tag: learning

Huxley’s education

15::November::2011 09:58 → permalink

In a world where education is predominantly verbal, highly educated people find it all but impossible to pay serious attention to anything but words and notions. There is always money for, there are always doctorates in, the learned foolery of research into what, for scholars, is the all-important problem: Who influenced whom to say what when? Even in this age of technology the verbal humanities are honored. The non-verbal humanities, the arts of being directly aware of the given facts of our existence, ale almost completely ignored. A catalogue, a bibliography, a definitive edition of a third-rate versier’s ipsissima verba, a stupendous index to end all indexes – any genuinely Alexandrian project is sure of approval and financial support: But when it comes to finding out how you and I, our children and grandchildren, may become more perceptive, more intensely aware of inward and outward reality, more open to the Spirit, less apt, by psychological malpractices, to make ourselves physically ill, and more capable of controlling our own autonomic nervous system – when it comes to any form of non-verbal education more fundamental (and more likely to be of some practical use) than Swedish drill, no really respectable person in any really respectable university or church will do anything about it. Verbalists are suspicious of the non-verbal; rationalists fear the given, non-rational fact; intellectuals feel that “what we perceive by the eye (or in any other way) is foreign to us as such and need not impress us deeply.”

Besides, this matter of education in the non-verbal humanities will not fit into any of the established pigeonholes. It is not religion, not neurology, not gymnastics, not morality or civics, not even experimental psychology. This being so the subject is, for academic and ecclesiastical purposes, non-existent and may safely be ignored altogether or left, with a Patronizing smile, to those whom the Pharisees of verbal orthodoxy call cranks, quacks, charlatans and unqualified amateurs. “I have always found,” Blake wrote rather bitterly, “that Angels have the vanity to speak of themselves as the only wise. This they do with a confident insolence sprouting from systematic reasoning.” Systematic reasoning is something we could not, as a species or as individuals, possibly do without. But neither, if we are to remain sane, can we possibly do without direct perception, the more unsystematic the better, of the inner and outer worlds into which we have been born. This given reality is an infinite which passes all understanding and yet admits of being directly and in some sort totally apprehended. It is a transcendence belonging to another order than the human, and yet it may be present to us as a felt immanence, an experienced participation. To be enlightened is to be aware, always, of total reality in its immanent otherness – to be aware of it and yet to remain in a condition to survive as an animal, to think and feel as a human being, to resort whenever expedient to systematic reasoning. Our goal is to discover that we have always been where we ought to be. — Huxley, A., 1954. The Doors of Perception. Available at: http://www.mescaline.com/huxley.htm [Accessed July 27, 2011].

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conversation

19::June::2011 00:38 → permalink

a long conversation with Anthony this evening. always stimulating coverage of the non-typical meta-structures of social and individual existence.

the thought comes up, in teaching — most recently the “Multi-platform Story-telling” course that I was involved with this past semester at La Trobe — how seldom the holistic social meta-structure of the grouping of students (and teachers!) is considered in the facilitation of a learning trajectory. this includes the cumulative totality of all relations (power and otherwise!) that occur within the grouping. I call this space the continuum-of-relation and define it as the total accumulated network of relations, expressed as activated exchanges of energy, as Dialogues, that have occurred, are occurring, and will occur between members of the species. Based on the assumption that we are in a holistic and continuous universe, it is possible to extend the definition to include the set of energy relations that humans have with the detailed and greater cosmos around them, and indeed, this is an important aspect to consider, but it is easier to limit the scope to a specific subset comprising relations between all humans. There are infinite sub-sets of relation that may be delineated, one set being those which arise in the process of learning facilitation. much attention is paid to syllabi, curricula, classroom technologies, and wide-scaled social ‘relevance’ of education systems while very little is paid to the immediate and long-term embodied needs for a recognition of presence of all the humans involved in the actual learning process. and especially the needs for deep human encounter and connection. is it such that this university, as with most others, is merely reflecting a wider scale of civil social decay when those crucial relations and their attendant qualities are simply ignored in the stead of assessment protocols, schedules, cash-for-services, and the general corporatization of education. (more …)

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diversions

11::March::2011 11:40 → permalink

pushing back the deep im-pressions of attention-diverting noise is the primary task I undertake in a learning situation: to the degree that the actual subject of inquiry is secondary. it is more the practice of facing the unknown which is the core of learning. attentively facing the unknown. mediating technologies tend to wrap us in a cocoon of dis-awareness of our own senses and from the flows that we are immersed within, making it impossible to focus attentions on the flows to begin with… ach! it’s such a pervasive problem. It becomes a powerful motivation to engage (young) people and to push back these im-pressing forces and watch them begin to breath freely again and then, to watch them begin to wonder what it is that they would like to learn about, then participate with them as they approach the unknown and engage it…

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Energy, Creative Action, and Sustainable Systems Workshop – Day 8 – eNZed

09::December::2010 09:54 → permalink

The official blurb for the workshop:

This workshop will draw on Hopkins’ international experience in facilitating creative encounters in the context of the Temporary Autonomous Zone. With an open structure for engaged and focused dialogue, the workshop will explore a powerful energy-based worldview that can open up new awareness of social, cultural, and natural systems. The dynamics of collaborative human relations confined within an attentive space is guaranteed** to generate provocative and inspiring outcomes. Creativity is, by definition, about the formative flow of energy between living organisms. We will move through a variety of environments (including on the river by waka) as we share life-time in the workshop. The workshop will augment the processes of any creative practitioner with a profound, situated, and practice-oriented conceptual toolbox that address the following areas and more:

(Keywords in no particular order): energy, creativity, thermodynamics, technology and techno-social systems, art, attention, entropy, learning, media, networks, participation, process, virtuality, creative action, human presence, Light, human encounter, mediation, concentration, optimization, pathways, meals, sustainability, simplicity, synchronicity, auspiciousness, and serendipity.

**on the condition that you bring along your entire Self, not merely your body, mind, and spirit

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waka – Day 6 – eNZed

07::December::2010 22:06 → permalink

learning Maori numbers, Whanganui, New Zealand, December 2010

Up early again, before all the girls are off to school, the morning routines are quite entertaining to witness. Compared to similarly-aged kids in other places (the US!), all the kids I’ve met here seem quite relaxed. Is it the culture here, or? There is a laid-back quality, but I haven’t been here long enough to see how it suffuses through the society. There have to be substantial social issues, with colonialism having left such an influence on things. The stack of histories of NZ that Kerry loaned me before traveling told of savage open conflict until around the time of the US Civil War which is quite recent. Though no longer in direct living memory, it is still quite close. It’s is obvious, from the clear-cut timbering alone, seen from the air, that there is an ongoing and deep conflict over land-use, with powerful development and/or exploitation forces. On the other hand, there are definitely strong voices for nurturing the environment (and human lives on the island) back to something more sustainable.

We take a visit to the waka (canoe) boathouse to check on things — there is a crew of young gals who are practicing waka racing for the national championship. A group of absolutely charming young women.

Mike, our main Maori host comes by, what a expansive and powerful spirit he has! Julian has really cultivated some amazing connections with people here. Everyone met so far has been friendly, open, welcoming, relaxed, ready with a smile, along with some challenging/enLightening conversations.

Hardly time to make any entries now that the road has come up to meet my feet, so to say. Prepping mentally for the symposium coming up in a few days. But there is still so much indeterminacy that I will really have to improvise, and simply go with the available and auspicious energies of the moment. Many stories are already told about energy and informatics.

Towards sunset, an impromptu picnic on river turns out to be a neighborhood gathering, yet another example of a relaxed bunch of folks. Such a (WELCOME!) contrast to Sydney!

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Statement of Multi-Cultural Experience and Practice

19::November::2010 18:17 → permalink

With 20 years of experience with students from more than 40 countries and with educational organizations in 25 countries, I have a deep appreciation of the issues involved in multi- or trans-cultural education. My own practice as an educator looks at multi-cultural learning from both a pragmatic and a positive point of view. Pragmatically, for example, all of my classes in the past years are composed of students from a wide variety of cultural backgrounds. This simple fact brings to the fore in every situation the difficulties of language, and the cultural expressions that are deeply formed by language. Most often working under second-language conditions, I have honed my sensitivities to the relative speeds of comprehension and expression that second-language imposes and to the contingencies of difference that surface. Because difference is such a core creative source, I make it a practice in my workshops that students engage each other so as to open the potential pathways for creative collaboration.

It is tremendously important that a learning/creative situation is relevant to each particular student and that they feel comfortable enough to evolve and take on an experience that reflects a personal, internal source. Teaching in up to 20 different linguistic and cultural situations each year I have developed an appreciation for what is possible, what each distinct viewpoint opens up in a collective learning experience, and how personally relevant work may be seen as an inspiring source for peers. This kind of movement through radically different domains requires me to have a flexibility to engage and facilitate under widely varying conditions. While this is a constant challenge, it is one that I seek out for its richness, liveliness, and the consequential open space that arises when learners, myself included, are faced with the unknown — both inside the Self and inside the Other that they face. Because a fundamental concept of my creative work as well as my seminars and workshops is the facilitation of distributed (that is, non-hierarchic) network systems, I specifically deal with this human-to-human dynamic both in the conceptual/theoretical content as well as the lived practices that I stimulate in the classroom.

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From The Regime of Amplification to The Road

12::October::2010 19:59 → permalink

Abstract

The DCA project “The Road” is a psycho-geographic perambulation through a web of personal, social, and universal trajectories which form a new knowledge-base on the cosmos as an entropic system of energy flows. Within this worldview the project explores human presence, encounter, and interaction including a close look at the effects of techno-socially prescribed protocols on those indeterminate flows of energy. As a multi-modal online data-space, the project offers a variety of navigational strategies connecting a rich variety of audio, video, text, and image sources from the candidate’s extensive personal archive of creative material.

Introduction

The armature for this DCA as originally proposed was the concept of the amplifier. An amplifier is essentially a device that takes an incoming flow of energy (signal), and through an influx of power, generates a defined outflow of energy with a greater (directed) intensity. The amplification process needs an independent energy source to increase the signal strength. It also requires a set of protocols that guide the flow of energy from input through output: a coherent signal is a controlled energy flow as defined by applied protocols.

The road, as an expression of a techno-social system (TSS), exemplifies, or, more precisely, is one of these protocol-defined pathways. It was this realization during the last year of research which shifted my focus from the amplifier to the road as both a real and metaphoric concept that opens a rich space for inquiry. The road allows the TSS to express amplified energy flows along its protocol-defined pathway. It is not difficult to conceptually extend the idea of the road as any pathway for the directed and concentrated expression of energy of a TSS. (more …)

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Migrating: Art: Academies: done

10::October::2010 16:37 → permalink

MigAA book cover

After eight weeks of intensive effort, sometimes re-writing almost from scratch a wide range of (English-second-language) articles, essays, and academic papers, the second and final book from the MigAA project is done and at the printers. Bravo to the Alfa60 designers, Joseph and Lina in Vilnius — perhaps this book will win awards like the last one did! And big kudos to El Jefe, miga, without whom, none of this would have come to pass, none of it!

This is the jacket blurb I wrote in ten minutes — the day Lina was sending the book to the printers!

The Migrating Art Academies (MigAA) project is an ongoing aggregate network of participating art academies, people, and situations. This book charts the progress of this dynamic experiment in arts education. As a radical departure from the traditional bricks-and-mortar learning process, MigAA released a cadre of graduate art students for a series of mobile and located explorations that literally spanned Europe – from the beaches of Baltic Lithuania, to the Gironde Estuary in France, to the Tatras mountains of Slovakia, and elsewhere. With public manifestations in Linz, Austria at the prestigious Ars Electronica Festival, in Berlin at the Collegium Hungaricum, in Royan, France, and numerous other places on the way, the students piloted their Media RVs (recreational vehicles) along the highways and byways of Europe. Along with their teachers and a wide-ranging selection of artists, activists, and workshop facilitators, they undertook a focused experience of creative engagement with each other and the public milieus around them.

The articles, essays, and documents contained here provide a rich source for exploring the breadth and depth of this project, and serve as a solid base for wider dialogues on the critical topics of higher-education in the arts, migration and the crucial social issues surrounding it, and, indeed, the question of creativity in a world which, if not overtly hostile to the idea, at least challenges the support of conditions necessary for it to flourish. MigAA is a distributed example of that process of creative flourishing – a Temporary Autonomous Zone – where movement and engagement stimulates a deep change in point-of-view.

We’ll be providing a pdf file of the book at some future date, after the final symposium and exhibition in Berlin (coming up this week! see info below), and when any sales of the existing print run are over and done with.

Presented by The European School of Visual Arts (EESI), the Academy of Media Arts in Cologne (KHM) and the Vilnius Academy of Arts (VDA)

Migrating:Art:Academies:

Conference – 15-16 October 2010, 13:00 – 18:00
Exhibition opening – 14 October 2010, 19:00
Exhibition – 14-16 October 2010
Opening times – daily between 10:00 – 19:00

Collegium Hungaricum, Dorotheenstrasse 12, Berlin

The two-year project Migrating Art Academies (MigAA) comes to a close with its Laboratory V Migrating:Art:Academies:. This exhibition and conference, organized in cooperation with Collegium Hungaricum Berlin, will map the territory around an ensemble of new and innovative forms of creative practice. During MigAA students from the European School of Visual Arts (EESI, FR), the Academy of Media Arts in Cologne (KHM, DE), and the Vilnius Academy of Arts (VDA, LT) traveled in Media RVs (recreational camping vehicles) throughout Europe, engaging the local cultural and environmental milieu, and creating art works “on the road.”

“The wealth of Migrating Art Academies was unanimously proclaimed by both the participants and by those who they encountered in the course of the project. This creative experiment was also an excellent educational laboratory and such laboratories undoubtedly play a critical role in a time of European-wide reforms in art education.” says Sabrina Grassi-Fossier, the MigAA coordinator and director of European School of Visual Arts, Angouleme/Poitiers.

The combined MigAA exhibition and conference does not claim to be a full picture but rather a presentation of life-sketches, fragmentary practices, and evolving processes. These active threads together chart a new territory for learning that turns away from most traditional academic strategies. This open event is meant to critically address this new approach and to open it up for public dialogue.

On Thursday, 14 October, Migrating:Art:Academies: will open with an exhibition of works by more than thirty students from the three European art academies at the Collegium Hungaricum Berlin. The selected projects, developed during the four consecutive MigAA laboratories in Berlin, Vilnius, Linz, and Royan, range from drawings and maps to installations and interactive works.

The laboratory will also present a 300+ page reader as a summary of the two years of distributed and mobile research. The book, divided into three essential parts – Migrating:, Art:, and Academies: – serves as a navigation supplement for the exhibition and the conference as well as the overall project.

The conference will take place on Friday and Saturday, 15 – 16 October and is divided into four panels: Migration, Education, Technology, and a final Round Table session with the participating students.

Friday, 15 October
13.00 : Migration panel
16.00 : Education panel

Saturday, 16 October
13.00 : Technology panel
16.00 : Final Round Table

About Migrating Art Academies

Migrating Art Academies is an ongoing joint educational project of three European higher education institutions: the European School of Visual Arts (EESI, FR), the Academy of Media Arts in Cologne (KHM, DE) and the Vilnius Academy of Arts (VDA, LT). Its primary purpose was to research and develop a progressive model of education that combines new and innovative forms of creative practice, collaboration, cooperation, and production. For the duration of the project, students had the possibility to work in an autonomous zone situated between virtual and real worlds, as well as between their normal home environment and new, unfamiliar places. The students investigated and engaged the local environment at the same time as developing creative projects in response to their experiences. The MigAA project is financed by the European Commission Culture Program 2007-2013. For more detailed information, please visit: http://www.migaa.eu/.

The conference language is English. Admission is free.

Migrating Art Academies team:

Mindaugas Gapsevicius (top e.V.), Sabrina Grassi-Fossier (Coordinator, EESI), Jonas Hansen (KHM), Zilvinas Lilas (KHM), Alvydas Lukys (VDA), Sylvie Marchand (EESI), Vaclovas Nevcesauskas (VDA), Martin Rumori (KHM).

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The End of the Road and The Onset of Dreaming

07::October::2010 13:52 → permalink

roadside memorial, near Bitter Springs, Arizona, USA, March 2010

ed: This short note is the epilogue for the Migrating:Art:Academies: book. Otherwise because the heavy duty editorial tasks, I didn’t have time to write something more comprehensive on the ideas surrounding movement and learning, maybe next time!

We suspect that even though travel in the modern world seems to have been taken over by the Commodity — even though the networks of convivial reciprocity seem to have vanished from the map — even though tourism seems to have triumphed — even so — we continue to suspect that other pathways still persist, other tracks, unofficial, not noted on the map, perhaps even secret pathways still linked to the possibility of an economy of the Gift, smugglers’ routes for free spirits, known only to the geomantic guerrillas of the art of travel. — Hakim Bey, Overcoming Tourism

This volume Migrating:Art:Academies: represents yet another step on the (linguistic) migration from nation to nation, academy to academy, culture to culture, friend to friend, order to order, life through life. As with the first volume, Migrating Realities, any impossible contortions of English are this editor’s responsibility, and given the time constraints for this latest MigAA tome, there are sure to be some short-comings. But then, of all the movements within the social, language migrates the most of all. It is never static. Nor should it be, especially as it accompanies the learning process — a process which is essentially about encountering and naming that which is not (yet) known.

And so, now, one road comes to an end. The RV runs out of gas, the engine shudders to a halt. Or the asphalt gives way to gravel which peters out to a dead end, no further hydrocarbon-fired advance possible. You open the door, leaving behind the glass encased virtual reality of the drivers compartment. You set your foot down on the rough ground. You look around, feeling the hot wind on your face, the dust making you eyes tear up. You pick a direction. That ridge over there, the view should be good. You set out. Watching the ground, the terrain, the prickly pear, the manzanita, the saguaro, the cholla, noting potential sources of danger, listen for the tell-tale spine-shivering sound of the rattle snake. Each foot is placed with exaggerated care. You keep walking until exhaustion creeps into your joints and you lay down in the undisturbed soil. Everything looks different from here. You have changed you point of view through the motion that the body has provided over the years. You are different. The path you have forged and the pathways that you have followed have changed you. You have evolved. And now, you come to the end of the road. You have extended you life-energy as far as it goes. You close your eyes to the over-arching sky, breathing the smell of rain-touched sage and desert sand. And gradually you fall asleep to the smooth warmth of an up-slope southern wind. You are a transitory nomad on the face of the planet. But this is your home: eyes to the stars and sky, back to the earth, sinking into dreams of the stillness of constant motion and what wonders will be uncovered in the next revolution. In the dream there are no defined pathways on which to travel, all directions are possible, creativity exists everywhere, all the time, there is only the present, the now.

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assessments

26::September::2010 19:45 → permalink

And so, encroaching on the last major procedural hurdle before the doctorate goes to the external examiners (next year sometime). The panel assessment seems to be routine and bureaucratic. Public speaking in compressed time frames is no fun. When there’s always too much to get across in the extremely limited time frame, and the highly institutionalized context allows for negligible true dialogue. In some ways, the process is a deeply laughable (chortle?) imitation of what it claims to be, or what it once perhaps was. That is, learning as a process of open and sustained dialogue between two or more humans. Facing the unknown that each other presents, or both facing the unknown of what is, or what is out there. Contemporary ‘education’ is a thin and watery drool coming from somewhere up above — meagre remains of what’s left of a blasting monsoon of shared life that brings one to a deeply profound awareness of that-which-is. Instead we squelch around in evaporating puddles of shared encounter, wishing for more rain, and complaining about the weather.

Tomorrow, it happens. We shall see. No brolly, no Wellies…

So, over this hurdle, and maybe the final work commences, perhaps finishing earlier than scheduled, or at least that inspiring outcome is a concept on the radar.

Meanwhile, surviving week-to-week, in part through the acupuncture and massage treatments from Heiji Cho and some of the Chinese Traditional Medicine (CTM) students here at UTS. The gall bladder channel is the one being worked — to release rising yang from the liver. hmmm. The treatments work, they seems to diffuse the migraines that do show up and eventually, as is common, with any lock, the migraines will vanish. I am confident of this, and only wish I had come to this conclusion last year, or even earlier as these episodes interrupted life from time to time. The stress of movement came on such a regular basis, but there was no thought to find a source, find a working solution, a cure. It was only the process of gritting the teeth until a dark and quiet room could be found for the duration. Western meds never really worked, they only covered the symptoms at best, and in some cases a single pill cost as much as a full 90-minute acupuncture treatment session.

But choosing to undertake a treatment of what is known as ‘alternative’ medicine was always a difficult stretch. Despite input from trusted others who had benefited. There was the hardship of paying cash from the pocket to the practitioner when cash was never so abundant.

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end of the road

10::May::2010 20:17 → permalink

Start to try making time-lapse sequences from the immediate surroundings. Lousy and/or old equipment, a quasi-functioning power system, and the results show it. Add a portable generator, a better tripod, longer cabling, a 3-CCD camera with chip memory (ah to be free of tape!), and a laptop with a battery that lasts longer than the start-up sequence. I’m ready to cash in some of my retirement piddle to cover it. Maybe $10K I could get away with all of it, including a decent audio recorder? That, along with a better 4WD truck and I’d be part of the pseudo-elite for once. hah. So, anyway, now, marooned in Echo Park by the intense weather, (I was warned, fair enough, but I told the ranger that I wasn’t planning to come out until Friday next at least, anyway, so things should dry up by then, and that I had enough supplies for at least two weeks if not more). Stormy already today, late morning, humidity pulled the clouds up, and while attempting some decent time-lapses, it gets worse. What else is new? Maybe I end up sitting in the car just writing. There are rain filaments across to the north.

Cutting tamarisk growth behind camping site (#7) to feed the fire. Keeps mind busy, with flinging sharp blade biting into hard wood. No help around in case of an accident. This sharpens the wits. (more …)

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CLUI: Day Nineteen — SWAT

21::April::2010 10:59 → permalink

SWAT exercises, Wendover Air Base, Wendover, Utah, April 2010

Today, upon waking, there are two buses parked to the west of the hangar, a bit later, numerous SUV’s begin to pull up along with several official SWAT command vehicles and their teams from Winnemucca, Elko, and Wendover. It’s SWAT play. How to deal with a bus-load of terrorists/hostages or so. Several squads are lectured and engage in practice drills for the morning. I had originally been told by the airport management folks that there were going to be live-fire exercises at South Base, so we were surprised when this began to unfold in the back yard.

There is the fascination of playing Army, recalled from early days in the Maryland woods beyond the pond, beyond the corn fields, into unknown territories of abandoned farmhouses and hunting camps. Learning to make the sound of a gun and of explosions. And here, older boys, men, with very fancy toys, playing for their lives and the lives of their charges. Learning to stay alive, to save life. Learning to kill, or be killed. Learning to protect the innocent and kill the profane.

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routed, rooted

09::February::2010 09:22 → permalink

If everything now becomes about the Road: it all falls along that infinitely converging line, that pavement rising to the foot, hard, on occasion scraping the nose, the knees, or the palms; it is both that which is down-trodden, and the means to get there. A path for social flows, climbing, gathering, consuming, dispersing. Freedom, indeterminacy, hydrocarbon wastage, imperial protocols, signage, regulation, safety, danger, possibility, newness. On the road, carrying the old with oneSelf, in a worn knapsack, that which is old, known, important, very important.

So, three or four threads: 1) the Self on the road; 2) the encounter with the Other on the road; 3) the road as an expression of the techno-social context for human relation; 4) what to do on the road that cannot be done elsewhere or under other conditions — what the road proffers to life, how one gets there, that and imagining the end of the road (Oz! to meet the Wizard (or Sorceress) hehe, from the Yellowbrick Road to Oz, now ain’t that whacked!).

In that moment I was able, so to speak, to place myself in a future which may one day be realized. I saw not only what I might one day be able to do, but also I saw this — that the anticipation of the event was an augur of the deed itself. Suddenly I realized how it had been with the struggle to express myself in writing. I saw back to the period when I had the most intense, exalted visions of words written and spoken, but in fact could only mutter brokenly. Today I see that my steadfast desire was alone responsible for whatever progress or mastery I have made. The reality is always there, and it is preceded by vision. And if one keeps looking steadily the vision crystallizes into fact or deed. There is no escaping it. It doesn’t matter what route one travels — every route brings you eventually to the goal. “All roads lead to Heaven,” is the Chinese proverb. If one accepted that fully, one would get there so much more quickly. One should not be worrying about the degree of “success” obtained by each and every effort, but only concentrate on maintaining the vision, keeping it pure and steady. The rest is sleight-of-hand work in the dark, a genuine automatic process, no less somnambulistic because accompanied by pains and aches. — Henry Miller, “To Paint is to Love Again”

Writing on the road. The translation of movement and sensual input to text. Learning what filters to apply, what social protocols to apply, what protocols to transcend, what to hold, what to release. Discipline.

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technology fails

16::January::2010 10:15 → permalink

20100116 The latch handles on both the driver- and passenger-side door are broken. There is a certain geometry on the plastic lever-arm which, over time of repeated lifting motions, fails. So I have to replace them. The truck is relatively old, compared to the average age of vehicles on the road. I call the Toyota dealer nearby, and they want almost USD100 for each replacement handle. This is called an OEM part — Original Equipment Manufactured — a part which carries some of the branded weight of the maker and its record of quality along with a premium price (including a substantial markup to underwrite the existence of the dealer distribution system). Too much! I knew this would be the case before I called, but I wanted to set a ceiling price before looking elsewhere, online. This particular vehicle model was globally a widely-distributed frame, body, and engine combination and so there turns out to be a substantial non-OEM parts market. The only question is one of quality. Non-OEM parts online appear to be both Mainland Chinese- and Taiwanese-made with what seems to be a substantial US distribution presence in the form of highly discounted warehouses designed for online mail-order sales (with Ebay, Amazon, and their own web sales presence). I find the parts, in several styles (chromed plastic and black) for a small fraction of the OEM cost, USD 20 with free shipping.

Next, before ordering, I have to ascertain whether or not there are ‘issues’ that will prevent me from replacing the units myself. This might mean lacking special tools, or some unusual glitch of construction geometry that will nullify my amateur (but extensive) mechanical skills. I pick up a copy of a non-OEM repair manual for the vehicle at the public library and review the procedures before assembling the tools that I will likely need for the task. On a warm and sunny day I do a test strip-down of the door — memories of helping my father repair his cars on bitter-cold winter days still haunts my fingers. It looks like it is possible, and perhaps even easy to do the job (keeping in mind Murphy’s Law). It takes about 45 minutes with some fine-tuning of process, location and selection of appropriate tools, and such. In the process, I am dismayed to discover that a previous owner has made a modification in the form of two slices in the interior door-frame steel, creating a tab which was apparently bent out to access something, though I don’t see what or why this has been done. And to do that, they cut through the sheet plastic dust liner leaving no direct weather seal between the exterior of the door and the interior. This handiwork I read as a brute-force repair methodology. I don’t approve, one reason is that in the process of cutting the steel, the jerk has exposed edges which are a serious threat to my body wall: hands will require constant attention to avoid a potentially bloody intersection. The other reason is that the two cuts likely affect the structural integrity of the door frame itself, although not under normal use, rather in an impact situation. That and it just isn’t elegant. ach!

I go back online to hunt for the range of prices and to see if I can ascertain the relative qualities of the non-OEM parts. There are photos, but they are not large enough to see the difference between, for example, cast and stamped metal fittings, a big indicator of potential life-time of the parts. I decide to order one for the driver’s side door first to see what I get. The drivers-side handle hasn’t completely failed yet, but if it does, I would be in trouble — the door could not be opened from the outside! The replacement arrives a few days later. The distributor is in California which makes sense in proximity to the supplier in Asia and the market in that vehicle-rich state.

I compare the original (failed) part with the new replacement. It appears that they are of roughly comparable quality — given that both originals have failed. Apparently there is a convergence of a design flaw in the injection-molded lift-handle which then fails under repeat stressing (lifting of the handle to release the door-latch and opening the door). I doubt that I will still have the vehicle when or if the new unit fails. It is possible to learn other details by closely examining the entire mechanism — I can see that there is no objective gain to the functioning of the handle unit if I pull hard on it or if I pull out rather than up. This is a critical observation — cranking hard on the handle will not improve the operation or improve the potential functioning of a proper outcome, that is, opening the door. Noting this, I can see that too much force has likely been used, over time, to lift the handle, and finally stressing the plastic to failure. This is retrospective evidence of a user not being aware of the optimal or correct operation of the tool (the handle being a device for opening the door, as well as perhaps the entire vehicle as a tool to move oneself around).

It takes about an hour of twiddling and futzing for the installation, including some dropped bolts, and contortions required for the hard-to-handle geometries of parts-plus-fasteners-plus-limited-access. This is where experience becomes a desired quality. Each repair process may be optimized through repetition and experimentation.

For example, when almost completely done, ready to attach the inner door release handle only to find that I have not made sure the release arm is accessible in the handle hole in the door panel. Instead, it has dropped down while I was fastening the door panel snaps, so I have to remove the whole door panel again to set the release arm in a place rendering it accessible later. Many lesser and greater details make up points for optimization along the process. Usually the third or fourth time one undertakes such a task, it is quite refined compared to the tentative first round — nothing like the lesson of barked-knuckles on a cold day — embodied memory!

Lost fasteners are a familiar bane, though this time, with a specific twist. I am always careful where I place any removed nut, bolt, c-ring, shim, washer, whatever, and before I get to that point, I look carefully to see their configuration in situ for potential places where they might fall and be lost or inaccessible.

The instructions for removing the c-rings on the window cranks include a novel technique which I immediately wonder if it is a designed solution — another words, whether the original designers anticipated the removal concept and incorporated it into the precise construction technique — or is it an after-thought, arrived at by some clever mechanic who had done the process so many times that s/he stumbled on a quick solution. The instructions call for a shop rag to be slid between the window crank handle and the door panel and worked side to side to unsnap the c-ring holding the handle over the knurled crank-post. It works. But in my in-experience with the technique, I am not holding the rag completely correct. I put too much tension into it, and when I am disassembling the door panel the second time (to retrieve the release arm!), the rag snaps from my fingers and the c-ring flies off into some leaves on the ground. I hear it land, but cannot place the sound very accurately. Small, metal, somewhere in a circle perhaps 2.5-meters in diameter of messy vegetation. Forget it. Gone. I make a cursory look around, but it’s hopeless.

Otherwise, the process seems doable and, at a fraction of the cost of having the dealership do it, why not? It is satisfying and enjoyable through a combination of saving money and decent weather. Now, if it had been an electric door lock? The cost would have been minimum an order of magnitude greater, and probably would have taken five times longer to do by the complexity of the task. Basic user-fixable technology on cars is rare these days, and that evolution is a clear example of a loss of autonomy as tasks are surrendered to more and more highly trained technician/mechanics and digital diagnostic devices.

Gotta change the spark plugs and cables next. A thought which immediately jogs memory of stripping the plug threads by over-torquing a plug on my old 1966 VW engine, requiring a major dis-assembly of the engine block for putting replacement threaded inserts in. uff.

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the American Dream is only to survive

01::January::2010 08:17 → permalink

David Brooks, columnist at the New York Times writes in this commentary on New Years Day:

Many people seem to be in the middle of a religious crisis of faith. All the gods they believe in — technology, technocracy, centralized government control — have failed them in this instance.

I have always enjoyed his pragmatism and basic awareness of a wider historical context. It frames the American Way as (merely another) expression of a global continuum of human presence on the planet. And he seems largely to avoid the hybridized reli(geo)-political Destiny’s Child(ish) mentality that so pervades the fragmentary remnants of mediated public discourse in this declining nation-state.

I heartily agree with his explicit suggestion that an issue central to the balance between the individual and the State lies in the strength of faith in centralized authority, and the concomitant surrender of personal autonomy, obligation, and responsibility. The question of larger or smaller (more-or-less pervasive) government is embedded in the larger question of the presence and operation of all (centralizing) social structures — ones which are making inexorable advances in dominating the fabric of the techno-social structure of the country and the globe. As has always been the case, there is no monumental State or any other structure of social organization that can be everything to all people all the time forever. He is very correct to suggest that the great moral issue relates to the taking of personal responsibility — as an expression of autonomy from, not dependence on, any wider social system, (and I emphasize here, not only the State — it is only one particular label for social organization).

The purveyors of technology market their goods to the participants of various techno-social systems as a means to instill control and thus order on the chaotic and threatening world ‘out there.’ The marketing plan, now in its 2.500010 millionth year, promises that if you surrender some of your life-energy to us, we will guarantee that you will live longer. The explicit reward for purchasing is a few extra moments to procreate successfully. There is no mention whether this extra length of life is more or less than the time surrendered to the system — you have to calculate that yourself. The system is hierarchical with many (dis)functional) layers, with some surrendering more time, others using more or less time to manage that time surrendered by thousands. The point is — the same that Brooks makes — that the surrendering process, the giving away of personal responsibility in the process of confronting the Unknown, is where maturity fails. All the complex protocols of the advanced techno-social system that we participate in will not alter the fundamental characteristic of the cosmos: in archaic lingo things happen, have happed, are happing. And, as I remind students and others whenever I have the chance, technology fails.

Maturity comes from facing what is not yet known, learning from it, that and the presumed development of wisdom that experience brings over time. Learning is a process that arises in the embodied interaction of the Self with the unknown (or the Unknown — it is an elemental feature of the (human-sensed) cosmos). This interaction may exhibit different levels of maturity. A mature being, having experienced numerous encounters with different aspects of this Unknown will realize that this is how it goes — there is little or no chance that a new encounter will be any different — so, a degree of stoicism, with a calculated strategy to do what is individually possible would seem best. Immature encounters with that Unknown give rise to the anger of being affronted, snubbed, or even snuffed by the cosmos itself. The effrontery of the Unknown knows no limit. And when the Unknown is conjugated with the infinite, human anger is shown to be what it is, a destructive and ultimately pointless diversion of life itself.

Learning is also a shared process, or can be. Where the autonomous individual connects with those others around and compares notes. Collective experience does sometimes (conditionally) improve on individual experience. Completely ignoring the wisdom garnered from others makes for a very unstable existence, one that is counter to any organized social system. It may be fun, but it is risky and a bit mad.

(Back to one of the core questions) — why does technology fail? It fails because humans, those who form technology do not have access to infinite amounts of energy with which they might control all the rest of the chaotic energy of the cosmos. It takes energy to impose order on chaotic flows. No matter the height of energy-tapping techno-hubris, there is always a bigger flow of energy out there, waiting to obliterate the set of carefully organized protocols of power of puny humans. Things happen, have happed, are happing. All the time. At all scales, every where. Statistics are for reductive hindsight rumination, not prediction, as prediction is merely part of that marketing strategy. Buy into this now and you will gain a procreative edge. Your technology will not fail. But keep in mind, things happen, have happed, are happing. Of course, more things will happen when there is more autonomy. Hmmm. This is the problem.

And anyway, is death really vanquished when it temporarily disappears from the artifice of this ultimately short-term effort to control the cosmos? Of course, length of life is correlated with improved ability to ensure that life goes on into a future: that basal of all paybacks, continuance. But is there a correlation between clock-timed length of life and quality?

He had a good life.
or
He had a long life.
or
He had a bad life.
or
He had a short life.

or a combination of the above…

We face a choice in every moment: where to place our individual and collective lives on a sliding scale between a complete and dulling surrender to the creations of human artifice as brought about at some level in any social structures and the high-intensity madness of pure autonomy.

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movement and encounter

14::December::2009 10:13 → permalink

Morning, mourning notes on encounter, in no particular order.

It is on a pathway, the pathway, in the mode of movement, in the shifting of unknown situations, where encounter occurs. These encounters are traced with the full presence of the body and all aspects where they occur.

There is the general rule on a hiking trail, uphill gets right-of-way: those struggling and straining to make it to the top of whatever heights that you’ve just been on should be given precedence. It’s always a question, though, what the precise character of the encounter will be. Whether you have seen (or heard) the approach of an Other, through dense forest, or whether you round a turn to be confronted by a gaggle of silent walkers. Encounter is a culturally specific regime overlying that of the embodied, the animal. On trails in the West the density of hikers is generally low, except in National Parks which can see crowds as dense any on Fifth Avenue in New York City at lunch-time. This is one criteria on which to judge a trail — not merely the views afforded, but the number of people encountered. Escaping from human presence is as prominent a thought as what other ‘natural’ phenomena might be encountered.

Silence, or the absence of human-created noise, relates to presence of other humans as well as other beasts. While walking in bear country complete silence is not a safe option, so encounters with other humans in bear country usually begin at a distance, either with bells or simply boisterous activity. Encounters with bears are sometimes at a distance, but sometimes not. I have found that the presence radiated by large hairy carnivores with big teeth usually precedes any sight.

Bush-whacking is a situation where encounter with an Other becomes so rare as to evoke a certain fear if only from the statistical improbability of encounter whilst specifically not on a trail. Sadly, it is a probability that rises as the global population increases. Too many folks out there! And one has to be aware of the timing of the off-trail experience: hunting season is not a good time to bush-whack!

Enroute, one suspends the closed-ness of daily routine. The sameness of daily regimen is upset and in its place is the jarring uncertainty of arrival in unknown, medial, places. In between here and there. Starting point, ending point. Suspended animation is an apt term. Animate, moving, but somehow suspended by the vagaries of being someplace in particular, some nameable place, some identifiable locus.

It is in this liminal space, on the thresh keld, thresh hold, the border between the space of known nutrition and the potentialities of the unknown, where all learning and change takes place. As a setting for the encounter with the Other, partaking food, sharing nutrition with a stranger is an exceptionally powerful meeting of ritual.

Of course, there is the argument that says movement can be only in mind, and such mental travel is as efficacious in bringing transcendence as any physical movement. But the movement I write of here is not a simple Cartesian transposition of body, of point-of-view, it is the processural space of encountering the unknown Other. This will precipitate something of a shift in point-of-view, no matter how small in that Cartesian sense — it is the principle of change that matters — and in an open encounter, change occurs. This demands embodied motion. Turning to face the Other.

Over the years, I observe that I take very few photographs in the place where I live. With a few exceptions of concentrated exercise to see the unknown within the known, it is on the road where sight opens and newness brings that rushing tension of encounter. That tension, when unchecked, concentrates in the shoulders and subsequently crawls up the gall-bladder channel to root behind the eyes, migraine. Gotta deal with that. Opening the shoulders, the channel, to allow the movement of difference, the tension of change to simply transit the body without leaving damage in its wake. This will be a theme of movement. To pass through and allow a passing through of the energies of encounter.

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netart 2009 – VisitorsStudio

22::November::2009 07:37 → permalink

The following quick essay was for the last and final edition of the annual netarts awards from the Machida Museum in Tokyo:

Grand Prize for this year, the online platform VisitorsStudio, is not a complete newcomer to the netart scene — it’s been running as a live visual-sonic collaboratory for a few years now. As a playground, it offers many degrees of freedom within what appears at first to be a restrictive environment. But, isn’t it true that all play-places have limits? Your mother would never let you go off just anywhere and play. She would certainly approve of VisitorsStudio. The limits of VisitorsStudio lie primarily in the intriguing area of file sizes (more on that shortly). The interface is intuitive and straight forward, and without a steep learning curve, anyone can create mesmerizing works in no time.

The most obvious elements of digital mash-up play are the text, the image (still and moving), and the sound. Participants in VisitorsStudio may gather these elements themselves and using a rich set of live controls make compelling live mixes. There is an existing database of files to work with, or, you can prepare your own media library to upload and play with. This is where each sound, image, or video file is limited to a 200kb maximum size — you will be surprised at what can be done — the result is absolute proof that great things come in small packages.

VisitorsStudio is available for special performances and makes an ideal platform for educators in all settings who wish to stimulate imaginations with real interactive digital art — its not simulated and its not eye-candy. As a collaborative tool, it does not aggressively take the foreground in the process, but rather works as a solid and supportive background element for seamless play.

Of course, the best way to enjoy a jam session is with a heavy-duty sound system and a 72-inch plasma screen or a video projector. You will be the resident visual-sonic artist. But intimate small-screen solo play is also very satisfying. The best feature is the possibility for live remote partners and audience. Invite your friends half-way around the world to join you in a jam session!

Technically, VisitorsStudio needs only an internet connection and a browser running the latest version of the Flash plugin. And, hey, if we ask, maybe they will port a Wii controller to VisitorsStudio! Wouldn’t that be fun? Let’s play!

One of the Honorable Mentions for the 2009 netart award is SiTO’s gridcosm project which, if there ever was a primordial interactive play-place online, this is it. Gridcosm was initiated by Ed Stasny way back in 1997 as an outgrowth of SiTO’s live online image mash-up collaborations. That’s in the PreCambrian era of internet time! It even has its own Wikipedia entry! But gridcosm clearly tapped into something fundamental — with a fresh and accessible interface design; solid back-end code; and exuding a rare social sensibility of precisely what it means to collaborate online — there are hundreds of contributors. A dozen years later, the collaborative space is continuously full with a vibrant and evolving palette of personalities and plenty evidence of creative juice spilling out onto the screen. The acronym SiTO originally came from OTIS (Operational Term is Stimulate) which was the motto of the nascent online collective collaboratory back in 1994 or so. So, kudos to gridcosm for sheer staying power and what looks to be a lively future. How many layers does an artwork need to have for it to be classified as cosmologically significant? Visit gridcosm and discover the answer to this profound question! It’s an open project for anyone to jump into — as are all the SiTO collaborative projects — so, check it out!

John Hopkins, Sydney, Australia, 15.Nov.2009

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inconsistency

02::November::2009 11:14 → permalink

The language is based on joining and dis-joining, you see. That is, it’s a perfectly good language if we could use it properly. It has to be used as an artistic form and not as a rigid tool which is supposed to reflect reality exactly — reflect what is exactly. It’s like the notes in music. They look quite separate, but when they’re played, they’re not separate. — David Bohm, dialogue with E.Nada

A necessary feature of the thesis project is inconsistency. For it to be a rich learning experience, it should be variable or stochastic. How to achieve a creative inconsistency, then? Where changing perspectives and voices and models and worn pathways exists in profusion that is at the same time, not overwhelming. A sequence of statements (each a consistent sound-bite), with threads of difference demarcating their extent, applicability, and style.

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The Military

28::October::2009 08:14 → permalink

(extracted and edited from The Regime of Amplification)

The second example — though it is a much more complex combination of pathways in its geo-political and material deployments and in its interaction with the overall continuum of relation — is foundational to the TSS and is also a prototypical expression of amplification. It is even more a prototype than radio. Radio is merely one sub-system of what is ultimately a military organization.

A military system incorporates all the requisite patterns of an amplification system: input signal (the human population and other concentrated energy sources available to the TSS); amplification process (provisioning and equipping of the select grouping of people through the collective life-energies of the greater population of the TSS); the feedback system (communications, command, and control systems); and the output signal (the expression of amplified energy flow as a campaign to secure the viability of the TSS either by offense or defense).
(more …)

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education and standardization

27::October::2009 00:22 → permalink

Eduard Freudmann writes on the nettime list:

The Bologna process aims at an extensive convergence of European Universities with the Anglo-American education system. The aim is to enter competition in the global education market in order to strengthen university’s economic position and increase their research-dependent revenues. The establishment of regulative norms and the harmonization of standards are the basis and at the same time the precondition of this process: without standardization there can be no measurability, without measurability no comparability, without comparability no competition. Economization and the logic of competition are imposed at every level of knowledge production.

sotto voce: Standardization is inexorable as long as the Techno-social system has the energy input to expend on maintaining and propagating ordered sub-systems.

That energy input is, at base, the attention paid to it by the individuals who populate its institutional sub-systems.

When the Techno-social system runs out of energy input, it will gradually gain in disorder and degrees of autonomous freedom.

Learning takes place everywhere all the time. It is a mistake that you expect a state institution, an integral part of the Techno-social system to be a free and open system. It’s best to pay it NO attention and instead take your education fully into your own hands. Take your attention and give it fully to your peers, and you will learn everything you need to know. And at the same time, you will see the Techno-social system weaken as it loses your energy/attention input…

Leaning on/into the State in opposition only strengthens the reified/reifying bulwarks of State.

Walk away on a new self-determinate path and the State falls flat, a crumbled edifice of artifice.

Liquidity and Flow (rather than Solidarity) from Sydney, where the #2 source of GNP to Australia is Corporate/International Education — it’s right behind #1 which is the Extractives/Mining Industries.

Not much difference between the two, somehow. One extracts concentrated energy from the earth, the other extracts concentrated energy from the attention and lives of young people.

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many impressions, no time

05::October::2009 21:26 → permalink

where to start. what to write about (if there ever is time to write here). impressions, expressions, observations, actions. food shopping: Woolworths, Coles, and the thousand-and-one small Asian food shops, and Paddy’s Market, 7-11s for expensive junk food, Chinese, Thai, Vietnamese, Malaysian, Japanese fast-food. vomit stains smeared on black cut-basalt (rhyolite?) sidewalk paving. up-scale-chain consumer fashion depots line George Street, my commuter trajectory. old Ruger, Winchester signs over one empty shop-front, across the street from the Greek guy selling swords, Swat boots, and GI dog tags. the rest of the neighborhood Chinese-owned shops. restaurants with open fronts, tables spilling out onto the sidewalk, with one Lebanese place with hookahs. and the pubs, packed from Thursday through Saturday nights. late. girls with impossibly high-heels limp along tugging down impossibly short skirts that hike up and show pantied crotches at every tottering step. blokes, the NRL blokes, with bulging tee-shirts and vaguely Maori tattoos on biceps. and the suits. the business class. busy, very busy, very very busy. Japanese manga girls or so, adorned, liberally with things and things with accessories and feathered black hair and pale milky skin. Anglos, red patchy skin, (it’s the latitude), sometimes Tilley hats (I can’t bear to wear my new one at risk of appearing like one of these). baseball cap will have to do along with plenty of sunscreen on my UV-challenged nose.

the now-famous dust storm of ’09 I mostly missed except for the ubiquitous aftermath — a red layer of material as fine as chalk dust, such that, when wet, turns immediately into a dense pigmented wash impossible to really remove without numerous passes with a clean rag or sponge. the red morning I slept through, though I was aware of something irritating my nose and pressing on my lungs. the smell of ancient land laid bare through the efforts of hydrocarbon-dependent mono-culture farming. dust-bowl.

lunch with Morgan who just got into town a few days ago to work for CuriousWorks doing some workshops in WA (West Australia) starting on Sunday — six weeks in the Out Back helping kids tell their stories — Shakthi, CEO of CuriousWorks joins us. interesting organization facilitating creative learning solutions for under-privileged kids in under-served areas of the country.

alternating between productive dialogues, confluences, paths-crossing, and total wasted moments, with a feeling that the wasted ones are gone completely, life’s energy diffused into the cosmos. not to raise the state of being one iota. dark energy, dark matters. the moments understood are the opposite, streaked with Light and Lightness.

Rather than distribute a message to recipients who are outside the process of creation and invented to give meaning to a work of art belatedly, the artist now attempts to construct an environment, a system of communication and production, a collective event that implies its recipients, transforms interpreters into actors, enables interpretation to enter the loop with collective action. — Pierre Lévy

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open dialogue

17::September::2009 12:05 → permalink

What of the experience of an opening, an open, dialogue? Re-creating that experience of presenting the Self to a random collection of Others. Or to a single Other. I keep thinking of identifying, finding an Other who would be willing to have a series of dialogues that would be re-produced for the purpose of mapping out the initial space wherein the model (as script) is to be constructed. The script being a primary resource for a 60-80 hour workshop (which would never be used because the workshops are open systems and have to leave a script behind soon after starting). It would merely point in the direction for certain issues (resourcing them), giving a framework that is an optional (inspirational) component for the process. As a multi-modal hypertextual object within a social networking space, it would imitate/mimic the knowledge-flow features of a more traditional teacher (and little or nothing else — memesis of a teacher being a fundamentally antithetical concept regarding outcomes of learning!). Fundamentally, the workshops are about attentive presence, that crucial realized, actualized, and embodied facilitation process. You had to be there. (So, back to the conundrum of being and not-being when documenting, re-producing life.)

Memory — especially the memory of human encounter — is the tangible, real resonance between the Self and Other, arising through the movement of energies. Memory is a re-configuration of the energy-field that is called body; it is a dynamically persistent re-configuration of the Self. This re-configuration requires the movement of energy between the Self and the Other. I’ve been thinking about you a lot. That is the minimum requirement, and, perhaps is the only requirement, as it is the essence of the process of encounter. It is the encounter, and the flows that are the event of encounter (the Light coming from the body of the Other, the sounds emanating from them, their cumulative presence) which precipitate change in the Self. The only further commentary might come from a qualitative exploration of the flows, and the possible blocks to flow that are ever-present in relation. This view of communications does not fall easily into the traditional phenomenological tradition of communication theory. And indeed, most theories of communication that I have run across are tightly focused on language and meaning rather than any acknowledgment of a real and tangible exchange of energies that occurs in any human encounter (even when subject to the relative intensities of mediation which, in fact, are simply the presences of different forms of energy pathways imposed by cultural conditions (both internal and external to the encounter)). [burbling parenthetic expression, uff]

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keywording, filing

25::August::2009 22:36 → permalink

such a massive issue in a trans-disciplinary space. listing everything or nothing or SIPs (Statistically Improbable Phrases). maybe the SIPs would be the best phenomena, as it is a tangible mapping of non-standard word usage … mapping out new conceptual spaces. kind of like those emails from a few years back, spewed out by random text generators (or a thousand drunken monkeys reading the confetti of paper-shredded copies of Naked Lunch and pausing at spontaneously proscribed intervals to jot notes on where precisely those confetti-signs sent their proto-humanoid minds.

Ich bin mit meinem Dasein zufrieden(?)

oder

Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself. — Samuel Butler

heavy shuffling through the digital archive and web links to assemble something meaningful via zotero. heavy work, reading reading reading. some semi-classics to remind, and enjoy the luxury of reading to gain or revivify knowledge. Kittler, Grammaphone, Film, Typewriter; Latour, Reassembling the Social; Vygotsky, Thought and Language; McLuhan, Understanding Media, along with reviewing the already substantial library/bibliography assembled on my hard drive from the last 20 years of info-filtering in the media-sphere. dragging copies of all that into Zotero, slowly, along with hundreds of bookmarked sources, and then the keywording begins, starting the cycle. plenty of SIPs there.

such a massive issue in a trans-disciplinary space, etc…

Zotero, an open-source project, by-the-way, a victor today when a Circuit Court judge throws out a law-suit coming from Thomson-Reuters, makers of EndNote, the monopoly research/thesis writing/citation tool out there in academia.

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private juggling

23::August::2009 09:15 → permalink

reading older texts, reviewing the prior accumulation of texts and text files to get more organized, getting rid of dross. learning Zotero and beginning/continuing to structure keyword nets and document organizing strategies (before launching onto an abortive path with that). playing with this blog platform to see how I might best use it for this kind of documentation.

another words, building structures for words (and images, sounds, etc), places to hang words both for private juggling and public consumption. step one.

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tools to thrive

14::March::2009 22:05 → permalink

spend the afternoon at a meeting with a group of about 15 enthusiastic Mizzou students who are interested in fundamental issues around sustainability and social activism. the meeting (01:20 audio) was organized by the Open Sustainability Network Mid-Missouri, under the title Tools to Thrive. hosted by Richard Schulte, one of the founders of the Mid-Missouri group (which is connected to the umbrella Open Sustainability Network). OSN-MM is also the initiator of the Columbia Missouri Exchange Circle. Lonny Grafman, the featured presenter, is a lecturer at Humboldt State University and is the founder of Appropedia Foundation, the self-proclaimed sustainability wiki which provides a public platform for information on sustainable community practices along with pertinent knowledge-sets for implementation. Lonny is also the Executive Editor of International Journal for Service Learning in Engineering (IJSLE). He introduced some of his work in the form of a presentation Democracy Unlimited Humboldt County Rainwater: A Case Study in Open Source Community Action for Sustainability which explored community activism in deployment of sustainable (in this case, domestic rainwater gathering) systems. words: creation of human networks … the search for a deliverable … starts with a sonic ambient exploration a rainstorm … examples of rainwater sequestering … Bechtel in Bolivia … anthropocentric impurities … a lesson in rainwater catchments: free … local infrastructures generate independence / autonomy. Too many details at first. without the principles of appropriate technology use — public perception, policy situation, know-how, resources, initiative, currency in Humboldt … hemp paper, soy inks … Temporary Autonomous Zone break-out groups: creation and organization of more and better public art; bike-powered something; CSPAN (Columbia Sustainability Policy Action Network); local economy (in general); moving from thought to action; facilitating dialogue; sustainable creative activism; expanding the sustainability community; empathy and interconnectedness; rooftop gardens where possible on campus; community networking club celebrations, gardening; organizing / participating in one implementation workshop for a physically appropriate technology setup; less plastic use, healthy local food, teaching sustainability to children … sorry no more detailed notes, I had to leave right after the break-out sessions to meet Nick and Deb to look at houses. I cycle across downtown from campus to the Walgreens where I lock the bike and go in to buy a snack. when I come out I wander across the parking lot looking for Deb’s car. an chubby white woman gets out of a sedan and asks me if I need a ride. she says she normally doesn’t do that, but I looked like I wasn’t a killer and that she’d be happy to help me out. I say no, no thanks, I’m just waiting for friends to pick me up. mid-western courtesy? I’m wearing a black leather biker’s jacket, black jeans, black half-gloves and a baseball cap from Germany, and dark brown sunglasses. who’s she kidding? she must have been one of those mild-mannered mid-western serial killers. just then Deb pulls up. saved! Nick stayed with the kids, so we drive into the countryside to some small towns looking at houses. the area is really depressed, many empty storefronts on Main Street. and this area is relatively affluent compared to much of the rest of the state. it would be very interesting to travel through these areas and document what is happening. sustainability? indeed. things are not sustained here. help is needed.

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iDC dregs

19::February::2009 22:16 → permalink

iDC list gets annoying and rewarding at the same time. but what of life spent on the keyboard? the topic is teaching… and the transition of the teacher into the link jockey.

sotto voce: While the offerings of IP_based networks seem unlimited, and in rhetoric, the superlative of unlimited is often applied, I think it is important to keep firmly in mind that it is not a space of unlimited knowledge nor is it a space of neutral knowledge. And, also, in this time, it is not a space of embodied experience aside from eyes absorbing statically-framed EM radiation, ears hearing sounds disconnected from their source, and fingers twitching across a very limited place. Not to mention underlying ideologies which accompany each form of mediated connection (largely invisible but very much real) — among others, that of consumption (extractive resources, electricity, and thus, the globe-spanning world that we exert irresponsible dominion over). In this regard, the (limited)vastness of that knowledge-space seems a bit tainted and out-of-touch perhaps. Expensive and consumptive. Exclusive, reductive, and reified. A teacher is a catalyst, and is one who, simply by being an Other we encounter in life, presents us with the unknown. If we trust that Other, a world opens up that was previously unknown, and (if) we (trust enough to) apprehend and engage it, it changes us, we learn. This unknown world is sourced in the entire comprehensible universe, and is available through that Other. These encounters may take place anywhere, anytime, and can be had ‘for free.’ We need only ‘pay’ the Other with our attention, our life-time, and life-energy. It seems that in our formal techno-social educational systems, these potential encounters with the Other are (being) replaced by more and more socially-standardized systems-of-relation (protocols, curricula, government mandates, abstracted monetary instruments) which seem ever more intrusive to and even suppressive of potential open encounters. This limits the creative potential of the outcome. The cumulative effect of this social hyper-formalization-of-encounter — because learning occurs precisely at the edge of knowing, not within the known — is that we look elsewhere for the dynamic of coming-to-be (learning) that keeps us alive and growing. To me this is the ultimate source of the loss of vitality that affects the Education World, a vitality that ultimately does not rest on technological mediation but on human encounter. Yes, human encounter is always mediated by the vast range of social protocols and tools, and learning encounters may happen within highly mediated (‘virtual’) spaces, but when we allow those encounters to slide continuously into more and more mediated spaces, the life-time available for less mediated human encounter shrinks. I think that this represents a wide loss to learning, education, community, and creative potential as it moves to extremes and forgets what it is predicated upon — the originary encounter between the Self and the Other.

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thesis proposal :: Methodologies, Background, Timeline, Contexts

30::November::2008 14:49 → permalink

Concerning Particular Methodologies

Dialogues, Networks, and Collaboration — Much of my creative practice, research, and indeed, presence is built on the activation of robust and sustained dialogues with a wide range of Others both remote and local. These dialogues form a network. The most powerful situation I can imagine for creative research and production is an open human network. I am keen to engage on the ground with the Australian, Sydney-based, and UTS creative community. I am familiar with the milieu, having been in Sydney for six weeks in 2006 as a visiting artist at COFA, and I very much look forward to being there again. I have an extensive personal/professional network of Antipodal creatives which dates back to the early 1990s that I will be pleased to activate on a more face-to-face basis.

Distributed Performance — My own applied international research in distributed performance and tactical media over the last fifteen years is centered around synchronous live network-based social activities. Engaging a wide range of technical solutions, my work is a direct utilization of amplified digital networks as the locus for creative action. These areas of research experience include a variety of performance-based activities in theater, dance, sonic, and other expressive arts occurring in or augmented by collaborative networked situations. As a self-proclaimed networker, an area of core awareness in my research is the concept of presence — and how that human presence is directly and indirectly affected by any/all technologies that filter and attenuate that presence: how human expression across a network system is precisely formed and informed by the impression of the technologies used.
(more …)

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the last week

15::June::2008 07:11 → permalink

(sketch) the seminar ends in two side-steps which confirm the in-sustainability of that particular track of teaching — the holding to a(ny) model. it is an outcome in facilitating the participants to actually mutiny and go off on their own, rejecting authority and (s)lack, and with strong expressions of independence and a desire to find relevant subject areas for inquiry. when will this happen on a larger scale, across larger swaths of so-called learning spaces? there are limits to tolerance, this demonstrates, but can those limits be prescribed and stretched without pretension? or does any pre-tension doom the process from moving into at least an abandoned form of random encounter, instead into mere buffoonery.

well before the end it was already impossible to sustain a track, so that option fell by the way-side. at the same time, dialogues were undertaken with a ferocious concentration. this had the effect of gradually loosening any vestige of authority-in-relation in addition to any privileging of knowledge or know-ing. dramatic developments. and as the (post)authoritarian protocol became internally incoherent, evolving too many possible interpretations, efforts focused on relinquishing traces of control that the protocol demanded and instead the formation of a new protocol exclusive of the facilitator. did not compile the questions, such as they were. relevancy appeared to be attained, but through a desire to move back to traditional models of relation (the text). very interesting development. will have to re-think that framework. of all the thousands of possibly inspiring texts to consume, which will be the right combination? hmmm. cook book might be the best starting point.

a little awkward with the stylized ending, but as a sample in the extreme spectrum of idiosyncratic confabulation, very interesting!, or … not. ! a formative de-briefing is hoped for, but that will have to arise independently in other temporal spaces. perhaps easy to be cynical about the self and the situation, but human encounter arises in all forms, this being one of them. no qualitative judgment possible.

the cycling across town to Charlottenburg is fascinating, memorized now, the transitions, the corners, the sounds, the traffic. the tourists, the police, the Park, the City. the images and sounds are building up to something.

head to Lichtenberg for Barbara and Susanne’s birthday party, in a green garden shaded by an enormous and very healthy apple tree, late into the slightly chilly evening, a fire of large pieces of timber that clearly were formerly from houses. 25×25 cm cross-section, pieces several meters long, with nails in them. rafters from destroyed buildings. war relics. or reliquaries. incredible food. and a Russian accordionist.

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imaginary relevance

03::June::2008 04:39 → permalink

can a lack of imagination be overcome through intensive observation of the world-that-is? what is imagination? the dream of what-could-be? realizing that there are parameters of be-ing which govern imagining, what can be done to optimize the process?

and, only marginally related to imagination…

sotto voce (posted to brainstorms on back-channel communication and surfing in the wired classroom): I think one of the elephants in the room is the question of relevance. By this I mean — yes, the network provides channels to access information about the apparent subject of the learning experience. But what about the learning approach where a group simply maps their own understanding of a ‘knowledge’ space, and extends that space with their OWN ideas, relevant to their situation, rather than the constant referencing to what is becoming the standard (knowledge) ‘out there’ in the (socially-defined, dominantly-positioned) network. I believe this loss of autonomy of the local group of learners will have DEEP repercussions in the future. Indeed, it represents a loss of idiosyncrasy and autonomy of the learning process AND a deep dislocation of local relevance. It also represents a deep loss of diversity in the dominant social system. (a deep gain in conformity!) This might explain how students are finding ‘public’ education as a real learning situation ever more irrelevant and in need of being avoided or dis-engaged from at all costs.

People will pay attention to information relevant to their situation.

unfortunately, to qualify the last sentence, they will also be easily distracted when seduced into believing something is relevant based on external pressures rather that internal impulses. c’est comme ça!

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medialogies

30::May::2008 05:03 → permalink

month(s) end(s), hot Berlin. pushing 90F/33C. summer is here.

Annie points out that the incident team deploys monochrome, a project featuring a wide variety of electronic/network-based projects.

and then there is the blog/audio file from the RCA in London, a talk/discussion on Brazilian Medialogies – Systems of Learning with Carlos Villela, Felipe Fonseca, and Ricardo Ruiz.

fortune cookie:

All the passions make us commit faults — love makes us commit the most ridiculous ones. Lucky Numbers: 4, 6, 15, 19, 22, 46.

and on to meet Udo and head to a couple openings along with another session of dkfrf again to hear Ben, Michael and other’s perform. beforehand, on the way down, a slow cruise through Görlitzer Park, summer expression! afterward, sitting outside at a cafe talking until very late.

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current Capra

09::May::2008 20:42 → permalink

Lesson #1
A living social system is a self-generating network of communications. The aliveness of an organization resides in its informal networks, or communities of practice. Bringing life into human organizations means empowering their communities of practice.

Lesson #2
You can never direct a social system; you can only disturb it. A living network chooses which disturbances to notice and how to respond. A message will get through to people in a community of practice when it is meaningful to them.

Lesson #3
The creativity and adaptability of life expresses itself through the spontaneous emergence of novelty at critical points of instability. Every human organization contains both designed and emergent structures. The challenge is to find the right balance between the creativity of emergence and the stability of design.

Lesson #4
In addition to holding a clear vision, leadership involves facilitating the emergence of novelty by building and nurturing networks of communications; creating a learning culture in which questioning is encouraged and innovation is rewarded; creating a climate of trust and mutual support; and recognizing viable novelty when it emerges, while allowing the freedom to make mistakes.
Fritjof Capra

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Art and Teaching Philosophy

29::March::2008 06:35 → permalink

Art, at its social core, is the trace of an engaged pathway. A pathway that conducts the circulation and exchange of creative human energies as they are attenuated by a vast range of mediative (materialized) carriers. The artist is that person who opens and offers the Self in a directed seeking: to engage in a dialogue of human energies with an Other. Finding a proper pathway for those energies: transmitting: simultaneously receiving the expressions of the Other, this is the moving act of creativity. Creativity is the charged flow of energies between and through the Self and the Other over relative spaces and times.

These two proto-definitions are the basis of my art and teaching praxis.

Creative activities at the confluence of art and communication (science and technology) have an increasingly important role in cultural and social dynamics. The territory mapped by these activities, especially their impact on evolving social structures and networked systems, is an area of rich possibility and chaotic flows. As an artist, it is my interest to occupy the dynamic field of that intersection and, while exploring its fundamental characteristics, develop a deeper awareness of the process of human connection, exchange, and be-ing. Presence, as it may be variously manifest through mediation, is my primary “material,” and “genuine dialogue,” as Martin Buber expressed it, is my primary method. My research often explores the spontaneous unscripted abilities of the self to concentrate and focus energies and establish dialectic connection across more than just material gaps. In a space of indeterminate momentary outcomes, creativity finds a fundamental source.

The formation of material artifacts is for me an inspired activity and a specifically directed flow of energy in support of creative activities. However, I subscribe to a post-materialist worldview which transcends the mechanistic and Cartesian linkages between object and subject and instead looks at the energy content and configuration of a ‘work.’ One current area of exploration of this energy is the creation and constellation of ordered systems — archives or dataspaces — which I subsequently employ as sources in performative events and situations. These situations sometime incorporate artifacts, sometime rely solely on the momentary ambient environmental conditions, sometime cull the ordered space of archive; they all seek to establish a flow of the spontaneous and improbable. While I regard the material art-making process an important aspect of being — an aspect that allows for significant concentrations of personal energy and expression — I do like to approach it as an open-ended element of a wider practice where there is no defined ending point and change is the guiding principle.

TEACHING

As an artist, I am committed to the dynamics of the learning environment as a critical and important facet of my work. Teaching is a special case of the more general open situations referred to previously. I seek to create vital learning spaces — conceptual and physical zones where the exercise of free expression and spontaneous dialogue takes place — an environment that is both practical and experimental, realistic and fantastic, personally relevant and socially sensitized. I frequently build on my own explorations as an artist — using my personal creative experience as a referent and bringing my current creative energies and directions directly into the learning process. Personal rapport, dialogue, and humane contact are important factors in my conduct as an arts educator.

With the goal of defining fundamental conditions for personal and social evolution, my workshops are based in critical and dynamic dialogue over a wide variety of issues and concepts. I am against drawing arbitrary divisions between various concepts, cultures, disciplines, creative sources, and mediums of expression, but rather focus on weaving different ideological, conceptual, and especially personal energies into creative juxtaposition. The synergy of disparate trans-disciplinary energies and ideas through active communication and creative collaboration is a necessary element of inspired and relevant learning. Two specific roles that I take on is that of facilitator — to encourage open-ness — and information-source — to pass on to participants significant threads that I receive from my own substantial international network of collaborative connections working across the spectrum of art and technology.

I teach my students to accept and trust their own sensory experience in the world. In this process, they gain an inexhaustible energy source and free up their creative possibilities. I accomplish this by facilitating a trusting environment and stimulating connected collaboration. At any point in the dialogue between myself and the student, I would seek to engage at a level that is beyond institutionalized formality. My significant experience in second-language and cross-cultural situations provides my teaching activities with a certain independence from ideology-based systems and protocols. This makes the learning more transparent, participative, flexible, and spontaneous.

Any emphasis on language-based (and thus abstracted) theory needs to be balanced by intimate, practical, and principled exploration of the (materialized) actions of creativity to establish a lived practice. A student needs to be able to construct a finite methodology for approaching a new medium or idea — how to test the limits of a medium, how to stimulate experimentation without stifling spontaneous creation, how to build up discipline, concentration, and attention when working, and how to see critically and creatively while in vital interaction with the noumenal world and, finally, how to package their own human energies within carriers most appropriate to their expressive needs. Ways of working may and should be informed by theoretical understandings, historical precedent, critical viewpoints, but, most importantly, the establishment of this centered life-practice. It is extremely important that the student experience and identify specific life-long sources of energy where they might root their creative impulses. The creative oscillation between word and action must always be linked; and both, considered and used in concert, become an inexhaustible energy source and basis of a powerful practice.

As the writings of Paolo Friere discuss in detail, the teacher-student relationship should be characterized by a dynamic and balanced dialectic. Teaching is a truly human activity. Teacher and student are both the educators and the educated — learning is sharing. The measure of a successful learning experience may be drawn from how the shared wisdom comes into being in the life-practice of both the student and the teacher.

Outside the classroom, I am always interested in working with other artists and educators in creating new learning situations both on- and off-line, especially those that explore the rich textures of inter-disciplinary awareness. Being supportive of and supported by the academic community is crucial to the survival and growth of diversity. I am interested in dialogue and active consideration of the principle issues of higher education and am especially interested in the creation of projects and programs with international participation.

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sound constructions

09::March::2008 07:42 → permalink

just out of the second evening of sound constructs with Udo, Rinus, Jodi, Derek, Kim (remotely), and some other interesting folks. nice vibe.

31. The hacker class has an ambivalent relationship to education. The hacker class desires knowledge, not education. The hacker comes into being though the pure liberty of knowledge in and of itself. The hack expresses knowledge in its virtuality, by producing new abstractions that do not necessarily fit the disciplinary regime of managing and commodifying education. . Hacker knowledge implies, in its practice, a politics of free information, free learning, the gift of the result to a network of peers. Hacker knowledge also implies an ethics of knowledge subject to the claims of public interest and free from subordination to commodity production. This puts the hacker into an antagonistic relationship to the struggle of the capitalist class to make education an induction into wage slavery. — Ken Wark

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back home

28::February::2008 21:42 → permalink

last day spent at ISNM yesterday, apparently for ever. the school is in its final stage of collapse. although I wasn’t deeply involved in the establishment process, I did have some input when Hubertus, the founder, was framing the concept and curriculum back in, what, 1999, when he was in Kiel. or so. it’s clear why it’s collapsing in that the local politic is too conservative, the original vision of the school was not enough to counteract this. the few remaining students are frustrated and angry at the situation, as they probably should be. interesting group of students for my seminar. oral exams which were largely counter-productive to the learning process.

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more brainstorms

25::February::2008 16:59 → permalink

sotto voce (to brainstorms on the XO laptop deployment): And there is the entirely OTHER issue — that of autonomy. The techno-social system (in this example, the entire combined system that is providing the XO) deploys a device, it is not a simple movement of material items or even socio-cultural values (although that is the lever of most of the critique IMHO). It is also the tying in of that distant Other into that larger techno-social system — as soon as they begin using that device. The tying-in has a complex range of affects on the individual using the device. (Alluding to the attention issue, Howard) When that remote other begins to pay attention to the device (spending life-time which equals life-energy) they are removing that attention from a more local framework, and giving that attention/energy to the larger techno-social system. One consequence is that they become dependent on that system, another is that the system consumes that life energy in order to maintain itself (by the nature of a techno-social system). The distant Other is more-or-less bound into this relationship simply by using the device (independent of ideology or purpose!). The dependency expresses itself in an incremental loss in personal autonomy. If the device, now incorporated in the Other’s life, does not function, the Other is in immediate and critical dependency on that larger system. This fact alone is directly counter to the idea, for example, of locally relevant use of the device and goes a long way to suppress the construction of locally relevant learning ‘solutions’ as this deep nature of the device is very ‘corrupting’ (brings in all the values of that larger techno-social system)…

Prior to the introduction of such a device, there are greater possibilities (not necessarily happening, though, I will admit) of locally/individually relevant knowledge-building.

I am probably way too cynical at this point in life, based on experiential observation, though, to think that anything can ‘stop’ this globalized spread of the techno-social system. No political agenda has much power, no national government, no special-interest groups… it seems to be a bulldozer of humanity rolling ahead.

So, what to do? The only solution that I see is the reminding that all this system is built on the fundamental of granular f-2-f encounters of humans and we have to pay deep attention to the local Other first and foremost and definitely BEFORE engaging in the highly mediated techno-social dance of engaging the distant Other.

I apologize, I am sitting alone in a small flat in Berlin typing to you. I do not know my neighbors. I do not, in the moment, practice what I preach. We are already far down the road, soon (I see this in my students) we will forget where we came from. I will continue to remind them and myself. I’ll go meet a friend in a cafe in a couple hours…

that’ll be Brandon.

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after the full moon

21::February::2008 22:18 → permalink

this was a night of the full moon, and the eclipse which takes place here in the early morning, well before sunrise, deeply affects the character of sleep. noting the next total lunar eclipse to be seen in North America is on the winter solstice 2010. I’m there!

and, I still haven’t found a vessel to pour milk from for my tea. I bought a small tea thermos a couple weeks ago in Kreutzberg, one that holds four cups or so. I take this to the desk with a small clear glass to drink from. but as I have to have my tea with milk, I need a small vessel of milk. so far, I’ve tried every option available in the flat. everything spills or dribbles! I may have to buy some small milk decanter. maybe a special antique if it leaps across my path. this reminds me of a previous long-term search a decade or more ago for a decent letter-opener. I had a nice hand-carved wooden one from Ghana, but it split, and I was never able to find another which fit my demands — good design, sharp, safe, efficient, nice material.

I just want to drink my tea while writing in concentrated peace and not leave blobs of drying milk on the desk.

anyway, the writing process. uff. this morning I have yet another stupid realization about my own process (doh!). the writing can be a script, a prescription to action, a narrative about possible action. and my narrow thoughts around a substantive text as a necessity for personal viability in the social system is a phantasm. actions based in the ideas that are danced around in the text can generate that viability as well. actions are often promoters of ‘better’ viability. (what is viability anyway? survival, thriving, materially, spiritually?) I always imagined myself as a person of action, but there is at least some tendency to talk and to words. what is done as action is often in the passive mode (observing, recording). actions that grow from that process are of ambient character — that is, they take the form of atmospheric presences, not active stances, positions, opinions. opinion was not accepted as a child. yes, interesting. so now, the last word is important. teaching allows for last words, although I consciously ask, in a classroom, for someone else to make the last word(s).

sotto voce (to brainstorms): A quick thought popped up as I struggle with some texts, sitting here in my sublet flat in east Berlin. As a person, I like to have the last word. What a lousy habit! In the learning situation, I consciously ask for someone, at the end of a class, to have the last word. I am thinking I will incorporate this more formally — to the degree that I pose the question (either to a volunteer or not) “S_, How about if you make a short (one minute) statement that you consider to be the last words for our session?”

When I’ve been doing this very informally, the reactions are quite interesting, with people vying for a last word a bit (people being anxious to leave and such), and then suddenly a consensus forms and the class ends. I think I’ll have to play with that idea/dynamic. I have the feeling it could be a powerful tool to impress (literally) the learning session into the self.

so, one conclusion is that, yes, the creation of a performance/exhibition situation that illustrates the idea (the script) is just as good as writing a text about it. the only difference is the social scale of audience.

of course, the dialogue, the one-to-one, as I define and act upon it, is a powerful (socially?) transformative process. but the relation of that action to social viability is highly … disconnected? I mean, there is the direct connection between the vital process of creating and sustaining a human community around ones-Self, or of embedding ones-Self in an extended community and ones survival, but this definition of survival seems to be somehow oblique to that of larger scale social viability. am I missing something obvious?

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OSPC

28::January::2008 08:47 → permalink

busy day, at home online all the time — a performance to check out with Helen Varley Jamieson as hosted by Annie Abrahams’ Breaking Solitude project. along with some stream testing with the backyard radio people for the moving forests event later this week (part of Transmediale). meeting Loki for the first time in awhile for a decent conversation. and otherwise heavy multi-tasking that characterizes a day like this — sending out to local nodes my new contact info here in Berlin, trying to figure out when to see people where, and on and on. a brief foray out, taking the long way to another grocery store, walking in increasingly long circles to check out the neighborhood. haven’t found the organic food store yet. a bakery, but no organic grocers. no Turkish shops either. this is definitely different than other neighborhoods that I’ve experienced in Berlin — it is in the former East (ever-lingering eau-de-coal-fired-furnaces in the air) — although many of the apartment blocks have been re-furbished, there is a different vibe. hope to more specifically explore that in the next weeks.

I read with interest this reaction from Malawi from Martin Lucas on the recent iDC list discussion about Nicolas Negroponte’s One Laptop Per Child (OLPC) initiative. So I asked Martin if I could permanently host the text on neoscenes:

I have been reading with interest the discussion of the ‘hundred-dollar laptop’ and the One Laptop per Child initiative as I sit in Malawi, a small landlocked Southern African nation lodged between Mozambique, Zambia, and Tanzania. According to Wikipedia, the OLPC effort has its philosophical base in the idea that children with laptops will be able to do a certain kind of thinking that isn’t possible without the computer – exploring certain areas – particularly in math and science where computer access offers a qualitatively superior learning experience. Making such machines available at low prices should allow developing countries to bridge the ‘digital divide’, and leapfrog learning. Countries that have signed on include Uruguay. India has given a definite no. Either way, the OLPC initiative is an aspect of ‘development’ even ‘IT for Development.’ How does the initiative square with the reality of a small African nation? … more

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brainstorms

12::November::2007 21:40 → permalink

conversations with Volker and others range across vast spaces of cultural, spiritual, personal, and social thought and practice. as per usual. great!

I’ve been checking brainstorms more than usual lately, jumping into discussions with Howard, Bryan, Andee and many others on the topic of academia, education, learning, teaching, students, and what a struggle it is to be involved with this sector of the techno-social system.

sotto voce: In the 1:1 dialogs it’s usually a volunteer student, but, of course, a volunteer is never really a volunteer unless the power relation in the classroom is fully devolved into a truly distributed system. Which is never the case until the class is completely over and grades are posted — then the teacher can come into a more human-to-human relationship with the student in our traditional system. This is one reason I have maintained an autonomous nomadic status as educator. I can more easily set up a (more) balanced relationship with the students as I have no particular position in the local institutional hierarchy. Of course, there is the more difficult issue of my status as the teacher (which has to be devolved) … but I do devolve that as much as they and my own personality would allow … it is always a sliding scale, and I’d like to go further than I allow myself … in this, the fear of the unknown is a significant resistive force among the students and in myself.

Ideally, a class could consist of going around the group manifesting all possible dialog relationships between everyone, not just between the teacher and student — more accurately, there is no need of the teacher in this scenario anyway. In this situation, all are teachers and students both. In any case, this is a radical pathway which is a direct threat to business-as-normal educators/institutions because it makes them directly redundant, or, at most, facilitators.

These techniques are not specifically limited to f2f either — I will sometimes mandate a text-based 2-hour ‘dialog’ or phone call or other more heavily mediated type of connection to explore ‘virtuality’ and the attenuative affects of technological intervention.

Sometimes when I am lecturing, I do so with my back to the students.

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Art and Teaching Philosophy

20::January::2007 17:59 → permalink

Art, at its social core, is the trace of an engaged pathway. A pathway that conducts the circulation and exchange of creative human energies as they are attenuated by a vast range of mediative (materialized) carriers. The artist is that person who opens and offers the Self in a directed seeking: to engage in a dialogue of human energies with an Other. Finding a proper pathway for those energies: transmitting: simultaneously receiving the expressions of the Other, this is the moving act of creativity. Creativity is the charged flow of energies between and through the Self and the Other over relative spaces and times.

These two proto-definitions are the basis of my art and teaching praxis.

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vholoce

03::November::2006 14:32 → permalink

another Furtherfield review:

All phenomenon have the potential of being converted into infinite data-streams which become an archive of knowledge through which it is possible to organize social behavior.

Vholoce is one project in a long line of projects which seeks to creatively engage the ubiquitous data-streams that are flooding our virtual world. The rising flood of data is useless without sensible display. Visual (and sonic) display of digital data is a fundamental contemporary issue. But what is sensible display? Using a data stream as a basically random source for visual display is one way to play with the stream. The syntax of visual display (possibly) becomes the site for expression by the creative producer. The data-stream source, the method of (and reason for) display, and the overall creative process need to be interrogated in order to find the basis for type of digital engagement.

For the visual consumer, is it worth learning somewhat arbitrary visual display systems if the only outcome is the time-intensive distraction of indoor eye-candy? Maybe that is what is the norm is in this time — time-intensive gazing ‘out’ through indoor ‘windows.’

What did the Creek tribe’s word for cloud (or cloudy), vholoce, refer to? That which crosses the sky? That which brings rain, that which changes the colors of the world as it passes, that which clings to the ground in the morning? That which dances around the sun, that which covers the sky, that which imitates the forms of all things, spirits? What did the word mean to them, how did it operate in their system of being — as an evocation of life, or merely tacit knowledge? I wonder how a member of the tribe, in centuries past, viewed language. What function did that abstracted vocalization take on in the continuum of being in the world. Did the Creek have written language? Most likely they transmitted important knowledge through oral narrative. Did they value re-presentations of their world more highly than the world itself? How did they re-present a world that was simply an extension of the continuum of embodied presence?

The Creek definitely did not have windows, and except for sitting inside some kind of hand-built enclosed structure they could not escape the weather. They could not see the manifestations of the weather when inside. Hear and feel, yes, but not see. They generally experienced weather as a full-bodied set of sensations.

In places and times other than pre-Colonial North America, I may sit inside and watch the weather outside the window. There is a word in Icelandic gluggavethri meaning window weather. This suggests a kind of weather where it is much more comfortable sitting on the inside of the window than on the outside. Windows came to Iceland early, but glass was a premium commodity, so the half-underground sod huts of early Iceland might have only one 15 x 15 cm window set in a wooden door at one end of the hut. Better to be watching out this window than experiencing the full-bodied wrath of a winter storm, a rok, a storm with the power to remove life from the body. By putting the sheet of silicon dioxide between the body and the storm, a sort of virtual world appeared — one that could be seen but not felt. Toasty warm inside with the sheep, blizzard outside. A virtual situation is one where the full range of sensory contact is attenuated through technological mediation.

Science is a collective process of observation of the world along with the creation, testing, and refining of reductive models against what is observed. Science is not data. Data is a by-product of science. Technological development (not science) brings us devices which read the sky and other phenomena. The data is the detritus of automated observation, the excretions of these data collecting devices. The data coming from measurements of atmospheric systems is not science. Humans construct devices to read the world because they do not trust their own sensory input: if they miss something, or make a mistaken reading, they might die. This reading process is a reductive process, a mapping, it is not the phenomena itself. We can read material aspects of the atmosphere, even the microscopic constituents of the flux of things that we toss into suspension in it from our technological development. The notes from these readings are, at first, analog corollaries to what is being read, in a temporal or spatial framework. Voltages, deflections, alterations, charges, changes in time — distances, depths, widths, heights, volumes, masses. With the weather, the changes are in thermal activity, velocities, pressure, precipitation — generally changes in the states of the envelope of high-energy particles that surrounds the harder stuff that we walk upon.

So, it is worth it to point out that there are several levels of synthesis or removal happening here? First there is the flux of weather itself, then an analog device is used that reacts with that flux of energies. The change in the analog device is most probably measured electro-mechanically. The result of this electro-mechanical deflection is converted to an electronic signal which is then converted to a digital numeric value. This number is then related back to the original analog device and calibrated to give a ‘sensible’ number — that is, a reading that we might make sense of. These numbers are then compiled and posted via a global network to end users who might read those alphanumeric codes to ascertain whether or not to go outside or to carry a brollie if doing so. Rather than poking head out the window and taking a sniff, a look, and making a prognostication as to the future.

Reading is as critical in our system of social control as is writing. Now we have machines that are reading and writing for us. What does this mediation bring us? What are the lessons of the mediated narratives? Are they the same as the narratives of the stories told to us by others? Are they the same as the knowledge gained by direct sensory experience and insight?

We now store these stories as data in data spaces. Volumes of data packed as zeros and ones on a magnetized disk. Zero and one stories. We can retrieve these stories and tell them in time, as a narrative, or out of time, as a simple data space fly-through. Either way, they form streams. These data streams flow in the culture-scape.

The sky feeds us one temporal way, the screen feeds us another:

Watching cloud streams flow in the land-scape brings a knowing that indeterminacy is a ground state of being. Watching water streams brings us to dreams of the unknown — that-which-will-become. The sky becomes the present when we allow the radiation from the stars to leak into our body system. It is an arrival in the moment that carries us into the future.

Watching data-streams flow in the culture-scape brings a knowing of social relation. Watching data-streams brings us to dreams of that-which-has-been made. Data streams surround us, bind us in visible waves, susserations that sooth the harsh realities of the day. Mediation is about the past. When the weather system is in rising chaos, who wants to watch? Better to close the door, latch the window and watch the silicon dioxide screen. The Outside is dangerous. Unpredictable.

We are surrounded by glass screens showing us virtual life. So, we might as well make pretty pictures to feed our eyes if we are watching the screen instead of the sky. There is always reason to make pretty digital pictures, provocative re-presentations; make pretty pictures to play by, to live by, to die by. Whiling away our virtual indoor lives, Vholoce keeps us company, keeps us safe.

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back to teaching

22::October::2006 20:54 → permalink

reading Stephen Brookfield’s two recent books on teaching — The Skillful Teacher, On Technique, Trust, and Responsiveness in the Classroom and The Power of Critical Theory, Liberating Adult Learning and Teaching along with Parker Palmer’s essays on education as a spiritual journey, To Know As We Are Known. might as well be girding for the rest of a career in education while job hunting. weak areas include the feedback process, especially the short-term-feedback processes to gauge how students are coping with the course at different levels. this doesn’t apply to the 2-week intensive workshops which have a constant level of dynamic feedback running the entire time. but the idea of having two online forum log-in ID’s for each student — one an assigned user ID (or self-selected user name) and the second being anonymously assigned (pull the user/password slip out of a hat at the beginning of the course) and used for posting reactions to the class situation. this can include both posed questions from myself as well as ad hoc discussions on subject material, procedures, processes, expectations, and outcomes.

part of me likes this idea, while part of me sees it as just another way of artificially coping with the chasm that has evolved over the years where the teacher and student start off their relationship not from a position of mutual trust, but of adversarial suspicion and imbalance. this largely because of the (de)formative pressures of the social system that sees education as a key element in the hegemonic production of consumables. nothing more. many now see ‘higher’ education as a mechanistic successor of primary education — where primary education was the social mechanism needed to produce people literate enough to perform as a worker in the industrial ‘revolution;’ higher education merely fills the role of producing ‘line’ workers for the information ‘revolution.’ uff!

Popular escapist fiction enchants adult readers without challenging them to be educated for critical consciousness. — bell hooks

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jottings to iDC

11::September::2006 14:12 → permalink

sotto voce: A model is reductionist. A model will never be the thing itself. (A map is not the territory).

Consider an isolated individual — he/she looks at the world, receives energy into his/her body system. Recognizes patterns of flow, and behaves according to such patterns (over time)… (Learning). Building a model by which to interact ‘successfully’ with the flows around him/her.

OR, an individual is told the parameters of the model (non-experiential learning), accepting what an Other tells (because of the position of power-relation where the Other is more powerful in that social relation).

Science is a collective phenomena at the cusp between these two situations.

Which do we trust most? Our own analysis of the energy flows impinging on our body-system, or the system of the Other?

I believe that over-socialization — a global trend perhaps based on the simple facts of growing population and lessening room — is an inexorable force which demands the second condition to the exclusion of the first. The first is dangerous (to the social): unpredictable, unstable, and requires one to be living at the very front of experience, to learn in the moment, to exist in the momentary flow of being. The second allows leisure, taking the word of an Other about survival parameters, ‘good enough at this time.’

As a teacher I facilitate confidence in the first — trust in ones own sensory input — at the same time as acknowledging that we are products of the second system (more and more) which has interfered with the first process of immediate feedback from body system — embodied learning.

Technology is the means for a social system to codify and implement the (scientific) model such that it may be literally im-pressed on the sensory system of the individual (the collective hallucination). Thus, to counteract this process and to have embodied learning, the im-pressions of technology and of surrounding social system need to be removed (for at least a moment) to allow the individual to feel their socially un-encumbered body, and the flows of life that are impinging on it — without the intervention of non-experiential, second-hand socialized models.

Based on this description, technology is very problematic in that it socially codifies a point-of-view (worldview) which is then applied to the individual who is participating in that social system.

You can chose to trust the momentary sensory input to your system (and be marginalized by that same social system), or you can choose to assimilate into the social system and take on the collective worldview instead.

It’s a sliding scale of participation and reciprocal marginalization, but I believe we are sliding ever towards the second end of the scale. This slide precipitates the long-term denial of embodied and creative life in the stead of socially mandated ‘solutions for living’ like Songdo City.

Uff…

So, coming back to Situated Technologies — they seem to be the result of an (continuous) evolution of the social system — which is now intricate enough to apply/deliver these im-pression systems at an ever more individual/granular level to insure socially ‘proper’ worldviews…

yikes!

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Woodstock reminder

19::May::2006 09:50 → permalink

Woodstock

Well I came across a child of God, he was walking along the road
and I asked him tell where are you going, this he told me:
Well, I’m going down to Yasgur’s farm,
going to join in a rock and roll band.
Got to get back to the land, set my soul free.
We are stardust, we are golden, we are billion year old carbon,
and we got to get ourselves back to the garden.

Well, then can I walk beside you? I have come to lose the smog.
And I feel like I’m a cog in something turning.
And maybe it’s the time of year, yes, and maybe it’s the time of man.
And I don’t know who I am but life is for learning.
We are stardust, we are golden, we are billion year old carbon,
and we got to get ourselves back to the garden.

By the time we got to Woodstock, we were half a million strong,
and everywhere there was song and celebration.
And I dreamed I saw the bombers riding shotgun in the sky,
turning into butterflies above our nation.
We are stardust, we are golden, we caught in the devil’s bargain,
and we got to get ourselves back to the garden.
— Joni Mitchell

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Varela

12::November::2005 16:35 → permalink

Unless we accept that at this point in intellectual and scientific history that some radical re-learning is necessary, we cannot hope to move forward in the compulsive history of the ambivalent rejection-fascination with consciousness in philosophy of mind and cognitive science. My proposal implies that every good student of cognitive science who is also interested in issues at the level of mental experience, must inescapably attain a level of mastery in phenomenological examination in order to work seriously with first-person accounts. But this can only happen when the entire community adjusts itself to the corresponding acceptance of arguments, refereeing standards and editorial policies in major scientific journals, that can make this added competence an important dimension of a young researcher. To the long-standing tradition of objectivist science this sounds like anathema, and it is. But this is not a betrayal of science: it is a necessary extension and complement. Science and experience constrain and modify each other as in a dance. This is where the potential for transformation lies. It is also the key for the difficulties this position has found within the scientific community. It requires us to leave behind a certain image of how science is done, and to question a style of training in science which is part of the very fabric of our cultural identity. — Francisco Varela

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reflections on the classroom

25::October::2005 22:54 → permalink

to the IDC list

sotto voce: Although, as a University educator — I agree with John’s appraisal of the condition of the contemporary educational institution (having taught in around 50 institutions in Europe and the US), there is this critical area to consider: yes, the classroom has not undergone a physical re-design, but perhaps it doesn’t need one. When the door closes, it has the potential to be a space for transcendent encounters between the participants IF the oppressive effects of the fear that is instilled by the dominant educational system in both student and teacher — the fear of nonconformity, the fear of personal idiosyncrasies, and the fear of the unknown — if the fear is mitigated. I believe this fear is a result of the accumulation of pathological (unbalanced) relationships that are mandated between humans when operating in hierarchic situations. If, as a facilitator, I can make even a small breathing space by establishing a trusting relationship among the participants, a space that allows at least a consideration of the powers that cause the fear to begin with, I feel that I have been successful. Of course, it is important to go beyond an awareness of the effects of oppressive social relations, and move into a radical praxis that opens all possibilities, especially the possibility of fearless encounters between the Self and the Other. This, I believe is the essence of learning — the fearless opening of the Self to the unknown Other, the willingness to empathetically share a point of view with that Other.

The physical/material nature of the room itself does indeed have built-in to it the accouterments and arrangements of power and control. But it is possible to do simple things like re-arrange the furniture. this simple act alone cracks open the situation. Sometimes, for example, I take all the furniture in a space and before class I pile it all up in a corner. Watching the reactions when people come in the door, and in the instant that there is a the registering that the situation is anomalous, the participant facing an unknown. It is in that moment where something can happen. It’s also nice to have participants “curate” changes of venue where everyone can meet. Having a ‘class’ in someone’s living room is sure to shift things. It is called a Living room for a reason…

Too often I have seen “new media” curricula that miss the crucial ramifications of what “new media” has inflicted on the social structure — where there is the teacher and the students, interacting in the same old form of power relation. Yes, the subject of inquiry is ‘radical’ and suggests other ‘radical’ ways of behavior within the greater social system, but often the dynamic of classroom relationships do not reflect the suggested realities of the subject of inquiry. I have found that it is of paramount importance to facilitate (and participate in) a evolutionary set of relationships that may start from the traditional teacher:student model, but transitions to a distributed human network during the course of studying “new media.”

Furthermore, without establishing a lived praxis, the radical possibilities of personal and social transformation are largely missed. I think this is a fundamental weakness of the vast majority of academic programs that seek to engage “new media”: That within the classroom, it IS business-as-usual. Of course, there are exceptions which usually are a result of the efforts of individual teachers. It is rare for an institution to move itself into a space which denies the efficacy of its institutional structure. It does happen, but it is rare.

I have found crucial to my own praxis is my position within the local hierarchy — for the last ten-plus years I have maintained connections to institutions through personal relationships of people in those institutions. From this, come invitations to conduct workshops or seminars, where I am able to maintain a degree of independence from the local politic. This independence has great value as my relationship with the students can be much more frank and open in most cases. Often, the workshops include in-depth critics of the hierarchic situation that the students are in — discussions that evolve openly from the content of the workshop (for example – networking and creative action) — and discussions that lead to practical awareness and actions that are immediately relevant to actual situation of their lives.

Of course, I personally pay for this independence in the lack of economic security that the social system mandates for people who follow non-traditional behaviors… Sometimes the price seems too much, and a “permanent” position seems attractive, but usually I can dispel that illusion with a phone call to tenure-track friends. ;-)

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deCrypt0graphic

10::April::2005 21:36 → permalink

Josephine, the dynamo-hostess at funksoup asked me about adding a aud/vid stream to a live/situated performance called deCrypt0graphic she was choreographing as part of the Music for Peace Project out at Stony Brook University, so, fresh off the desert intensity, jump into practicing yesterday, then the performance runs today. she needed some Morse code remix, so I was able to dredge up a series of recordings of my father’s from his days as a HAM radio enthusiast — practice tapes for learning Morse code, along with real message transmissions from some of his radio friends. remixed that along with the audio from the archive. I’ll be uploading some sample aud/vid clips shortly…

Dedicated to cultivating peace as both a means and an end, the Music for Peace Project creates a global celebration of peace and provides a voice for the vibrant community that believes in peaceful solutions for the future.

these remote things, never know what is actually happening at the other end, so, there’s always a bit of a sense of dis-satisfaction, not knowing whether one’s outgoing stream has any relevance to the located ambiance at the receiving end. but Jos is great to work with, so it’s always a good vibe. dunno when we will ever meet. she had a Fulbright over at deWaag in Amsterdam, with Guy and the anatomix crew, that’s how we met, remote, when I was on the NIFCA residency in Helsinki last spring.

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back in the West

07::March::2005 10:22 → permalink

Marcus gives me a paper about Bernard Noël.

What is it to be face to face?

From the depths of the window comes
the self that is not other

Through the eyes he casts
a cry of smoke

Then the knowing is
the torn off fingernail

Head and knife are cold
in the thought

and this excerpt from the powerful essay “The Delicate Oppression”:

Therefore, behind the appearance of a free and universal culture, is the attempt to seize entirely the cultural field and the mental space of cultural subjects, transforming them into simple consumers. The mechanism of this transformation is so simple in principle and practiced so regularly, that it becomes imperceptible as soon as it goes into action. It can be summarized in the following way: every cultural action always involves a certain effort of comprehension, learning and of listening, its movement leads to an exchange of pleasure. Cultural consumption, on the contrary, only requires a bit of passivity. A show serves as mental activity, an activity which is only agitation and ends by discouraging reflection, to the advantage of the voracious appetite of ones own nonsense. It is sufficient to sit in front of a television and watch, in a totally natural way, and what you are watching will drag you into its movement and become your thought.

this would apply to any form of re-produced, re-presented cultural manifestation, and in-authentic constellations of be-ing. so, again, a reaffirmation of the power of authentic be-ing in the world. not a retreat or return to some ‘primitive’ state of living, no Luddite protestation by refusal or opposition, but simply an awareness of the extreme psychic danger inherent in the collectivization of human expression.

noting the yet significant differences between Czech Republic and Germany. like the cost of rail travel. it will cost me more to get from Dortmund to Rösrath today than to fly from Prague. and if I was doing the same trip in the East, it would cost about a tenth of what it costs here in the West. no wonder people are making counter-migrations to the East. though there seemed to be fewer Amurikans evident in Prague these days, there were plenty from other places. not much to say. en route on an ICE train right now. deciding the connections to make. surely a ‘nicer’ system here, but not to a degree to justify the cost. the long-distance rail runs must be getting killed by the short-hop discount airlines. what does competition do to a previously nationalized system? it forces privatization. Frieder was mentioning that there are now private regional rail lines (actually they share the same rails), that was a surprise. it would be a pity if they move in the direction of the British Rail system which is a real mess. ach. whatever. doddering words here. full of nothing. noticing that International equity market funds are pegging a good upward stride this last month.

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ram6.1

25::August::2004 22:08 → permalink

ram6 starts. breakfast brings many folks out from closed hotel doors. Nomeda said that we are the only people checked into the hotel for the duration — it gives the feeling of a large house. soaked on the walk up the hill to the Contemporary Arts Center. find Kim working so we go have lunch until the opening session where the workshop presenters introduce our respective plans to let attendees know what they can choose from. as usual my speaking is a bit cryptic, but there is a line of people afterward asking good sharp questions and it ends up I have an overflow. a bit wishing to be an attendee only, though, to catch Kim’s, or Sara and Derek’s workshop, for my own selfish reasons. and with thoughts to tomorrow, making the core decision to follow praxis by theory, rather than the other way around, at the beginning of the workshop tomorrow morning. simple risk, though taking risks in a teaching situation is something that is more than less difficult, relatively, though already the deep risks inherent in many previous workshops prove the worth of each step in the direction a distributed and autonomous learning. facilitator, not teacher. or so.

also was thinking I have to improve the content of the travelog photos. they seem stale. I don’t do many portraits because the medium of digital snapshots seems so … unstable. and unsatisfactory – primarily because of the delay, the ponderous e-lapse from the time the shutter release is depressed and when the electronic shutter activates. impossible. so I stick with architecture and static life.

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randomsystem workshop

17::April::2004 21:18 → permalink

early in to notam to do email, Kim Cascone gets there shortly thereafter. great to finally meet him. randomsystem workshop starts up. energy begins to coalesce, form. hypostasis. configuring, constellating. such is the vibe of the synchronicity for dropping into this moment that, well, it seems right. what more to ask? clearly a moment in time and a place (both only dance with concepts that Newton was cruelly ignorant to pin down!)

and all the streams of living, they seem so convergent to a transformation that will be complete. someday.

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equinox

21::March::2004 13:08 → permalink

the equinox. walked some in a peace march yesterday. a thousand or so people marching down Alexanterinkatu and Esplandi in the afternoon. another performance, ambient, with sigma at Koetila in Kallio. the bad-ass neighborhood in Helsinki. mkk and others are there.

all day laundry and working with Reason, slogging through a learning curve, but make some good progress — enough to realize it will be some time before I can use this as a sonic production tool. living in an ice-bound snowy citadel. Sunday. with no place felt to be gone to, except the cerebral ones. along with the general drift into (snowy) work. or chilled leaden ambulations with, for the moment, balanced footsteps.

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