radio aporee presents flickering wastelands IV: another round of the 48-Stunden-(Berlin-)Neukölln Kunst und Kulturfestival at Udo’s place, so I prep this 30-minute video piece of flickering wastelands from the Wendover residency, et al. Ambient sounds included.

The platoon practices having their fixed machine-gun and observation emplacement attacked from a line of tamarisk bushes about 100 meters north towards the rail line and the interstate. Overhead, fighters prowl and engage. The heavy machine gun shakes the windows. The assault rifles sound like small fire-crackers in comparison.

The choppers take off in formation at 09:00 to the west, towards the Toano Range. No decent audio of that as the H4-Zoom is completely worthless recording anything in the wind, a constant feature of life here in Wendover (Wind-over). Really a drag, so that no decent outdoor recordings can be made, period. I just can’t justify the USD 75.00 wind sock, although if the effort is being made to do all this recording to begin with, what’s the point having lousy equipment? Of course, there’s always a higher-end regarding tools. And access to various steps on that sliding scale of quality is largely determined by affiliation to various levels of participation in the techno-social system. Consumer, pro-sumer, employee of a national broadcasting service. And the level of use of archive material depends strongly on the relative quality of the equipment used in the recording process. ach. It comes back to the issue of controlling natural energy flows through technology. The more energy I can exert (read: deploying more expensive systems), the more order I can apply to the system. More signal, less noise.