Descanse em paz. We shared the same birthday…

sorry Amy, damn, “Amy Amy Amy,” “Fuck-me Pumps,” “Me and Mr. Jones,” “Help Yourself.” You left too soon, darlin’! Maybe you and Janice are doing the dozens in a temperate place, both of you all of 27 years on, damn…

A rare Clarence without his sax at a gig with Bruce and the E-Street Band at McNichols Arena in Denver, Colorado sometime in 1980.

11-0526

Wet snow all day.

Too family to church. We took our lunches, and stayed for the organ concert in the afternoon. Mr. Rafter and a trumpeter from the Boston Symphony did very will indeed. It was tiring.

The argument may be made that a fence, a window, an article of clothing, a wall are — one-and-the-same — as deflectors of the extant natural flow of energies out there. They represent a set of energy deflectors imposed by humans on their environs.

The other issue, tied to this is the production of waste (unusable) heat energy which impinges on a locality after the use of high energy sources which are subsequently rendered into usable and unusable forms of energy with varying efficiency. The primary source of this unusable energy is in the actual production and maintenance of the energy deflector systems: making and installing a fence, fabricating a window (glass being an extremely energy-intensive manufacturing process), building a wall, a building, a dam.

So: two major mechanisms and the second is responsible for the construction of the first. It takes an energy (depletion) to create these barriers which subsequently carry and direct energy flows as prescribed by their particular socially-mandated configurations.

[This all goes back to the hypothesis about virtuality -- where virtuality is (merely) the presence of a situation of attenuation of 'natural' flows (and here, tool-making is a key component). The question of what is 'natural' may be approached from a couple way, but more on that elsewhere.]

And all the way, Coyote laughs.

The day spent in leisurely absorbing the energy of place. The campground is built under the only trees for miles, (eucalyptus, from Australia!) so there is raptor and other bird activity all the time. The owls at night contribute a fantastic dialogue to the silence.

A short hike west to some low hills, down a wash, ends up, with the recent extreme rains, at a cattle pond full to overflowing. As per usual, I do not do a ‘before’ image (note to self — do a before image next time!). The downstream side of the small embankment dam has been undercut to within a meter of the main body of water which is substantial. With a small stick, I scratch a small line across the top of the dam, gradually increasing its size, using the initial slight flow of water to clear the waste from the cut. After twenty minutes of play, there is a sizable gap in the dam along with a flood of water rushing through, further eroding the dam body. Monkey-wrenching? Nah, this is merely a slight acceleration of what is happening ‘naturally’ — the breaching of the dam will occur eventually unless there is maintenance energy applied into the system. It would have likely occurred with the next substantial rains.

I do take an after image, and then head back to camp circuitously. It is after I see Coyote’s paw-print in the rain-damp soil, walking on a trail, that I cross the wash on which the dam is built. I am surprised that the huge rush of water from the breach is just reaching this spot. It is first a trickle which then ramps up to a full-on rushing creek. Fascinating to see the water fill the bed of the wash, pooling in hollows, flowing over small water-falls. I see immediately this is a perfect audio situation to continue documentation of the ‘changing the course of nature’ or ‘changing the course of history’ project that I have undertaken in the last few years. I lope back to camp, grab the recorder, and race back, downstream, to the wash. The flood is proceeding slow enough that I can run further downstream several times to record the ambient audio and make some images of the process.

Then it’s back to camp for dinner.

Sky-worms bugger the clarity of the atmosphere, attenuation the flux of Light reaching the surface. Obviously this is under a major north-south air-route — the only good thing is that the planes are at 10 km altitude, so the sonic disturbance is minimal. The affect on high-altitude haze, however, is profound. Long vision (at the sky and at the landscape) refocuses eyes through these worn diffracting glass into another focal point. Eyesight goes bad with all the reading and writing. The next year will make all that has gone before (go pale in comparison, argh!) as the PhD takes shape. No life, no sight left.

I have not seen another human the entire day with the exception of a well-armed ranger cruising through the campground. A droll chap, probably 30 or so, from the East Coast, a Federal employee, dislocated.

Around sunset, a car pulls in, first they park in the next slot, but then pull out and park across the campground, 50 meters away. There is a couple, they mill around, looking like they are setting up camp, it’s cold, getting colder, sunset. I’m sleeping on the ground. They turn on a radio playing pop mariachi music. It gets louder and louder as time goes by, getting later and later. They are sitting in the front of the car probably drinking, smoking, whatever. At one point well after 2300 I yell over to TURN IT DOWN. That has no effect. I honk my horn, also to no effect. I contemplate going over, but also realize the odds are that the occupants are armed. I instead pack the car up, fuming, and drive to a side-road further south in the valley and find a spot there. Faugh, why would somebody drive all this way — it’s at least 50 miles from the nearest town — to sit in their car and play loud music? Sorry, I don’t get it. [expletives deleted!]

Later, Orion drags his belt and sword from the sludge of Light pollution that sits to the south: Los Angeles, more than 150 km away or so. To the east, light from Taft and Bakersfield. A strong wind arises late in the night, there are no trees where I have moved to. Uncomfortable night after the luxury last night.

meander down to Roger and Neil’s place in Marrickville to observe the live Ethernet Orchestra network music collab that Roger is doing as a part of his thesis research. Neil whips up a delicious meal beforehand.

head down to the coast, fighting mid-day traffic, to Soquel, for a day with Mike and Isabelle. after catching up over a delicious blackberry upside-down cake and tea, we head down to Santa Cruz for the Cabrillo Festival of Contemporary Music for an afternoon open rehearsal session — Rewind Rehearsal with Jennifer Higdon: Percussion Concerto (with Colin Currie, percussion); Mark Anthony Turnage Chicago Remains; and Anna Clyne: rewind. the day ends with delicious but probably artery-clogging pizza on the Capitola Esplanade Park. Isabelle tells me she is to be included in an exhibition at the Prescott College Art Gallery later in the fall, so I pull out a bunch of maps for them to use when they road-trip down there to deliver the work (from the incredible Span series in September.

More fire-exercises from the platoons who have taken up residence across the street. They have set up two camouflaged observation/guard posts and are firing from these positions towards the rail-road tracks, their comrades playing insurgents, firing pretend mortars from 200 meters away. The mis-en-scene is completed with colored smoke screens and a sniper who sets up in the tumbleweed.

In the evening I end up at the Wendover Night Club, what could be called a seedy joint in the corner of The Plaza strip mall that includes, what else, a stripper club complete with an Italian-looking bouncer sitting on a stool at the door, cigarette hanging from his mouth; there’s a Chinese restaurant, a smoke shop, and a computer gaming store.

I end up going to the Night Club because last week, one evening, I could hear some loud what I would term proto-Mariachi music playing within earshot of the residency. I put off going to check it out, but finally out of curiosity I drove in the direction of the music. End up four blocks away in one of the old airbase buildings. I pull up to see a group of swarthy-looking Latino guys hanging out. The music has stopped. I don’t know what they were thinking when I came up, gringo in shorts with white Crocs on, at any rate, turns out they are a band, Caxcanes Musical, most of the members are from the Mexican state of Zacatecas (the Caxcan are an indigenous group: Los caxcanes, lidereados por Tenamaxtle, peleaban bajo el lema ¡Ashcanquema tehual nehual! ‘¡Hasta tu muerte o la mía!’. Y el lema se cumplió, tanto en el triunfo como en la derrota. Ante la desproporcionada respuesta de los invasores, los guerreros prefirieron morir lanzándose al vacío.) I chat with them for a bit and though I’m sure they are thinking el gringo loco, they seem pleased at my enthusiasm and invite me to catch them at the Club in the Plaza.

I’m clearly the only gringo at the Club — at least I can order in Spanish! And I get there on time, as I don’t want to miss the show. On time from the time the guy gave me when I get to the empty Club at nine pm. He says the music starts at ten pm. He didn’t tell me there are three warm-up bands — or groups, not to be confused with bands. I hang out nursing a Coors. At any rate, I survived the first group, Tambura los Primos — audio is extant, then my memory card filled up on the H4 and I couldn’t figure out how to properly erase files to clear up space for the other groups. The whole scene was quite cool — clearly a rural audience, the guys with their really pointy shit-kickers and Stetsons, dancing with their gals in a stilted waltz move with the arms and hands never quite intertwined. Reminded me of country-folk in Finnish Lapland doing the tango on Midsummer’s night parties. Anyway, a fun evening, and I think they will play again on Cinco de Mayo which actually be on the second of May before I split for nether regions.