archive for March::2010
enroute
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At Linda Leas cafe in Kanab, locals, non-Mormons pursue another religion, worship of java, across the street from the Church of Jesus Christ of Latter Day Saints. After the first night out. Wishing for a 4-wheel-drive vehicle to give a greater degree of risk possible. Snow or rain threatening in forecasts, and bentonite clay roads are impassable when wet. The guy working the BLM desk, old, over-weight, tobacco stains his white mustache brown, makes the warnings. He has to talk to foreign tourists and downstreamers a lot, surely. Folks who haven’t a clue about how it works out here. The Grand Staircase – Escalante National Monument is so large, and the country so unforgiving, surely they have to scrape up the dessicated or flash-flood saturated remains of folks every year. On the other hand, this is no monkey-wrench territory anymore, it’s just a place for cheap virtual entertainment via wheeled vehicles with windows. Maybe some stars glimpsed, a whiff of juniper blossoms firing off tart pollen.
Typing like I can’t get over it. Wanting to find something to use, utilize, make happen, profit from, in this movement, this travel, across these space. Spaces that have so little to offer in transit, and less to offer when living, settled, in them. Nothing arrives. Nothing comes. Even with some caffeine enhancement via cappuccino. (Cappuccino here, wondering about the spread, propagation, of cappuccino across Amurika). In territories defined by the dominance of thin and watery drip-grind served by waitresses named Flo or Blanch, in stainless diners. Now, instead, cafes with multi-colored chalk menus on the walls, starting with espresso, then cappuccino, then lattes, and so on, with as many permutations as the local consumers demand to enhance their sensibilities. Retro interiors: Naugahyde, Formica, Vinyl, Linoleum, garage-sale vintage, cluttered.
Accident intrudes on the evening hunt for a place to camp. Again the bentonite clay plays a significant role. Up from Paragonah, into the National Forest a few miles along Red Creek Canyon, and the road starts to get wet, then snow-covered, no match for my vehicle, reach a zenith and decide to backtrack. With no turn-around except back a quarter-mile, I start backing, and a bit too fast, get caught in some old tracks in the mud and bingo! In the very muddy ditch up to the axle, with an overhanging branch almost completely ripping the bike rack off the roof. Shiite! Climb out the passenger side window, shaken, cursing, looking at the graying sky and approaching dusk, and knowing the forecast for bad weather.
→ comment→ cats:: clui residency, project, thesis
→ tags:: accident, car, consume, documentation, en route, images, knowing, loss, methodology, movement, night, place, process, road, roads, sky, space, stream, techno-social, the road, thesis, travel, travelog, vehicle, virtuality, water, weather, window
Union Pacific engine change
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→ cats:: aporee::maps, audio, project
→ tags:: aporee, aporee::maps, audio, human landscape, phonography, project, sound
Linda Leas Cafe
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→ tags:: aporee, aporee::maps, audio, interior, phonography, project, sound
181095
Eagles Landing Texaco, 653 West 1400 North Street
5.367 gallons
$3.199/gallon
$17.17
→ cats:: travelog
→ tags:: hydrocarbon, travelog
180949
Shell, 51 East Center Street
4.691 gallons
$3.069/gallon
$14.40
→ cats:: travelog
→ tags:: hydrocarbon, travelog
on the road again
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Heading out on a three-month road-trip. Tailwind across the reservation at least part of the time. Embarkation for slickrock and slot canyons, salt pans, playa, and rotated fault-blocks. Heavy tailwind expected, along with winter weather for the rest of the week across the entire west. Hope to appear, unscathed, at the other end in Wendover.
The road fills the head with eye-blink disorientation. Transient fragments of thoughts thrum along in no order, no rhythm, as unconnected as any sequence of fated events: reflecting fated events in mind-eyes. Too much seen outside the window, beyond the amorphous silica barrier. And too much not apprehendable because of that attenuated presence versus the full immersion. (Virtual) movement. Looking for roadside memorials this time. Something to lock the thoughts into the reality of mortal coil. Find a few. Stopping for them is always a bit tricky, especially with a 65- or 75-mph speed limit. I drive a bit slow with this old vehicle of mine, and slower still so that once I spy a cross of some sort, I can safely stop on the shoulder. To die on the same stretch of road somehow would not be auspicious; under the wide silent sky and red cliffs, stars, with the smell of spring sage in the air. Wind passing through shredded plastic bags caught on the barbed-wire fence. A small golden bell tinkles vacantly, tied to a wreath of plastic flowers shivering in the wind.
What is the difference between that which is containable in the reduced tracing of recorded, reproduced, recreated image or sound and that which resists the reductive process with an impassive tenacity, no, a passive and eternal persistence. The difference lies in what the observer brings to the reductive process and what the hearer, viewer brings when consuming the reduced trace. It has little if anything to the originary energy of the thing, das Ding, das Ganze, itself. The emanations affect the reduction, there is a direct correlation, but in the technique, the process of reduction is deeply tied to the techno-social. No way to decouple that. (Or is there?)
All the way from telling stories to making movies to painting canvases to building houses.
What is the advantage of shunting the energy of a situation through more and more of the techno-social domain? Or does it matter at all? Compare (telling) stories in person about an experience (sono-linguistic reductions) with posting digital photographs online (visible radiation reductions). In principle a reduction is a reduction is a reduction. And when compared the the situated phenomena itself, any and all reductions are not the thing itself.
The dam at Lake Powell, as with the Hoover, a high-security zone, protected by hired guns. No bags allowed in the visitors center. Celebrations of all that the techno-social can bring to the merely social, along with a big-screen overview of the lake at 59-percent-capacity with a fat white bathtub ring contrasting the red rock cliffs. German tourists debate the advantages of the Best Western versus the Quality Inn motels.
→ comment→ cats:: images, travelog
→ tags:: auspicious, difference, digital, eye, flow, images, matter, mind, movement, natural landscape, pain, presence, process, reality, reduction, road, road-trip, roads, security, sky, sound, speed, techno-social, the road, thesis, travel, vehicle, virtuality, weather, window
visitor’s center ambience
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dam overlook
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dam bookstore
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180860
Maverik #398, 701 Tunnel Road
3.607 gallons
$2.919/gallon
$10.53
→ cats:: travelog
→ tags:: hydrocarbon, road, travelog
180729
Circle K #5922, 5650 North Highway 89
3.945 gallons
$2.909/gallon
$11.48
→ cats:: travelog
→ tags:: hydrocarbon, travelog
180626
Circle K #1995, 3101 Willow Creek Road
4.889 gallons
$2.989/gallon
$14.61
→ cats:: travelog
→ tags:: hydrocarbon, road, travelog
pre-CLUI logistics
Prepping for CLUI. Planning the route to get there, looking at Google, marking trajectories, downloading info on the National Forest areas. Bookmarking relevant info. Scanning the weather charts, prepping the vehicle. Fluid top-ups, system checks, gnarly winter tires on (gas mileage goes down, argh). Weather does not look good at all. Late winter travel is never risk-free. Pacific storms can roll in every three or four days around this time of the year — and one of these can paralyze travel for many days at a time, depending on the intensity.
→ comment→ cats:: clui residency, project, travelog
→ tags:: logistics, road-trip, system, travel, vehicle, weather
Aether9 performance stream
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Mari invites me to join the Aether9 crew for a live improv video feed for Camp Pixelache @ Pixelache at the Kerava Art Museum in Kervo, Finland on a cold day in March 2010. I got up extra early and sent a live sunrise feed from Prescott, Arizona to the exhibition half-way ’round the world.
→ cats:: audio
→ tags:: documentation, exhibition, human landscape, performance, performances, praxis, stream, video
fundament

CLUI residency looms on a completely other tectonic regime. Travel to that point will traverse no zenith, instead will follow flat-lying salt-pans after The Canyon and other intense impingements on the eyeballs. While the volcano simmers on Fimmvörthuháls, Ice Land.
“When stars form, they form from the collapse of a cloud of gas and dust. And in the process of the gas and dust falling in, it doesn’t fall directly in — it sort of spirals in slowly,” Fazio says.
He adds understanding a star’s formation may someday help astronomers understand the formation of our galaxy. “How did we get here, and where are we going? That’s what we are trying to understand.”
Seems to be a basic couple questions. Both which eliminate religion from view when religion posits irrefutable answers to both, without exception. And which suggests the social role of science (what else is there?) approaching the same role as religion. The feigned disentangled observer in science is immersed in such wide pursuit while playing with little bits of material: traces of answer to those questions. Or merely caught in the race that dominates this time — that between religion and science. One proceeding from apparent Truth, the other converging on it.
→ comment→ cats:: clui residency, thesis
→ tags:: eye, natural landscape, process, questions, quotes, science, socio-cultural, travel
short refractions
This is the result of our trajectory, what we have done to this point, how we have proceeded: or is our trajectory a result of this? The cumulative affect we have as a form of life on this place. With the messy convolutions of relation that accumulate, stratigraphically, on be-ing. No flat-lying sediment with seasonal and measured pulse. Glacial, tectonic, up-heaving fossil be-ing exposed as scarified, reified tissue. How to excise, release, revive once fluid dreams from these frozen remains. Or is it impossible that once laid down from embodied flow, these traces contain only the form of life gone, drained of all strength, all presence, and any forward driving impulse.
Feigning indifference when chunks of life are covered over, awaiting the slow micro- crystallization of silica replacement. Rendering to glass all that came before. Glass to look at, to look through, and to see refracted life; to see the myriad pretty and terrible colors of it all.
→ comment→ cats:: travelog
→ tags:: action, difference, dreams, driving, flow, glass, pathway, place, presence, questions, travelog
ai caramba
The medium is the message.
The medium is the massage.
The medium is the censor-ship.
“etcetera…..terra……
and what remains…………..”
→ cats:: texts, third party texts
→ tags:: a.zega, third-party
life, living
Humans approach the ‘criticality’ of the global situation from a very species-centric view. (of course). If one looks at the flow of the continuance of life throughout its entire trajectory (back to we-know-not-where and we-know-not-when (and we-know-not-how)) — it is quickly noted that all species are transitory to one degree or another. Is there anything special about humans in this regard? So far nothing that humans have succeeded in doing has transcended the flow of life. There is the material/scalar aptitude with which we have accelerated the production of entropy within the limited planetary system. But this, in itself, is insignificant on any transcendent cosmological scale. If this is the only difference, then it might be said that we are only a more efficient life-form in that we cause this entropic acceleration. But even this aspect is relative. Each life-form will fully engage its energy sources and utilize them. To the degree there are readily available sources, life will expand its scale to take advantage of that abundance of energy, rapidly transforming it to waste. A pride of lions will not arrest its hunting of abundant prey unless satiated (and engaged in optimized procreation). Again, nothing new. It seems that the only disturbing characteristic that we sense somewhere in our perspective is the question of scale with our waste-production. Through windows of tele-media we have an (apparently) expanded perspective on the global picture. We see images of ourselves everywhere, engaged in the process of living. But this itself is suspect. A global perspective is a virtual artifice. Our awareness of our problem arises from an artifice of our own creation. What does this say about the problem? The perceived planetary scale is perhaps a distorted and very much reductive artifact embedded in our vision of life. But would the (limited) set of localized sensory perceptions lead to any different conclusions or ways-of-going?
No wonder people crave hyper-Terran (Celestial) visitation — what a perspective shift that would be. That we are not unique in a wider cosmos. That we are merely life. Only then might we be able to get on with it reasonably!
→ comment→ cats:: thesis
→ tags:: awareness, cosmos, difference, entropy, flow, human, life, optimization, people, perception, process, source, system, thesis, virtuality, vision, waste, window
Kaldi’s for ice cream
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→ cats:: aporee::maps, audio, project
→ tags:: aporee, aporee::maps, audio, interior, meals, phonography, project, sound
hospital lobby
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fast times for notes
There is the cosmos, there is the individuated being (the Self), there are Others, there is the collective, the ensemble, there is Terra, there is all which is not the Self and the Other: there is the cosmos. What are the upshots of a completely unified cosmos? There are none of the above. There is only the process of is-ing.
→ comment→ cats:: thesis
→ tags:: cosmos, everything, process, thesis
the unwobbling pivot
Time wobbles,
nods off,
dissipates….
absents itself;
and how many persons
still rely
(re-mained)
(amok)
upon it…..
aa(Z)
→ cats:: texts, third party texts
→ tags:: a.zega, third-party
dinner
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conversation
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Sparky’s for ice cream
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→ tags:: aporee::maps, audio, interior, people, phonography, sound
upheaval
Upheaving, upheaval. Testing dependence and independence. Just when the path looks stable, where the knowns gradually coagulate to staunch the in-and-out-pouring stresses of un-knowing; the flow is not turbulent, the road is straight and wide, with interesting terrains somewhere up ahead. Then one finds a dip, through a desert wash, unseen just a short distance away. In this dip is a mess of flash-flood debris, and a double-fork in the road: change comes along with deep choices to be made between diverging pathways. One is obscured by the morning fog of oracle’s lack, so that what lies ahead cannot be distinguished; the other way may be seen, but with curves that carry it quickly out of sight. The third apparently climbs out of the one dip, and is the road that one perceived from a distance to be the straight and wide, but turns out that there are many dips, as when crossing a wide alluvial fan spreading out from the base of a mountain canyon.

Then there is the idea of the bush-whack. A process that forgets the roads and launches out into the countryside, a self-determined goal in sight or hinted at by the terrain to cover. The bush-whack presumes a base, often, with measured forays out on a daily basis, rather than a continuous and wearing, un-remitting confrontation of the unknown. It is the frontiersman, one who stays at the edge of stable regions, the fraying or un-formed edges. One foot in, one foot out. Solitary. Progress not determined by forward motion, but rather by the growing determination to remain in motion at all. That is progress, in the Light of how life comes and goes, the determination to continue is a hard kernel around which to wrap the discoveries that occur along the way.
→ commentMy dear friends, let me sing you the song of solitude. Without solitude there is no suffering, without solitude there is no heroism. But the solitude I have in mind is not the solitude of the blithe poets or of the theater, where the fountain bubbles so sweetly at the mouth of the hermit’s cave.
From childhood to manhood is only one step, one single step. In taking that step you break away from father and mother, you become yourself; it is a step into solitude. No one takes it completely. Even the holiest hermit, he grumpiest old bear in the bleakest of mountains, takes with him, or draws after him, a thread that binds him to his father and mother, to the loving warmth of kinship and friendship. My friends, when you speak so fervently of people and fatherland, I see the thread dangling from you, and I smile. When your great men speak of their “task” and responsibility, that thread hangs out of their mouths. Your great men, your leaders and orators, never speak of tasks directed against themselves, they never speak of responsibility to destiny! They hang by a thread that leads them back to mother and to all the cozy warmth that the poets recall when they sing of childhood and its pure joys. No one severs the thread entirely, except in death and then only if he succeeds in dying his own death.
Most men, the herd, have never tasted solitude. They leave father and mother, but only to crawl to a wife and quietly succumb to new warmth and new ties. They are never alone, they never commune with themselves. And when a solitary man crosses their path, they fear him and hate him like the plague; they fling stones at him and find no peace until they are far away from him. The air around him smells of stars, of cold stellar spaces; he lacks the soft warm fragrance of the home and hatchery.
Zarathustra has something of this starry smell, this forbidding coldness. Zarathustra has gone a long way on the path of solitude. He has attended the school of suffering. He has seen the forge of destiny and been wrought in it.
Ah, my friends, I don’t know whether I ought to tell you any more about solitude. I should gladly tempt you to take that path, I should gladly sing you a song of the icy raptures of cosmic space. But I know that few men can travel that path without injury. It is hard, my dear friends, to live without a mother; it is hard to live without home and people, without fatherland or fame, without the pleasures of life in a community. It is hard to live in the cold, and most of those who have started on the path have fallen. A man must be indifferent to the possibility of falling, if he wants to taste of solitude and to face up to his own destiny. It is easier and sweeter to walk with a people, with a multitude — even through misery. It is easier and more comforting to devote oneself to the “tasks” of the day, the tasks meted out by the collectivity. See how happy the people are in their crowded streets. Shots are being fired, their lives are in danger, yet every one of them would far rather die with the masses than walk alone in the cold outer night.
But how, my young friends, could I tempt you or lead you? Solitude is not chosen, any more than destiny is chosen. Solitude comes to us if we have within us the magic stone that attracts destiny. Many, far too many, have gone out into the desert and led the lives of herd men in a pretty hermitage beside a lovely spring. While others stand in the thick of the crowd, and yet the air of the stars blows round their heads.
But blessed be he who has found his solitude, not the solitude pictured in painting or poetry, but his own, unique, predestined solitude. Blessed be he who knows how to suffer! Blessed be he who bears the magic stone in his heart. To him comes destiny, from him comes authentic action. — Hermann Hesse
→ cats:: thesis
→ tags:: action, community, death, fear, fire, flow, heart, knowing, Light, mind, night, pain, pathway, people, process, quotes, road, roads, sight, socio-cultural, space, stress, terrain, the road, thesis, travel
