human-navigable river, that directed natural space of flow, or the ocean which is the cumulative and spatial confluence-of-all-rivers.
Practically all natural landscapes have some form of blockage as to cause a deviation to even slow and deliberate human passage. So, when there is a lack of free and easy passage, first a foot-path evolves, or is established through troddden effort. This is a trajectory for the body, with the foot leading. Seeking a pathway on foot requires vigilance and concentrated attention in many environments, though this condition is necessarily eliminated from daily life in the developed world — almost completely through the efforts to flatten, level, grade, and pave large swaths of the Terran surface.
When working in Colombia, in the eastern Llanos, for Big Oil, we hired trocha crews who would cut paths in the jungle for the geophone lines to be laid along. Armed with machetes they would hack a one-meter-wide swath along the surveyed lines, leaving short protruding sticks of vegetation cut at an angle — treacherous when struggling along the lines up steep slopes and down. One slip and you would be impaled, and in that country, any break in the protective skin could mean serious infection problems. Walking was never so high-risk: never fall down. It was a choice of absolutely impenetrable jungle on either side, or the possibility of forward/backward movement along these lines. Helipads for extraction were cut in the jungle every 5 clicks or so.
At any rate, the foot is connected to a membered body, so the whole embodied system is implicated in the formation of the pathway. With senses correlating from memorized resonance previous ways taken and the outcomes, choices are made what immediate and final trajectory the body takes. This trajectory is anchored with the planting of the foot and the establishment of balance on that foot. The four corners of the foot root momentarily with the earth. One foot following the other, and that embodied motion precisely driven by the flow of energy entering the senses. Breaking trail can be exhausting, making a way for someone else’s body to pass across the terrain. Following someone else’s path is easier.
Animals make pathways: I am following the cloven tracks of a deer, several of them. I can lope along the game trail at a fair clip, despite the altitude which stretches lungs to a pant, judging how fresh the tracks are by how they desiccate along the edges in the dry western air. But how many hours since passage does half-a-centimeter of crumbled track mean? What happens if I catch up with the deer, if they have stopped to rest or eat? What happens if there’s a mountain lion, an ambush predator, hanging around along this pathway, waiting for an easy mark? I don’t think about it, but keep running as fast as the uneven terrain allows, watching carefully for ankle-twisting roots and rocks. Hooves on a game trail tend to break up the damp soil into loose chunks which make high boots an ankle-saving necessity, though they slow me down, and don’t allow the foot to feel the ground as accurately. I run until I have to stop, sucking the air in with fast but controlled gasps. There they are, 200 yards ahead, traversing a steep slope of piƱon, upwind. Okay, today, with a bow, I would have survived a few more days with protein-stuffed belly. The path defined as an enriched flow of food energy.
lone saxophone
John Hopkins → 28::November::2009 22:11 → cats::aporee::maps, projects
comment → tags::aporee, audio, human landscape, sound, the road → permalinkGeorge Street bus home
John Hopkins → 27::November::2009 22:03 → cats::aporee::maps, projects
comment → tags::aporee, audio, enroute, interior, phonography, sound, the road → permalinkBondi bus stop at night
John Hopkins → 21::November::2009 21:18 → cats::aporee::maps, projects
comment → tags::aporee, audio, human landscape, phonography, sound, the road → permalink


