now reading

instagram, yadda yadda yadda

10::April::2012 23:12 → permalink

Insipid: this posting over @ the New Yorker is just too friggin kind to the whole concept. Retro is so … empty …

Susan Sontag is not empty and to use her full words to do anything but obliterate the whole inane concept of instagram is a travesty.

It is a nostalgic time right now, and photographs actively promote nostalgia. Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. An ugly or grotesque subject may be moving because it has been dignified by the attention of the photographer. A beautiful subject can be the object of rueful feelings, because it has aged or decayed or no longer exists. All photographs are momento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt. — Susan Sontag

→ comment
→ cats:: now reading, thesis
→ tags:: , , ,

A Matter of Scale

09::April::2012 11:52 → permalink

An ultimately readable and thought-provoking book by one Kenneth Farnish available online for free (at the Internet Archive) that examines where we are, how we got here, and what may lie ahead.

Yes, you are part of the system; but you are far more important than the people higher up in the web: you are the engine, the energy source, the reason for its continuation. You are the system. Without your cooperation, without your faith, the system would have no energy and then it would cease to exist.

I don’t know about you, but that makes me feel good.

In so many words, a chunk of my dissertation makes the same point — the embeddedness of our be-ing here, now. Farnish just makes it all extremely readable as a journalist should. I happened to make it darker, and definitely more dense. oh well.

→ comment
→ cats:: now reading, thesis
→ tags:: ,

Unofficial Release

05::April::2012 11:04 → permalink

The culture of self-released music and sound art is one of the most vital, yet most overlooked, phenomena resulting from the 20th century revolution in communications technology. In this volume, Thomas Bailey surveys a fascinating realm of creative activity and identifies the key individuals and developments responsible for its continued relevance in the present age. From the networked “mail art” of the 1970s, to the home-taping boom, to the establishment of music labels dealing solely in digital sound files, this culture provides valuable insight into the evolution of the “official” art market and the artists who bypass it. Along the way, we are introduced to a world where networks are artworks in themselves, where blank tapes and recordable CDs are fashioned into elaborate art objects, and where relative freedom from creative supervision leads to both colorful innovations and violent aesthetic extremes.

‘Unofficial Release’ features material on mail art, cassette culture, industrial music, handmade packaging, releasing addiction, anti-promotion, net-labels, digital file sharing, circumventing censorship, extremist metal, sound poetry, imaginary music, ‘outsider’ art, tape nostalgia…and much more!

Exclusive long-form interviews are also included with artists such as Frans de Waard, Vittore Baroni, Rod Summers, GX Jupitter-Larsen and others, along with new insights from theorists and artists as varied as ‘Gen’ Ken Montgomery, The Tapeworm, Alexei Monroe (author of Interrogation Machine and more), Oren Ambarchi, and David Tibet. Also includes front and back cover photography courtesy of Scott Konzelmann / Chop Shop.

Unofficial Release is the first title available on the newly revived Belsona Books Ltd. imprint, TBWB’s home for personal projects that, while of a high written standard, can’t wait to be approved by peer review or accepted by established publishers.

→ comment
→ cats:: now reading, third party texts
→ tags:: , , ,

Net Smart

21::March::2012 23:24 → permalink

Howard’s new book is finally out, looks pretty interesting and pertinent, will have to order it at the library…

Rheingold, H., 2012. Net smart: how to thrive online, Cambridge, MA: MIT Press.

→ comment
→ cats:: now reading
→ tags::

hmmm, interesting, 1951

11::July::2011 09:46 → permalink

Men think in terms of models. Their sense organs abstract the events which touch them; their memories store traces of these events as coded symbols; and they may recall them according to patterns which they learned earlier, or recombine them in patterns that are new. In all this, we may think of our thought as consisting of symbols which are put in relations or sequences according to operating rules. Both symbols and operating rules are acquired, in part directly from interaction with the outside world, and in part from elaboration of this material through internal recombination. Together, a set of symbols and a set of rules may constitute what we may call a calculus, a logic, a game or a model. Whatever we call it, it will have some structure, i.e., some pattern of distribution of relative discontinuities, and some “laws” of operation.

…snip…
(more …)

→ comment
→ cats:: now reading, thesis
→ tags:: , , , , , ,

anomia::punctilio

04::May::2011 08:09 → permalink

Code of Federal Regulations

571.203 Standard No. 203; Impact protection for the driver from the steering control system

S1. Purpose and scope. This standard specifies requirements for steering control systems that will minimize chest, neck, and facial injuries to the driver as a result of impact.

S2. Application. This standard applies to passenger cars and to multipurpose passenger vehicles, trucks and buses with a GVWR of 10,000 pounds or less. However, it does not apply to vehicles that conform to the frontal barrier crash requirements (S5.1) of Standard No. 208 (49 CFR 571.208) by means of other than seat belt assemblies. It also does not apply to walk-in vans.
(more …)

→ comment
→ cats:: now reading, thesis
→ tags:: ,

The Value of Nothing

10::March::2011 22:56 → permalink

Consider this example: My cell phone company gives me a free handset, bristling with features, so I become a regular contract subscriber or buyer of pay-as-you-go minutes. I am pleased, not least because I can now navigate through the city without having to remember where I am, and I have the pleasure of palming the latest little gadget. In order for those features to work, I’ll have to pay a little bit more, to buy either an app or bandwidth. Clearly, many people think it’s worth it. Indeed, there’s a cell phone arms race, in which increasingly swanky phones become socially necessary. These new phones come with new applications and uses that, again, become socially indispensable for the user, and the permanent sources of revenue for the provider. In the United States in 2007, cell phone expenditure per customer reached six hundred dollars per year (surpassing that of a landline for the first time). That’s a lot of cash, which gets divided out fairly unevenly.

In 2009, the cell phone company Nokia posted profits of EUR490 million, on EUR12.7 billion sales, with a dividend over 20 percent higher than in the previous year. To make its phones, as makers of electronic equipment the world over do, it uses minerals extracted from bloody conflict in the Congo, where 70 percent of the world’s reserves of coltan are found. Coltan is the source of niobium and tantalum, used to make the capacitors at the heart of most portable electronic gadgetry. In patrolling access to these resources, military units in the Congo have raped, tortured, enslaved and killed. Women struggling to bring up children in the Congo have a life expectancy of forty-seven years, continue to suffer through the world’s worst rape epidemic and earn just over half what men do — USD 191 per year. This happens whether coltan prices are high or low, but with prices down at the moment, workers in the coltan mines now have to work much harder to be able to earn the same amount that they did in the boom years. These are the bloody externalities of electronics in general, but they look even darker when we are duped into believing we are getting something like a cell phone for free.

Without cash in a market society, you’re free to do nothing, to have very little, and to die young. In other words, under capitalism, money is the right to have rights. … The gap between what people earn and the cost of their freedoms means that, for more and more Americans, freedom is just another word for nothing they can afford.

Patel, Raj (2009). The value of nothing : how to reshape market society and redefine democracy. New York: Picador.

The first short narrative illustrates a single dimension of Patel’s multi-faceted and very readable treatise that covers the connection between politics, economics, human rights, and democracy. He maps out a set of powerful view points on the blighted and complex landscape of the contemporary social milieu. Somewhat harsh, especially in juxtaposition with conventional ‘wisdom,’ Patel makes a strong argument for a more humane pathway to an egalitarian society.

→ comment
→ cats:: bibliography, now reading, thesis
→ tags:: , , , , , , , , , , , , , , , , , , ,

Wanderlust

25::October::2010 08:11 → permalink

I kept coming back to this route for respite from my work, and for my work too, because thinking is generally thought of as doing nothing in a production-oriented culture, and doing nothing is hard to do. It’s best done by disguising it as doing something, and the something closest to doing nothing is walking. Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals. — Rebecca Solnit

Solnit, Rebecca (2000). Wanderlust: A History of Walking. New York: Penguin Books

It’s hard to brightly imagine that when we decide to retreat to the desert or to the mountains to walk, it is a process deeply colored and, literally, in-formed by relatively recent cultural contingency.

The retreat is steeped in a socially constructed reality that began to emerge around William Wordsworth and J. J. Rousseau’s time and was sparked, in part, by their actual perambulations and especially the writings that welled-up whilst they were on the road (The Excursion, by Wordsworth, for example, and Rousseau’s Reveries of the Solitary Walker).

But in a completely different sense, walking (and be-ing while walking) is ahistorical. Because the present moment is never to be repeated, nor is a life-time to happen twice, the momentary events of that particular movement are unique, and uniquely inspiring. Embodied movement is a passage through the flux of difference, regardless of the pathway. And although I cannot anymore go to the delicious extremes of span and height and endurance that so many others have done and will do, it is not extremity that brings the timeless essence of movement. When all is change, the senses can be taught to more sense the minute difference of the everyday. In this, the near becomes just as exotic and inspiring as the far and less reachable places.

→ comment
→ cats:: now reading, thesis
→ tags:: , , , , , , , , , , , , , , , , , , , ,

Freedom in the Cloud

11::October::2010 19:40 → permalink

Freedom in the Cloud: Software Freedom, Privacy and Security for Web 2.0 and Cloud Computing

Absolutely brilliant talk by Eben Moglen — Professor of Law and Legal History at Columbia University, and founder, Director-Counsel and Chairman of the Software Freedom Law Center — at an Internet Society – New York Chapter event back in February of this year.

In these two videos he presents an image of what exactly happened in terms of the internet infrastructure, completely outside the purview of political or wide social awareness which presents extreme danger to the fundamentals of our civil society. Explicit, clear, concise insights into the situation presented by corporate ‘log aggregators’ like Google and Facebook as well as the issues underlying how they threaten YOUR freedom.

→ comment
→ cats:: now reading, thesis
→ tags:: , , , , , , , , , , , , ,

Empty Infinity

01::October::2010 10:54 → permalink

Without beginning, without end,
Without past, without future.
A halo of light surrounds the world of the law.
We forget one another, quiet and pure, altogether powerful and empty.
The emptiness is irradiated by the light of the heart and of heaven.
The water of the sea is smooth and mirrors the moon in its surface.
The clouds disappear in blue space; the mountains shine clear.
Consciousness reverts to contemplation; the moon’s disk rests alone.

Wilhelm, R., 1962. The Secret of the Golden Flower: A Chinese Book of Life, New York, NY: Harvest / HBJ Book.

Researching more of Wilhelm’s powerful translation work that continues to widen an opening door into an ultimately livable space. The dorsal/ventral (toku – nin or Circulation of Light) breathing technique elucidated here — even when practiced with flawed concentration — has an immediate and profound affect on the state of the system. I am even surprised with the intensity of change which ensues. The body is straighter, uplifted, and the balance of body heat has shifted drastically — the chronically over-heated head is cooler, the feet and hands warmer. This shift has not yet directly impacted rising gall (yang) in surprise (reactive) situations, but when the breathing becomes first nature, it appears to have the potential to do that. The base-line of calm has shifted for the better. Will have to consult Heiji about these affects. A daily practice of some minutes, with as many reminders shot through the many unconscious moments of non-breathing, seems to be an auspicious start. There is no going back on this discovered knowledge.

→ comment
→ cats:: bibliography, now reading, thesis
→ tags:: , , , , , , , , , , , , , , , , , , , , , ,

(How to sit) Zazen

28::September::2010 20:02 → permalink

It’s a good example of the affect of mediation on socially-generated practices of any sort [this came into mind when I saw a poster advertising a IEEE conference here in Sydney. The posted contained all the recognized and standardized functions of conferences anywhere on any subject. The cocktail evening cruises on the ________ (fill in the blank) river/harbor/lake. The hospitality suites in the _________ (fill in the blank) hotel. The keynotes by famous personages. The plenaries, the break-outs, the posters, workshops, and seminars. yadda, yadda. Don't people get tired of this endless repetition of heavily coded social protocols?]

The following was downloaded from the UM (University of Minnesota) original Gopher online text retrieval system sometime in the winter of 1991-92. I think it’s the first document (extant) that I downloaded via that new networked document system — the direct precursor of the WWW. Coming around in a very long, very wide circle, from the roots of the digital coming-to-being in the last millennium, breathe deeply:

1. Sit on the forward third of a chair or cushion.

2. Arrange your legs in a position you can maintain comfortably. In the half-lotus position, place your left leg on your right thigh (or vice versa). In the full-lotus position , put your feet on opposite thighs. You may also sit simply with your legs tucked in close to your body, but be sure that your weight is distributed evenly on three points: Both of your knees on the ground and your buttocks on the round cushion. On a chair, keep your knees apart about the width of your shoulders, feet firmly planted on the floor.

3. Straighten and extend your spine, keeping it naturally upright, centering your balance in the lower abdomen. Push your lower back a little forward, open your chest, and tuck your chin in slightly, keeping the head upright, not leaning forward, or backward, or to the side. Sway your body gently from left to right, until you naturally come to a point of stillness on your cushion.

4. Keep your eyes cast on the floor about 3 to 4 feet in front of your body, eyes neither fully opened nor closed. If the eyes are closed, you might start to daydream or visualize things.

5. Keep your lips and teeth together with your tongue resting against the roof of your mouth.

6. Place your hands on your lap with the right palm up and your left hand (pal up) resting on your right hand, thumb-tips lightly touching, forming a horizontal oval. This is the mudra of zazen, in which all things are unified. Place the sides of the little fingers against your abdomen, a few inches below the navel, harmonizing your center of gravity with the mudra.

7. Take a few breaths, exhaling fully. Let your breath settle into its natural rhythm. With proper physical posture, your breathing will flow naturally into your lower abdomen.

8. Sit still and keep your attention on your breath. When your attention wanders, bring it back to the breath again and again — as many times as necessary!

9. Be fully, vitally present. Simply do your very best. At the end of your sitting period, gently sway your body from right to left. Stretch out your legs; be sure they have feeling before standing.

10. Practice every day for ten to fifteen minutes (or more) and you will discover the treasures of your life.

→ comment
→ cats:: now reading, thesis, third party texts
→ tags:: , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

myopia and narrow vision

12::February::2010 17:01 → permalink

What is certain is that even a skill as abstract as literacy has an unexpectedly strong physical aspect. In the history of humanity, our attention has shifted from the horizon to the length of our own arms: the printed page or the electronic monitor, or at the farthest the television screen. (p. 237)

This shifting of attention has deeply affected the eyes, with a documented rise in myopia in more literate societies. Nothing like a myopic population: with the simultaneous illusion of tele-vision being foisted on bodies everywhere!

Edward Tenner, in Our Own Devices examines a number of basic technologies and their affect on embodied cultural/social participation. Think athletic shoes, chairs, eyeglasses, typewriters/keyboards, baby nursing bottles, flip-flops, and helmets. Where did they come from, why did they develop, and ultimately, what is their affect on users.

There are so many examples of this, one need only select any particular technology and begin to meditate on its source, its uses and (mis)applications: the affects on human presence gradually become apparent. The deeper the meditation on these, and the wider the field of affect is likely to surface. Tenner’s detailed histories become a bit tedious if the reader’s curiosity wears away, as the tone of the writing doesn’t change throughout, but it is in the examination of the details that connections can be made and eventually some basic principles emerge. Tenner himself is a bit glib about the meaning of the deduced affectations, and remains neutral with a slightly optimistic outlook.

In the case of computer keyboards, though, for example, he does not go beyond the direct dialectic between inventor, device, and user. Doing this, he neglects the affectations that arise not from direct usage of a device, but the indirect affects which are present as the widest context in which the device arises in a complex techno-social system. Clearly, this is not his goal, rather it appears to be more of an entertaining and surficial cabinet-of-curiosity stroll through the obscure history of everyday objects. In my opinion he misses a potent opportunity to carry through to the deeper relations between technology, technique, fundamental social relation, and embodied be-ing.

Our Own Devices: How Technology Remakes Humanity, Tenner, E., Alfred A. Knopf, New York, 2003

→ comment
→ cats:: now reading, thesis
→ tags:: , , , , , , , , , , , , , , , , , , , , , ,

Riverwalking

21::April::2009 22:41 → permalink

Moore knows rivers, wet places, how to feel, how to transliterate feelings, and how to see, but I’m not in consonance with her characterization of the desert. drawing emotion onto that landscapes seems to place the human over that which is not known as though it was known. something like the common personification of animals and the position of pets in the social system. the desert is a transform mapping of the Void. why personify that? seems corrupt to add human stuff(ing) onto it.

Sometimes, in a desert landscape, a landscape without consciousness, emptier of intellect than any other landscape I have ever seen, I think I can feel emotion lying like heat on the surface of the sand and seeping into the cracks between boulders. There is joy in the wind that blows through the spines of the saguaro, and fear in bare rocks. Anger sits waiting under stones. Exhilaration pools in the low places, the dry river beds, the cracked arroyos, and is sucked by low pressure ridges up into storm clouds that blow east toward the Alamo Canyon.

Moore, K.D., 1996. Riverwalking : reflections on moving water, San Diego, CA: Harcourt Brace.

→ comment
→ cats:: now reading, thesis, travelog
→ tags:: , , , , , , , , ,

oblivion

31::October::2008 16:33 → permalink

month’s ending. All Hallows. images accruing in a form to share — 1996 (of this travelog) will be augmented first. complications with Berlin logistics, may throw off the November trip. and force a cancellation of Transmediale collaboration, hmmm. recalls the cafe9.net debacle in 1999.

end of the month, Friday.

finished with the DFW immersion. Oblivion is a brilliant set of stories, each one containing numerous positions, layers, points-of-view, (what to call the vantage of his voice/eye?). maybe the term channels applies. he has a multi-tasking eye, picking up information not just at the focal point of optics, but instead, immaculate macular generation. he has the recall, along with synthesis. imagination? springing from impression and spreading out through spaces which have not been mapped in that exact way. an example of voice-declaiming-self’s-model-of-cosmos. with a pivotal crux for the entire collection coming on page 326:

‘Who?’ She had ten weeks to live.

the deeply buried oblivion of our situation, now. everywhere. whenever. a weepy sad sketch of the human conditions. here, now. whenever. and a stiff finger punched into the chest of gloating cultural superiority. it all falls down.

how to push shaped impulse charges out, through the gate of psyche. and while pushing out, receive direct all the more.

→ comment
→ cats:: now reading, travelog
→ tags:: , , , , , , , , , , , ,

Jean-Marie Gustave LeClezio

09::October::2008 05:52 → permalink

WOW, my all-time favorite writer, Jean-Marie Gustave LeClezio won the Nobel Prize for Literature! Splendid! Incroyable! very deserving! I first picked up a copy of Les Giants, The Giants, in English translation back in 1987 or so at the CU Boulder library. I was hooked. fantastically minute and prismatic observations of everyday moments. incisive and elemental critique of human be-ing on the planet. on one of my trips to Paris in the 1980s I attempted to make contact with him through his French publisher, Gallimard, but was not successful.

I suppose this will get more of his books into translation which is a good thing, IMHO. I think that at least seven of the thirty or so may be found in English, slightly more than that in German.

as a preface to the online Center of the Universe documentation, I use

So everything is ready: ready for the journey to Purgatory, the journey to the land of black and white… The last remaining area of imperfection seems to disappear; the perfect work of not-being, a beautiful poem, monochrome and illegible. — J-M. G. LeClezio

→ comment
→ cats:: now reading
→ tags:: , , , , ,

paint-by-number

05::May::2005 21:21 → permalink

finally got around to reading The Dancing Wu Li Masters by Gary Zukav, an overview of the New Physics. it’s somewhat dated, but still carries a nice historical narrative with observations on the uncertainty of the whole thing that is being dealt with. watching a video (produced in Japan), on the Tibetan Book of the Dead. speaking with the Dalai Lama and others. all of whom were dying. phone call from Nick. catching up. possible travel plans to Missouri; also talked to Greg, possible travel to Seattle and BC or Moab. proposals off to NIFCA for a curators position. and waiting on the doctoral proposal. reading more than I have in the last years, on average. wider, and deeper. note-taking. resonating with stylistic text forms across academia, science, philosophy, technology, engineering, and esoterica. but unemployed at the same time. dog-sitting, using the riding-mower to cut some of the lawn, joined the YMCA since the college pool is closed now. getting used to a different regimen. lifting in the cybex room. sore today. getting my sunglasses replaced finally, ebay for a pair of artcraft round gold frames since they no longer make them. gotta call Kate at IBM to see about her open source connection. what else? weeding. and many emails to Europe for a fall tour. and the need to get back out to the desert on the moonless nights.

paint-by-number. reminds me of summers at Aunt Mary’s house, she loved doing paint-by-number kits. now she is an excellent painter, starting to free-style after retiring to Florida.

→ comment
→ cats:: now reading, travelog
→ tags:: , , , , , , , , , , , , , , , , , , , ,

naming

17::April::2005 21:35 → permalink

“What is it?” we ask, meaning what is its name? This odd quirk of the human mind: Unless we can name things, they remain for us only half-real. Or less than half-real: nonexistent. A man without a name is nobody. A man’s name can become more important that his person. A plant, an animal, a thing without a name is no thing — nothing. No wonder we humans like to think that in the beginning was — the Word. What word? Any word. Any word at all, anything rather than the silence and terror of the nameless. — Edward Abbey

plowing (ploughing) through Abbey this time, after years since reading “The Monkey Wrench Gang,” seems dated, depressing, even dark. so much of the landscape that he passed through is evolved, so much of what he prognosticated about the Southwest, at the hands of corrupt politicians and developers has materialized like a cancer across the face of the land. the forever-expansion, development-is-good, it-creates-jobs mantra that is chanted by deeply unholy men (and women). bringing 4000+ square-foot pseudo-adobe MacMansions dotting the land with Hummers in every five-car garage. although there are places one might go and on a middle-scale — meaning the easily visible — local scale, to the uninitiated eye, the natural system seems untouched. but with any consideration of scientific data on atmospheric systems, plant and animal ecosystems, hydrologic systems are being irretrievably altered. what of the domination of a species which will destroy most of the other macro-species only to live shortly in an impoverished environment: soon to succumb to viral celebration in the host of hosts. definitely, catch it while you can. take the last road trips around before gas costs what it should and the only way to get out of Dodge will be on foot. and the only way to survive the plague is through a slow and costly counter-evolution.

at any rate, this IS a frog (possibly a Canyon Tree frog – Hyla arenicolor). but note the incredible coloration. the green exactly matches a particular lichen that grows on the granite in that area. the pinkish blush of the feldspars in the granite. there were four of them literally stuck to a large smooth boulder on Mint Wash. I was sitting opposite from them, having lunch with Marianne, about 6 feet (2 meters) away, and at first I thought they were phenocrysts in the granite, but then saw they were frogs. this particular one was the only one I could get close enough to make an image of, s/he was crouched on a relatively reasonable ridge. the other three were literally glued to vertical (overhanging!) smooth surfaces, but there was a 2-meter deep hole in the creek bed, full of water immediately below them. so, this one had to do. the beast is about 1.5 inches (3 cm) long.

→ comment
→ cats:: now reading, travelog
→ tags:: , , , , , , , , , , , , , , , , , , , , , , ,

Book of the Hopi – Waters

14::March::2005 21:57 → permalink

parallel to everything else, a close read of “Book of the Hopi” by Frank Waters, along with Truth of a Hopi prepares me for the return to Arizona. springtime and rioting wild flowers. need to get to some petroglyphs to read some located media. with a sonic environment generated from nasa tv, Alan Watts, and raudio @ park.nl, along with helicopters flying over.

→ comment
→ cats:: now reading, travelog
→ tags:: , , , , ,

empty December

09::December::2004 21:05 → permalink

what to be said. reading Science (main publication from the AAAS), and The Lucifer Principle, by Howard Bloom. thinking, but not writing.

→ comment
→ cats:: now reading, travelog
→ tags:: , , ,

The Spell of the Sensuous

10::February::2003 21:52 → permalink

no thing has changed. all conditions change. tired of language. stopping to consume from the archive. the database that, if I did not have, in its massively material form, it would free me to live in the moment. digitizing is no answer because that process does not remove the weight of that past. only complete transformation (by fire) would accomplish that. burnt offering to the present, to presence. if a practice was subsequently developed.

actually approaching the limb of the eighth year of this journal. meanwhile reading, or rather adsorbing, David Abram’s book “The Spell of the Sensuous,” (recommended by a mutual friend, Eric Fisher) which confirms obliquely several crucial practices that I had not yet been able to firmly frame in my worldview. pleasing and stimulating. but reasons for characterizing drift into stretches where only poetics are meaningless for navigation of the now. discrete, concrete, miscreant. mechanical words, stripped of any life leave traces that mar what is left behind the wave of hand, brush of hair, shadow of hand on the back of the head. what is the be-ing-ness of Light?

→ comment
→ cats:: now reading, travelog
→ tags:: , , , , , , , , , , , , ,

The Tin Drum – Grass

22::August::1987 21:31 → permalink

→ comment
→ cats:: now reading
→ tags::

The Nobility of Failure – Morris

26::December::1986 10:45 → permalink

→ comment
→ cats:: now reading
→ tags:: ,

War – Le Clezio

23::November::1986 10:35 → permalink

→ comment
→ cats:: now reading
→ tags::

Aguila o Sol – Paz

16::November::1986 10:38 → permalink

→ comment
→ cats:: now reading
→ tags:: ,

Omnibus – Weston

10::November::1986 10:28 → permalink

→ comment
→ cats:: now reading
→ tags:: ,

Winter of Artifice – Nin

06::November::1986 10:32 → permalink

→ comment
→ cats:: now reading
→ tags::

Swann’s Way – Proust & Aesthetics – Valéry

27::October::1986 10:23 → permalink

→ comment
→ cats:: now reading
→ tags::

Paris Spleen – Baudelaire

21::October::1986 10:13 → permalink

→ comment
→ cats:: now reading
→ tags::

Viper’s Tangle – Mauriac

14::October::1986 10:11 → permalink

→ comment
→ cats:: now reading
→ tags::

Delta of Venus – Nin

22::December::1985 22:36 → permalink

→ comment
→ cats:: now reading
→ tags::

Epitaph of a Small Winner – de Assis

12::June::1985 11:15 → permalink

→ comment
→ cats:: now reading
→ tags::

The Glass Bead Game: (Magister Ludi) A Novel – Hesse

24::February::1985 21:40 → permalink

→ comment
→ cats:: now reading
→ tags::

Him With His Foot In His Mouth and Other Stories – Bellow

16::February::1985 09:46 → permalink

→ comment
→ cats:: now reading
→ tags::

The Diary of Anais Nin, Vol. 1: 1931-1934

30::January::1985 21:34 → permalink

→ comment
→ cats:: now reading
→ tags::

Black Spring & Tropic of Cancer, etc – Miller

25::January::1985 21:30 → permalink

→ comment
→ cats:: now reading
→ tags::

Dada: Art and Anti-Art (World of Art) – Richter

21::January::1985 21:28 → permalink

→ comment
→ cats:: now reading
→ tags::

Ill Seen Ill Said – Beckett

18::January::1985 21:56 → permalink

→ comment
→ cats:: now reading
→ tags::