texts
Unhappy Meals
This article/essay by Michael Pollan is an extremely well-framed case-in-point about how a techno-social system (TSS) will — with science leading the way — reconfigure the energy flows (FOOD!) that we are immersed within. And how evolved sub-systems with a Machiavellian stake in the distribution of power in the TSS will fall all over themselves to retain the power they already have, or will develop new ways to siphon the power away from individuals participating in the system. Individual participants, aggregated as “the population” are still the main source of accumulated hierarchic power in the system. Anyone hoping to accumulate a power-base has to, at some level, attract the attention (life-energy/life-time) of that base. The food industry (and its constituent sub-industries) is no exception, nor is the ‘big science’ sector (which has to justify its existence through churning out ‘sensible’ information (nutrition research: always filtered, dumbed-down, by intercessory media voices)) — and neither of these ‘players’ are willing to be ‘regulated’ by the government which subsidizes their existence. Remember all those “drink milk” ads some years back? All the subsidies have gone underground, so is mostly invisible to the undiscerning eye. The consumer only sees the contents of the grocery-store shelves.
(more …)
→ cats:: thesis, third party texts
→ tags:: meals, science, system, techno-social, technology
cranking up the heat…
more nettime volleys, feels a bit easier to be pointed and precise, but the problem of establishing a set of base assumptions about reality still dogs the process — with the dominant Cartesian separation needing to be convincingly rejected for a more sane continuous and implicate cosmos…
Mark Stahlman writes in this thread:
So, give up your plans for “radical change of the system we live under” and *just* STOP living under that system (at least for the better half of your life)!
I respond sotto voce, etc:
(more …)
→ cats:: mailing lists, texts
→ tags:: mailing-list post, nettime, protocol, quotes, system
finance sector
→ comment52 Finance and Insurance
521 Monetary Authorities – Central Bank
5211 Monetary Authorities – Central Bank
52111 Monetary Authorities – Central Bank
521110 Monetary Authorities – Central Bank
522 Credit Intermediation and Related Activities
5221 Depository Credit Intermediation
52211 Commercial Banking
522110 Commercial Banking
52212 Savings Institutions
522120 Savings Institutions
52213 Credit Unions
522130 Credit Unions
52219 Other Depository Credit Intermediation
522190 Other Depository Credit Intermediation
5222 Nondepository Credit Intermediation
52221 Credit Card Issuing
522210 Credit Card Issuing
52222 Sales Financing
522220 Sales Financing
52229 Other Nondepository Credit Intermediation
522291 Consumer Lending
522292 Real Estate Credit
522293 International Trade Financing
522294 Secondary Market Financing
522298 All Other Nondepository Credit Intermediation
5223 Activities Related to Credit Intermediation
52231 Mortgage and Nonmortgage Loan Brokers
522310 Mortgage and Nonmortgage Loan Brokers
52232 Financial Transactions Processing, Reserve, and Clearinghouse Activities
522320 Financial Transactions Processing, Reserve, and Clearinghouse Activities
52239 Other Activities Related to Credit Intermediation
522390 Other Activities Related to Credit Intermediation
523 Securities, Commodity Contracts, and Other Financial Investments and Related Activities
5231 Securities and Commodity Contracts Intermediation and Brokerage
52311 Investment Banking and Securities Dealing
523110 Investment Banking and Securities Dealing
52312 Securities Brokerage
523120 Securities Brokerage
52313 Commodity Contracts Dealing
523130 Commodity Contracts Dealing
52314 Commodity Contracts Brokerage
523140 Commodity Contracts Brokerage
5232 Securities and Commodity Exchanges
52321 Securities and Commodity Exchanges
523210 Securities and Commodity Exchanges
5239 Other Financial Investment Activities
52391 Miscellaneous Intermediation
523910 Miscellaneous Intermediation
52392 Portfolio Management
523920 Portfolio Management
52393 Investment Advice
523930 Investment Advice
52399 All Other Financial Investment Activities
523991 Trust, Fiduciary, and Custody Activities
523999 Miscellaneous Financial Investment Activities
524 Insurance Carriers and Related Activities
5241 Insurance Carriers
52411 Direct Life, Health, and Medical Insurance Carriers
524113 Direct Life Insurance Carriers
524114 Direct Health and Medical Insurance Carriers
52412 Direct Insurance (except Life, Health, and Medical) Carriers
524126 Direct Property and Casualty Insurance Carriers
524127 Direct Title Insurance Carriers
524128 Other Direct Insurance (except Life, Health, and Medical) Carriers
52413 Reinsurance Carriers
524130 Reinsurance Carriers
5242 Agencies, Brokerages, and Other Insurance Related Activities
52421 Insurance Agencies and Brokerages
524210 Insurance Agencies and Brokerages
52429 Other Insurance Related Activities
524291 Claims Adjusting
524292 Third Party Administration of Insurance and Pension Funds
524298 All Other Insurance Related Activities
525 Funds, Trusts, and Other Financial Vehicles
5251 Insurance and Employee Benefit Funds
52511 Pension Funds
525110 Pension Funds
52512 Health and Welfare Funds
525120 Health and Welfare Funds
52519 Other Insurance Funds
525190 Other Insurance Funds
5259 Other Investment Pools and Funds
52591 Open-End Investment Funds
525910 Open-End Investment Funds
52592 Trusts, Estates, and Agency Accounts
525920 Trusts, Estates, and Agency Accounts
52593 Real Estate Investment Trusts
525930 Real Estate Investment Trusts
52599 Other Financial Vehicles
525990 Other Financial Vehicles
→ cats:: third party texts
→ tags:: economic, money, politics, quotes
Divorce or Corrasable Bond
→ commentYour skin is translucent in the still air of this room.
Clay is prerogative; eyes are derivative.
We live in the shadows of immense hands
like death that will take our sex away.Bridal days and wedding nights of grace and youth
and doors opening in women.Music is a child of the grass
and teaches us the cost of frostbite.
We can’t separate the misunderstandings
or wash dishes in the music-box.We talk too much and spend the word on our burning hands.
A cinder of a joke catches in our throat
and you laugh to hold onto the hurrying waters.A fern is a fan that resembles a rainbow
and the last ghosts of Indians are asking for food
in the amber waves of dying grain.– Daniela Gioseffi
→ cats:: texts, third party texts
→ tags:: poetry, quotes
freedom from mastery
→ commentThe greatest joy, and the greatest triumph, in art, comes at the moment when, realizing to the fullest your grip over the medium, you deliberately sacrifice it in the hope of discovering a vital hidden truth within you. It comes like a reward for patience — this freedom of mastery which is born of the hardest discipline. Then no matter what you do or say, you are absolutely right and nobody dare criticize you. I sense this very often in looking at Picasso’s work. The great freedom and spontaneity he reveals is born, one feels, because of the impact, the pressure, the support of the whole being which, for an endless period, has been subservient to the discipline of the spirit. The most careless gesture is as right, as true, as valid, as the most carefully planned strokes. This I know, and nobody could convince me to the contrary. Picasso here is only demonstrating a wisdom of life which the sage practices on another, higher level.
This morning, awake at five o’clock, the room almost dark still, I lay awake quietly meditating about the essay I would get up to write, and at the same time, as though playing a duet, watching the gradual change of colors in my paintings beside the bed, as the light slowly increased. I had the strange sensation then of imagining what might happen to those colors should the light continue to increase in strength beyond full daylight. And from thinking about the unknown color gamut to the forms themselves and then to their significance — what a world of conjecture I explored. In that moment I was able, so to speak, to place myself in a future which may one day be realized. I saw not only what I might one day be able to do, but also I saw this — that the anticipation of the event was an augur of the deed itself. Suddenly I realized how it had been with the struggle to express myself in writing. I saw back to the period when I had the most intense, exalted visions of words written and spoken, but in fact could only mutter brokenly. Today I see that my steadfast desire was alone responsible for whatever progress or mastery I have made. The reality is always there, and it is preceded by vision. And if one keeps looking steadily the vision crystallizes into fact or deed. There is no escaping it. It doesn’t matter what route one travels — every route brings you eventually to the goal. “All roads lead to Heaven,” is the Chinese proverb. If one accepted that fully, one would get there so much more quickly. One should not be worrying about the degree of “success” obtained by each and every effort, but only concentrate on maintaining the vision, keeping it pure and steady. The rest is sleight-of-hand work in the dark, a genuine automatic process, no less somnambulistic because accompanied by pains and aches. — Henry Miller
→ cats:: texts, third party texts
→ tags:: quotes, seeing, writing
Glossary
→ commentALPHANUMERIC
Character set including both letters and numerals and usually other characters. (American Standard Code for Information Interchange)
CONTROL CODE
A fixed length machine encoding of a control code name.
CONTROL CODE NAME
The English alphanumeric expression of security classification and any need-to-know restrictions for an entity of data or program,
CONTROL MODE
Mode in which a processor can execute the full set of operation codes,
DATA BASE
The store of information records being maintained’ for users; includes programs as well.
DESCRIPTOR
Instruction for input/output control processor execution,
ELECTRONIC DATA PROCESSING (EDP)
Data processing by equipment predominantly electronic.
ENTITY
A string of bits, characters, or words having an associated control code.
EXECUTIVE CONTROL PROGRAM (ECP)
Program mat controls the secure execution of user programs by assigning hardware and performing security related operations.
FAIL SAFE
Program or processing operation terminates automatically whenever proper responses to positive checks are not received.
FILE
A related information grouping, e, g, logical records, card images, etc.
FLAG BIT
A bit contained in memory words and used for control purposes rather than actual user processing.
FORMATTED FILE SYSTEM
An information storage and retrieval system using a file design having fixed, periodic, and variable parts.
INPUT/OUTPUT CONTROL PROCESSOR (IOCP)
A limited purpose processor serving as intermediary between main memory and terminal units.
LOGICAL RECORD
A group of related items stored in one or more related physical records, depending upon length.
MODE
Processor condition as determined by state of a redundant set of flip-flops.
MULTIPROCESSING
Executing one or more programs simultaneously on more than one processor.
MULTIPROGRAMMING
Executing more than one program, time interleaved.
OBJECT
A contiguous string of instructions, data, or working storage required by a program.
ON-LINE
A terminal unit having direct connection with a unit buffer in the input/output control processor.
PERIPHERAL UNIT
Any type of input/output equipment connected with a unit buffer in the input/output control processor.
PHYSICAL RECORD
The smallest directly addressable portion of the data base.
PRIVILEGED INSTRUCTION
One executable by a processor only in control mode.
PROGRAM REFERENCE TABLE
Contains the name and/or descriptor for each object referenced by a program, and the base address and memory bounds for objects in high-speed memory.
SECURITY LEVEL
The maximum security classification authorized for information handled by an equipment, as determined by the equipment characteristics or its location.
TERMINAL UNIT
An input or output device in a work station.
THIN-THREAD ANALYSIS
Description of complex system operation or theory by following a single line, step-by-step, from start to finish, ignoring the
secondary branches or ideas involved.
USER
Any authorized equipment operator, maintenance person, or intelligence research analyst. The system supervisor (or supervisors) is an authorizer as well as user.
USER’S CONTROL PROFILE
Completely describes each user’s access authorization for information in the system in terms of control code lists by access type (read only or read and write). It also includes the user’s key pattern information for identification plus authentication information for validating that the user really is who the user’s key pattern indicate.
he is.
USER’S KEY
A physical card or key unique to a user which must be present in the user’s key pattern generator at a work station to permit information
flow with any terminal unit in that work station.
USER’S KEY PATTERN
An electrical logical bit pattern resulting from the user’s key pattern generator at a work station which initiates user identification
and is required for information interchange with any terminal unit in that work station for that user.
USER’S KEY PATTERN GENERATOR
A transducer from user’s key to user’s key pattern.
USER MODE
Mode in which a processor can execute only a partial set of operation codes; excluded are the privileged instructions.
WORK STATION
A separate, physically secure, area with its own user’s key pattern generator in which the terminal units can be operated by only one user at a time.– SECURITY TECHNIQUES FOR EDP OF MULTILEVEL CLASSIFIED INFORMATION (RADC-TR-65-415)
→ cats:: texts, thesis, third party texts
→ tags:: military-industrial complex
The Death of the Ball Turret Gunner
→ commentFrom my mother’s sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.
– Randall Jarrell
→ cats:: texts, third party texts
→ tags:: death, military-industrial complex, poetry, quotes
Critical Engineering Manifesto
This putters through my Inbox:
The Critical Engineer considers Engineering to be the most transformative language of our time, shaping the way we move, communicate and think. It is the work of the Critical Engineer to study and exploit this language, exposing its influence.
The Critical Engineer considers any technology depended upon to be both a challenge and a threat. The greater the dependence on a technology the greater the need to study and expose its inner workings, regardless of ownership or legal provision.
…
more at http://criticalengineering.org/
Yes, engineering is a package of protocols which guide much of the social energies of the present and recent (long!) past. Raising the topic is quite important as a precursor to altering the influence that it imposes (or that we submit to). The nature of the threat includes death as an outcome, the nature of the seduction is life. The challenge is first to bring such ideas as this to the surface for dialogue, and then comes the task of mapping the connections between ‘everyday life’ and the dependencies on (the) engineering (mentality).
→ comment→ cats:: texts, third party texts
→ tags:: engineering, language, technology
chilly morning words
→ commentChilly morning words form. Brushing away the crust of ice formed by dreams of last night. And other morning words of resolution. Or just thoughts. Words. With cornbread heating in the oven. New warmth diffusing into the food-stuff. A morning. A morning. Words melt, spill, tremble. Waiting to drop into space. Formed from symbols that litter the mind. And then, the thoughts on resolution. the accuracy of the human animal sensibilities.
And all that.
I run, minded, mindful, of the past and what. is. not. yet. The recent spins into the places of spinning. Words traded with new Others. And Others becoming newer in closeness.
I write like this in the morning. And let mind wander. The discipline lies alone in the be-ing. Not much else at all. But. I find no pointedness here of objective. To explore in these words. At least, I see none yet. Retrospective. And this such that we create more than we may know at the point of creation. Why is this: some disconnection with the creative self to be unfolded at some later time? I know of all which I have created at some points. Some electric instances. but of this, life remains unknown.
→ cats:: texts
→ tags:: Other, text
Friedrich A. Kittler 1943 – 2011 “Alle Apparate auschalten”
![]()
I spent an uncomfortable evening with Kittler and a handful of Austrians at a restaurant in Linz back in 1998. It was uncomfortable because of the language gap. My German was worse than his English. He states elsewhere in the interview by John Armitage (excerpted below) how shy he is, and that goes a long way to explaining the dis-comfort. I ended up talking mostly with his American-born assistant before cashing in early to get some sleep — I had to catch a sunrise train from Linz on to Copenhagen.
JA: Virilio argues that war is his ‘laboratory’ and for you too war, it seems, is the ‘mother of all technologies’. Yet, unlike Virilio, you are deeply concerned with war as an international mechanism of technology transfer. What, for you, is the significance of, for example, the transfer of technologies such as Nazi Germany’s V2 rocket programme to America after the Second World War?
FK: What I can tell you is that I believe that war is at least the mother of all high-speed information and communications technologies. Like Pynchon, I am very interested in the topic of technology transfer. The key question for me is, what technologies or which kinds of technology transfer gave rise to the contemporary American Empire? Obviously, the first source of the American Empire is the British Empire which was originally driven by a coal-based fleet system but which has, since the Second World War, been transformed into an oil-based system founded on air power. Naturally, the second source is Nazi Germany, which made great strides in the technological development not merely of the V2 rocket but also of the tank. For instance, by 1939, Nazi Germany was the only country in the world that had a radio in every one of its army’s tanks. Otherwise the Blitzkrieg simply would not have been possible. Of course, it did not take long for the Americans to adopt this idea and by the end of 1942 there were radios in US tanks. But, as we have discussed before, war also has a way of transferring its language too, as when today’s high-technology businesses in particular speak of ‘logistics’, ‘strategy’ and even of ‘duty officers’, terms which all arise from the military-industrial complex. It is for these and other reasons that I think that US President Dwight Eisenhower spoke brilliantly when he coined the term military-industrial complex, for he saw immediately the connections between war, technology and commerce. However, it is difficult for us Europeans to investigate American military and techno-scientific history, a subject that has been well researched by the Americans themselves, as acquiring even declassified documents on the Second World War, and so on is still very hard, as I know from long experience. Yet I must confess that I cannot stand on American soil with much pleasure. In fact, my antipathy to America is one of the main reasons why I often avoid talking about the military-industrial complex since for me to talk about the devil is to talk with the devil. As a good friend of mine said to me lately, we in Germany should not say a word about America’s war on Iraq or speak any longer of the seemingly endless necessity of reforming Germany. We should not so much forget all this as not talk about it. Instead, we should focus on changing ourselves and speak about other things. So I asked him what we should discuss as an alternative and he answered that we should talk about love in Europe.
and another piece on Kittler by Tom McCarthy . . . good for the personality profile.
and a long reverie by former student Eugen Leitl . . .
→ comment→ cats:: texts, thesis, third party texts
→ tags:: death, military-industrial complex
gift:servant
→ commentThe intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant but has forgotten the gift. — Albert Einstein
→ cats:: texts
→ tags:: mind, quotes, society
greets — more on energy…
From Brian Holmes on the iDC list:
> Universities are indeed overblown–just like post offices, trade unions, governments, etc.
With H. T. Odum’s conceptual support, I would opine that these conditions can only arise in a system which has a glut of energy (at all levels of structure) which is illustrated (at one level) by the increase of obesity in the oil-glutted ‘developed’ world. There is one thing that creates wealth and that is access to energy to maintain the ordered structure of a complex social system or to maintain a position towards the top of a social hierarchy. And while cash is convertible to energy when the social system issuing the abstracted fiscal instrument holds the trust of its participants, when the s**t comes down, cash doesn’t help, only access to power/energy in supra-concentrated units (weapons!) will save.
Most of us are in such positions or situations, relatively, and are communicating here through a techo-social system which is absolutely dependent on that energy glut for its coherent order and in a situation when the energy glut tightens to an energy lack, you can be sure that we all will be sliding down, relatively, to a lesser state. Personally I believe that the current ‘economic’ situation happening is because we have reached a point where the hydrocarbon-fired social order is coming to an end. (This partly caused in the West by the rise of China’s demand for hydrocarbons, but globally by the condition of use equaling production, and new reserves being less than any predicted future use.)
No techno-social system is free from this thermodynamic reality, ever, and furthermore, energy availability is the foundation upon which all ideological, political, economic, security, and other realities play out.
And, as I was going to say in response to Brian’s recent reply — To be sure, collapse, contraction, stability, or other characteristics of (social, ‘natural,’ cosmological, all!) structures are primarily determined by their access to usable energy input, so it is, again, important to understand this first, and that the ‘economic’ is merely an abstracted social construct which, at root, may be quite disconnected from the energy reality of a system. The fiscal obscures the actuality, and this can lead to incredible errors in judgment by entire social systems as well as individuals.
Thinking in the moment, it occurs to me that an explanation of the mortgage ‘crisis’ in the US could be that, given the conversion rate between the embodied life-energy/life-time of an individual (home buyer) and their relative economic ‘power’ there was a substantial gap. Another words, an individual could not, given their own energy sources, bring together the energy to create a house of, say, 4000 ft2 (400 m2). In an system where there is a glut of energy, that excess of energy can plug the gaps in an individuals energy lack, and allow them to exceed what would be their normal status without the glut. This same argument would hold for all scales — where, say, the US military is in the exact same situation. W/o the oil glut there simply would be no US military (of the magnitude that it is)! The gap between a ‘normal’ military appendage and an obscenely bloated and aggressive one is excess energy… (in this case, the energy availability has a parallel mapping: testosterone::individual aggressivity — oil::techno-social aggressivity).
(speaking as a former explorationist for a major US oil company … )
(By oil glut, I mean the entire history of hydrocarbon usage which concentrated in (created!) the ‘developed’ world during the last 200 years)
Watching the Tao is better than watching the Dow!
→ cats:: mailing lists, texts
→ tags:: email, energy, hydrocarbon, iDC, mailing-list post
hmmm?
Responding to Felipe’s thread on the bricolabs list:
Obviously, I’m not asking how serious lixoeletronico.org people are, because I’m one of them :P I meant the companies who say they are not using gold, coltan, tungsten etc any more.
sotto voce: If you want to dig (no pun intended) into this more, I’d highly recommend this audio/video panel at the Center for Strategic and International Studies:
http://csis.org/event/rare-earth-elements
It’s a good in-depth intro to this issue by a panel of three experts who look at the contemporary situation with rare earth elements (which do not include niobium and tantalum from coltan deposits). But it is basically the same idea/situation — in the sense of there being a rare resource, in demand by a multiplicity of large forces/powers, in places where local people are considered to be disposable commodities.
(I am not promoting their opinions, but they do describe the situation well from their point of view, both historical and today’s view)…
I believe it is worth it to consider the principle, not the details, in these areas of activism, as EVERY material that the techno-social system uses for re-forming matter causes a similar distortion of localized systems: That is, look around your home, what’s made out of metal, plastic, chemicals, paper, wood… etc etc, it all requires machines to make which require more metals, plastics, chemicals, etc. etc… which make necessary the entire range of the global extractives industry which is closely allied to WAR (of every kind — both aggressive overt weapons war as well as slow and equally deadly environmental degradation warfare).
Humans do this. It is not avoidable. The only factor that we have the power to influence is *how much* we use — of course, this *how much* does imply choosing one type of device over another. It also places the choice directly in our power. We can make choices, we can influence others to make choices. But as long as this discussion proceeds here on this (telecom-based) mailing list, we are being somewhat hypocritical. Of course, educating each other is paramount, but the best teaching methodology is to ‘practice what one preaches.’ Which puts us squarely in a very problematic position of having to implement radical change in our tele- lived lives or else continue to support large portions of this global system.
If you want to stop mining, then you have to stop telecommunications. You have to go back to an industrial base before rare earths and coltan were discovered and rendered fit for use. (1800 were the first discoveries, but little use came before the beginning of the 20th Century).
Otherwise, this process will simply continue and expand, along with demand, and along with all the horrific effects that the human struggle for control of resources entails everywhere…
hmmm. god that sounds bleak. sorry, but from this materialist approach to global problems, there are no solutions. It would seem that a Buddhist approach which posits that *all is change* and to try to grasp and manipulate or put off change is a futile process. We must simply move through this incarnation and while treating each other as best as we can, not get caught up in the grasping at illusion…
I don’t know. (I type on my laptop and stare at the letters string themselves across the screen…)
→ cats:: mailing lists, texts
→ tags:: activism, communications, earth, email, historical, human, influence, machine, mailing-list post, materialism, matter, methodology, military-industrial complex, people, place, power, process, resources, skin, sotto voce, sound, source, system, teaching, techno-social, travelog, video, weapons
interview with Niina: art & technology
Niina has been researching art and technology for some years now. We met when I was teaching my old netculture class at the Media Lab in the University of Art and Design Helsinki back in 2000. I participated in her research for her PhD then, and … now
Ei Niina — this is all I could manage, it’s impromptu, but honest, with a bit of humor mixed in… a little complicated, as there’s no time to write an essay about what world-view lies behind the answers. You might want to reference http://www.neoscenes.net/hyper-text/text/pixel.html an article I wrote for Pixelache in Helsinki in 2007 — the same year I did a workshop there too http://www.neoscenes.net/projects/pixel/index.php
you could also check out:
http://tech-no-mad.net/blog/ and search on
http://tech-no-mad.net/blog/?s=network
or so…
even
http://tech-no-mad.net/blog/archives/date/2001/11
> 1.What changes have happened in your work and practices as an artist during the
> last ten years? Do you think your relationship with technology / or the way you
> use technology /has changed during this time?
My practice has widened intensively to take on a tough challenge of the entire techno-social system we are embedded within, are part of. Yes, this includes my relationship AND my understanding of the relationship between all flows that are the substance of technology. This also includes all aspects of life governed by techno-social protocol. When I use (a) technology I understand what I will both lose and gain when using that particular protocol. Using a technology is in fact, a changing of flows of energy that we are embedded in, part of. We are not separate in any way from everything else!
> 2.What kind of different phases in your life have you experienced as an artist?
> Do you work as a full-time or part-time artist? Or do you, for instance, only
> occasionally engage in artistic activities or organize exhibitions?
Problematic word, artist. But words are only poor representations of states of relation with the Other. I have moved through numerous label systems, engineering, science, geophysics, extractives industry, traveler, teacher, facilitator, friend, foreigner, native, chariot-racer, driver, passenger, and occasionally, mixed in a constantly-changing soup, artist, watcher-of-the-sky, swimmer, etc, etc…
> 3.How do you finance your work, career as an artist?
I don’t beg. I accept housing, a place to sleep, food (especially when I get to learn something in the kitchen or even do the cooking myself, I make some excellent Buffalo Marinara Sauce); I advise people on a variety of areas of my expertise — the optimized use of technology, as well as How Things Work, to return more control to their immediate locale and other. I talk to younger people who are participating in social ‘education’ processes, where I help them to understand its protocols, and how to perform more open protocols as participants in the entire system.
from them I learn what it is to be human.
Occasionally, money intersects my social existence. Not much , but enough — I’m still (as of this second) alive, so, enough cash, apparently.
> 4.What do new technologies or digital technologies mean to you as an artist? How
> would you depict the role of technology in your artistic work – and in the art
> world in general?
Language is a technology, or the basic protocol that drives technology, there is no such ‘new technology’ and there is no engagement within the continuum of human relation which is not fully formed by the flows that techno-social systems impress on everyOne. A wide-energy exchange between the Self and the Other follows pathways that are affected by the entire techno-social system. That system has change its ability attract our life-time in ever more effective ways, to be sure. But once one understands that process, it is possible to precisely decide which flows to partake in and which flows to avoid or simply pay no attention to.
> 5.You are an artist and work in the field of the arts, but do you also work or
> associate with other (closely related) fields? Do have difficulties in combining
> or reconciling these fields or areas with your work as an artist?
Field, like the label of ‘artist,’ is a set of protocols ‘recognized’ by certain people who then put their faith into those protocols and generalize what they mean. I will talk with anyone. And listen carefully to what they say. Each of them are on different paths, though, incrementally, and the labels are simply of no interest to me, except maybe in the instance that people are forced to make labels for themselves. That can be quite revealing…! Sometime I find it difficult to understand why some can’t see the obvious, but I do know that the obvious is deeply relative. I think a good understanding of thermodynamics would improve people’s abilities to make good decisions about their lives.
> 6.What does networking mean to you as an artist? Are you networking
> “electronically”? What kind of networks or forums are you involved in?
Networking is engaging two or three, maybe more people in a shared and open flow of energy. But since we are all engaged this way, with those people who we share our presence with, we are networking. Perhaps in Indra’s Net or some such relative world…
> 7.During the past ten years, have you noticed changes in those instances that
> you work and collaborate with (associates, partners)?
I think I engage people more intensively now than I did some years ago, at the same time, I stand further back, out of the ‘market’ and rather like to spend time in the desert, walking, and watching, just hanging out. I find I have plenty of good stories to tell when I am back as an urban being — teaching, or just living (with people). I like to know about peoples lives in the broadest sense, I like to interact with their families when possible. I (mostly) find it a pleasure to share presence with people. Especially when that presence is expansive, without limit, and open.
> 8.How much do you know about author’s/copy rights? Are you familiar with the
> contract practices relating to copy rights? How do you see the question of
> authorship in the context of new art forms and digital technologies? Are
> copyrights supporting and/or limiting artistic expression?
I know about Human Rights, and the myriad ways which nation-states and other techno-social powers (de)form those. But I also am aware of Human Obligations which people should pay more attention to — the grasping of Rights replaced by the practice of filling obligations with the immediate (or remote!) Other.
> 9.Do new technologies increase, extend or in some way limit the possibilities
> for aesthetic or artistic expression? From the artist’s point of view, what new
> or different do they bring to artistic work and practice?
Again, ‘new technologies’ has a completely relative meaning, at best. It’s all about finding a particular pathway with which to share presence between the Self and the Other. Where no possible shared pathway exists, there is a sad life, eh? How close to death is a lack of human connection! I believe Martin Buber has a good model for the world — it is the intersection of the Self with the Other is the source of all reality and life. There is an infinite range of pathways to choose, each with its unique possibilities and each with a certain loss. We can never fully express our own experience to an Other, no matter the pathway. It is in being open to receive expressions outside our own experience where we come to face the unknown and to learn from it and to change within ourselves and with that, our perceptions change, and the world changes.
> 10.How and what do you communicate or interact with the audience? What is the
> role of communication in artists’ work today? What does interactivity mean to you?
I am only a participant in life, so artist-audience, ah, it seems so … quaint an idea… but it’s all just about human encounter, more or less mediated by the techno-social mediation which shunts our energies onto rigidly-defined pathways… A less defined way of exchanging energies give rise to potential “Temporary Autonomous Zones” which, dynamically, provide space for creative action. It is at the intersection of the Self with the unknown (or the Other) which becomes the space of interactive being.
> 11.Are there other, even more relevant or topical, issues that should be asked
> about art and technology now in the year 2011? What are these?
How did we arrive here?
and
What does thermodynamics imply?
and
USE LESS ENERGY!
> Any comments and criticism towards these questions are also welcome!
While I understand that they have to follow certain academic scripts and protocols, well, what can you do! Although a more open conversation about these things might be a bit more fun…! over some good food…
→ cats:: correspondance, texts
→ tags:: energy, essays, flow, language, life, life-time, praxis, protocol, technology, thermodynamics, worldview
how we see it
→ commentHuman beings do not live in the objective world alone, nor alone in the world of social activity as ordinarily understood, but are very much at the mercy of the particular language which has become the medium of expression for their society. It is quite an illusion to imagine that one adjusts to reality essentially without the use of language and that language is merely an incidental means of solving specific problems of communication or reflection. The fact of the matter is that the ‘real world’ is to a large extent unconsciously built up on the language habits of the group . . . . We see and hear and otherwise experience very largely as we do because the language habits of our community predispose certain choices of interpretation. — Edward Sapir, ‘The Status of Linguistics as a Science,’ Language, Vol. V, pp. 209-210 (1929).
→ cats:: texts, thesis, third party texts
→ tags:: language, quotes
conflict
Tapas notes about the Wisconsin pro/anti-union conflict and the Egyptian shift,
Simply unbelievable. I never even suspected that Tahrir Square could echo in the USA.
I reply, sotto voce:
I don’t think it is echoing, except as a media construct, but, really, it’s at least a bit offensive to characterize a whole country as full of fat sleeping slobs, although there are those who are precisely that here (and elsewhere in the corpulent world vs the thin world). There are conscious people here now and in the past. There have been multi-million-person marches in the streets, police rounding up tens of thousands of protesters in JFK Memorial Stadium in Washington, tear gas, shootings, bombings, and so on. While, yes, many in the present population are anesthetized by over-consumption and economic ruin, there remain those who will march and confront the despots in power. It may not be so long before you witness a scale of internecine violence in the US that makes satrap rulers and their suppression of impoverished populations look like a walk in the park. I’d explore the history of this Empire if I were you (or simply reference Tacitus’ “Annals of Imperial Rome” for a start.) This present Empire is fraught with any and all of the possible irruptions known to any comparably-scaled nation-state unit. It was only three generations ago that three percent of the population died in a major internecine war.
Empire does not mimic the provinces, it corrodes from the center out…
→ cats:: mailing lists, texts, thesis
→ tags:: consumption, economic, email, empire, failure, history, nettime, people, politics, power, sleep, sleeping, sotto voce, violence
A warning
Another Eisenhower warning in his address to Congress prior to his leaving office in 1961:
→ commentOne of the deepest concerns of the framers of our Constitution was to make sure that no military group arose to challenge the civil authority, and that no segment of industry be allowed to develop which was permanently and exclusively concerned with building the weapons of war.
For a hundred and sixty years, our military posture was characterized by a very small regular establishment, quickly bolstered in time of emergency by large contingents of militia and reserves, and just as quickly reduced upon the return of peace. There was no armaments industry. The makers of plowshares could, when required, make swords as well. The Army which I joined in 1911 numbered 84,000 — one-tenth of its present strength.
For many reasons, this has all changed. A great and continuing threat to our security made it impossible for us to demobilize after the Korean War in the way we had previously done. Three-and-a-half million Americans continue to be directly and fully engaged in defense activities. In seven and a half years of nominal peace we have spent for defense a sum substantially greater than the cost of World War II, and our national security budget annually exceeds the net income before taxes of all United States corporations. And the direct result of this continued high level of defense expenditures has been to create a permanent armaments industry, of vast proportions, where none had existed before.
The conjunction of a large and permanent military establishment and a large and permanent arms industry is something totally new in American experience. No thinking citizen would deny the need for such a commitment in today’s perilous world; yet none can fail to read its grave implications. For this is power — tremendous economic and political power — with a specific and tangible interest in both national policy and national strategy. Billions of dollars in purchasing power and the livelihood of millions of people are directly involved. Its influence is felt in every city, in every state house, and by every responsible official in the Federal government. We can take comfort in the knowledge that none of our basic safeguards has given way. But let us take nothing for granted. We shall need all the organizing genius we possess to mesh the huge machinery of our defenses with our peace-oriented economy so that liberty and security are both well served. It requires constant vigilance, and a jealous precaution against any move which would weaken the control of civil authority over the military establishment. We must be especially careful to avoid measures which would enable any segment of this vast military-industrial complex to sharpen the focus of its own power at the expense of the sound balance which now prevails. The potential for disastrous abuse of power in this area is great. Let us watch it carefully. — President Dwight D. Eisenhower
→ cats:: 50 years on, bibliography, texts, thesis, third party texts
→ tags:: economic, military-industrial complex, power, quotes, socio-political, weapons
Distance versus Desire :: Clearing the ElectroSmog (Eric Kluitenberg)
The desire to transcend distance and separation has accompanied the history of media technology for many centuries. Various attempts to realize the demand for a presence from a distance have produced beautiful imaginaries such as those of tele-presence and ubiquity, the electronic cottage and the re-invigoration of the oikos, and certainly not least among them the reduction of physical mobility in favor of an ecologically more sustainable connected life style. As current systems of hyper-mobility are confronted with an unfolding energy crisis and collide with severe ecological limits – most prominently in the intense debate on global warming – citizens and organizations in advanced and emerging economies alike are forced to reconsider one of the most daring projects of the information age: that a radical reduction of physical mobility is possible through the use of advanced tele-presence technologies.
Comments Off→ cats:: texts, third party texts, travelog
→ tags:: accident, action, connection, consciousness, crisis, culture, development, digital, distributed, earth, economic, everything, exchange, failure, film, future, historical, history, human, information, innovation, internet, logistics, machine, model, movement, narrative, network, night, organization, participation, people, perception, place, power, presence, process, project, projection, reduction, research, resources, road, roads, society, source, space, speed, stream, stress, success, sustainability, system, techno-social, technology, tele-presence, third-party, travel, video, virtuality, vision
The End of the Road and The Onset of Dreaming

ed: This short note is the epilogue for the Migrating:Art:Academies: book. Otherwise because the heavy duty editorial tasks, I didn’t have time to write something more comprehensive on the ideas surrounding movement and learning, maybe next time!
We suspect that even though travel in the modern world seems to have been taken over by the Commodity — even though the networks of convivial reciprocity seem to have vanished from the map — even though tourism seems to have triumphed — even so — we continue to suspect that other pathways still persist, other tracks, unofficial, not noted on the map, perhaps even secret pathways still linked to the possibility of an economy of the Gift, smugglers’ routes for free spirits, known only to the geomantic guerrillas of the art of travel. — Hakim Bey, Overcoming Tourism
This volume Migrating:Art:Academies: represents yet another step on the (linguistic) migration from nation to nation, academy to academy, culture to culture, friend to friend, order to order, life through life. As with the first volume, Migrating Realities, any impossible contortions of English are this editor’s responsibility, and given the time constraints for this latest MigAA tome, there are sure to be some short-comings. But then, of all the movements within the social, language migrates the most of all. It is never static. Nor should it be, especially as it accompanies the learning process — a process which is essentially about encountering and naming that which is not (yet) known.
And so, now, one road comes to an end. The RV runs out of gas, the engine shudders to a halt. Or the asphalt gives way to gravel which peters out to a dead end, no further hydrocarbon-fired advance possible. You open the door, leaving behind the glass encased virtual reality of the drivers compartment. You set your foot down on the rough ground. You look around, feeling the hot wind on your face, the dust making you eyes tear up. You pick a direction. That ridge over there, the view should be good. You set out. Watching the ground, the terrain, the prickly pear, the manzanita, the saguaro, the cholla, noting potential sources of danger, listen for the tell-tale spine-shivering sound of the rattle snake. Each foot is placed with exaggerated care. You keep walking until exhaustion creeps into your joints and you lay down in the undisturbed soil. Everything looks different from here. You have changed you point of view through the motion that the body has provided over the years. You are different. The path you have forged and the pathways that you have followed have changed you. You have evolved. And now, you come to the end of the road. You have extended you life-energy as far as it goes. You close your eyes to the over-arching sky, breathing the smell of rain-touched sage and desert sand. And gradually you fall asleep to the smooth warmth of an up-slope southern wind. You are a transitory nomad on the face of the planet. But this is your home: eyes to the stars and sky, back to the earth, sinking into dreams of the stillness of constant motion and what wonders will be uncovered in the next revolution. In the dream there are no defined pathways on which to travel, all directions are possible, creativity exists everywhere, all the time, there is only the present, the now.
→ cats:: essays, teaching, texts
→ tags:: breath, breathing, creativity, culture, documentation, dreams, earth, email, everything, evolution, eye, fire, glass, hydrocarbon, images, language, learning, life-energy, movement, naming, network, nomadism, pathway, place, potential, process, quotes, reality, road, roads, sky, sleep, sound, source, spirit, stillness, terrain, the road, travel, vehicle, virtuality, walking
(How to sit) Zazen
It’s a good example of the affect of mediation on socially-generated practices of any sort [this came into mind when I saw a poster advertising a IEEE conference here in Sydney. The posted contained all the recognized and standardized functions of conferences anywhere on any subject. The cocktail evening cruises on the ________ (fill in the blank) river/harbor/lake. The hospitality suites in the _________ (fill in the blank) hotel. The keynotes by famous personages. The plenaries, the break-outs, the posters, workshops, and seminars. yadda, yadda. Don't people get tired of this endless repetition of heavily coded social protocols?]
The following was downloaded from the UM (University of Minnesota) original Gopher online text retrieval system sometime in the winter of 1991-92. I think it’s the first document (extant) that I downloaded via that new networked document system — the direct precursor of the WWW. Coming around in a very long, very wide circle, from the roots of the digital coming-to-being in the last millennium, breathe deeply:
→ comment1. Sit on the forward third of a chair or cushion.
2. Arrange your legs in a position you can maintain comfortably. In the half-lotus position, place your left leg on your right thigh (or vice versa). In the full-lotus position , put your feet on opposite thighs. You may also sit simply with your legs tucked in close to your body, but be sure that your weight is distributed evenly on three points: Both of your knees on the ground and your buttocks on the round cushion. On a chair, keep your knees apart about the width of your shoulders, feet firmly planted on the floor.
3. Straighten and extend your spine, keeping it naturally upright, centering your balance in the lower abdomen. Push your lower back a little forward, open your chest, and tuck your chin in slightly, keeping the head upright, not leaning forward, or backward, or to the side. Sway your body gently from left to right, until you naturally come to a point of stillness on your cushion.
4. Keep your eyes cast on the floor about 3 to 4 feet in front of your body, eyes neither fully opened nor closed. If the eyes are closed, you might start to daydream or visualize things.
5. Keep your lips and teeth together with your tongue resting against the roof of your mouth.
6. Place your hands on your lap with the right palm up and your left hand (pal up) resting on your right hand, thumb-tips lightly touching, forming a horizontal oval. This is the mudra of zazen, in which all things are unified. Place the sides of the little fingers against your abdomen, a few inches below the navel, harmonizing your center of gravity with the mudra.
7. Take a few breaths, exhaling fully. Let your breath settle into its natural rhythm. With proper physical posture, your breathing will flow naturally into your lower abdomen.
8. Sit still and keep your attention on your breath. When your attention wanders, bring it back to the breath again and again — as many times as necessary!
9. Be fully, vitally present. Simply do your very best. At the end of your sitting period, gently sway your body from right to left. Stretch out your legs; be sure they have feeling before standing.
10. Practice every day for ten to fifteen minutes (or more) and you will discover the treasures of your life.
→ cats:: now reading, thesis, third party texts
→ tags:: attention, being, body, breath, breathing, code, concentration, digital, distributed, energy, esoteric, eye, flow, gravity, holistic, Light, mediation, meditation, mind, natural, network, people, place, protocol, quotes, seminar, stillness, system, things, workshop
It may be a god…
→ commentEs mag ein Gott auch, Sterblichen gleich
Erwählen ein Tagewerk und teilen alles das Schicksal
Daß alle sich einander erfahren,
Und wenn die Stille wiederkehret, eine Sprache unter Lebenden sei.
Wie der Meister tritt er dann, aus der Werkstatt
Geringer und größer,
Und ander Gewand nicht denn ein festliches ziehet er an.
Und andere sind noch bei ihm,
Und der Vater thront nimmer oben allein.
Viel hat erfahren der Mensch,
Der Himmlischen viele genannt,
Seit ein Gespräch wir sind
Und hören können voneinander.
Die Gesetze aber,
Die unter den Liebenden gelten,
Die schönausgleichenden sie sind dann allgeltend
Von der Erde bis hoch in den Himmel.– Friedrich Hölderlin, excerpt from “Versöhnender, der du nimmergeglaubt”
→ cats:: third party texts
→ tags:: memory, quotes, third-party
there it goes
→ commentWhat does the law of maximum entropy production have to do with order production? Given the foregoing, the reader may have already jumped to the correct conclusion, namely, if ordered flow produces entropy faster than disordered flow (as required by the balance equation of the second law), and if the world acts to minimize potentials at the fastest rate given the constraints (the law of maximum entropy production), then the world can be expected to produce order whenever it gets the chance — Rod Swenson
→ cats:: project, third party texts
→ tags:: energy, entropy, flow, life-energy, potential, quotes, thermodynamics
on the IceSave debacle
A quick response on Alda’s Icelandic Weather Report posting concerning the veto by the Icelandic President of the IceSave agreement.
sotto voce: Strategic positioning relates to local, regional and global power flows and offensive/defensive weapon systems (among other factors). The US military left Iceland because it no longer represented a strategic advantage to be there (precisely because of weapon systems like submarine-launched ICBM’s, not to mention the very real shifts of global power that have come about since the Cold War ended). During WWII, because of the limits on aircraft range, Iceland was crucial to the Allied (US-supported) efforts in Europe. But gradually, again, with changing weapon systems and different constellations of global power, Iceland is no longer ‘strategic.’ Might be hard for some folks to swallow, pride-wise, not being ‘important’ in some global scheme, but that’s the way things go — they change. Iceland has few if any unique marketable/strategic resources as measured in the present world order. And on the other hand, they have liabilities according to globalist interests (for example, a quaint nationalism which is completely redundant in global market systems, no longer strategic travel/transport location (no need for Keflavík re-fueling!), no significant energy resources that are fiscally develop-able to the scale necessary for global competition, an education system that includes 100% literacy but is, on its own, entrenched and lacking innovative threads (and reinforcing the same naivete that gave rise to the recent disastrous foray into the global market system) … and so on…
And on the power of the (Icelandic) Presidency:
sotto voce: Presumably, though, the powers of the office of the president are circumscribed in the constitution, and, as such, are available to the person occupying the office. As happened in the US during the Bush regime, massive powers not explicitly outlined in the constitution were gathered by that regime, strengthening the office of president dramatically (powers that Obama has not relinquished at all — those at the top love extra power)… Any government or national political power structure goes through fluid shifts in concentration & location of power almost constantly, but some more precipitous than others. I’d suggest a close reading of The Annals of Imperial Rome by Tacitus, for a good outline on shifting power structures in a nation-state.
→ cats:: mailing lists, texts
→ tags:: aircraft, concentration, economic, education, email, flow, Iceland, office, politics, power, resources, sotto voce, source, system, things, travel, weapons, weather
stories from stricture
from Kevin Hamilton on the iDC list:
Thanks for sharing this tantalizing bit from your project Chris, I’m sure eager to see more of the outcomes. You rightfully remind us that framing the discussion in terms of ideologies or worldviews, even economically-influenced ones, leaves out the fact that there are bodies moving around (or not moving), generating these stories.
→ commentMuch of the flow of human resources (beings) as a primary energy source, was facilitated (forced along) by the formative pathways of the Military-Industrial complex (Interstate highway system, for example, the car culture in general, etc, ad nauseum). It was the prescribed protocollary forces of that M-I system that facilitated (required!) mobility of the bodies as a dispensable resource. And that enforced mobility had a cost — the essential alienation of the displaced Self. This displaced Self would have been a major social problem in regards to social stability, but that problem was muted by universal consumerism (chain retailing) which imposed a sameness on most major (Cartesian) points under the domain of the M-I complex. The pathways remain the same, but the strictness of their applied impression on each individual gives rise to a plethora of different stories: variations on a theme.
These energy flows are not arbitrary, but are complex interactions between evolutionary expressions of life on the planet (humans as perhaps a non-unique expression of that life, in principle) and how techno-social systems re-form and impress pathways on those energies…
→ cats:: mailing lists, texts
→ tags:: action, alienation, consume, culture, economic, email, energy, evolution, expression, flow, human, iDC, influence, military-industrial complex, mind, pathway, place, project, protocol, quotes, resources, source, stability, system, techno-social, worldview
Sydney Non-Objective Gallery exhibition
reflections on neoscenes :: drift
|.[ audio (115.4 mb)
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
blurb for SNO gallery exhibition web site, November 2009, NSW, Australia:
drift arises from an ordered archive of ambient phonographic fragments recorded over the past twenty years or so. From this archive improvisational works are assembled: indeterminate and reductive modulations that critically sample the flow of embodied be-ing. Known objects and discrete events populate our world only because we are social animals who have learned the dominant protocols of the techno-social system that we inhabit. This condition is especially onerous with the protocols circumscribing the failed (object-oriented) materialist worldview. drift consciously moves algorithmically with-in and with-out of recognizable protocols, acknowledging that without these memory-impressed protocols, all immediate experience becomes an incomprehensible flow. However, the cosmos we participate in, and indeed, are part of, is composed of these flows and comprehension is an illusion. What we know is only the temporal persistence of patterns in our embodied consciousness which resonate with an attenuated selection of those flows. drift simulates the full signal width of the flows, recognizable or not, and simply transits the field which is the present.
blurb for SNO gallery wall, December 2009, NSW, Australia:
reflections on neoscenes :: drift
drift is an approach to the task of comprehending the flow of life around and through the energized body. In particular, sonic energy flows may be used as an indication of the order of the localized universe. In some worldviews, all points in a energy field are thought to contain the full (yet indeterminate) information set necessary to reconstruct the entire implicate order of the universe.
or
drift arises in habitually restless nomadic sampling of sonic energies.
drift depends on a somewhat fluid, though discontinuous, processing of those mediated samples.
drift retrospectively charts a pathway taken.
drift follows that pathway as defined by the energy constraints of that path.
drift reflects the trace of an indeterminate trajectory.
drift moves through numerically limited post-Cartesian dimensions and through several discrete parallel universes.
drift should be of infinite length to adequately circumscribe the unknowable Void.
drift demands an assumption of relativity and provides quantized realism.
drift is a simulation of energized be-ing.
drift is made available by the relentless domination of the machinic over the humane.
drift is a simulation of apprehending the storehouses of knowledge that culture tend to build: a consuming of the fruit of the tree of the knowledge of good and evil.
drift is be-ing lost.
or
Energized expressions that are the essence of life arise when beings-of-energy frame and re-direct small samples of the impressing flows that they are immersed within. This sixty minute piece is a spontaneous low-resolution sonographic drift approximating the extent of the universe.
or
Depending on your frame of reference — concatenated with the dynamic range of your point-of-view — you may resonate as you follow this drift, or you may not. And, as you go, it is good to recall that the simulation is not the thing itself: the map is not the territory.
→ cats:: audio, drift, essays, project, texts
→ tags:: animal, archive, audio, consciousness, cosmos, culture, documentation, email, energy, essence, exhibition, expression, flow, human, information, knowledge, materialism, memory, nomadism, participation, pathway, point-of-view, process, protocol, resonance, simulation, sound, system, techno-social, window, worldview
netart 2009 – VisitorsStudio
The following quick essay was for the last and final edition of the annual netarts awards from the Machida Museum in Tokyo:
Grand Prize for this year, the online platform VisitorsStudio, is not a complete newcomer to the netart scene — it’s been running as a live visual-sonic collaboratory for a few years now. As a playground, it offers many degrees of freedom within what appears at first to be a restrictive environment. But, isn’t it true that all play-places have limits? Your mother would never let you go off just anywhere and play. She would certainly approve of VisitorsStudio. The limits of VisitorsStudio lie primarily in the intriguing area of file sizes (more on that shortly). The interface is intuitive and straight forward, and without a steep learning curve, anyone can create mesmerizing works in no time.
The most obvious elements of digital mash-up play are the text, the image (still and moving), and the sound. Participants in VisitorsStudio may gather these elements themselves and using a rich set of live controls make compelling live mixes. There is an existing database of files to work with, or, you can prepare your own media library to upload and play with. This is where each sound, image, or video file is limited to a 200kb maximum size — you will be surprised at what can be done — the result is absolute proof that great things come in small packages.
VisitorsStudio is available for special performances and makes an ideal platform for educators in all settings who wish to stimulate imaginations with real interactive digital art — its not simulated and its not eye-candy. As a collaborative tool, it does not aggressively take the foreground in the process, but rather works as a solid and supportive background element for seamless play.
Of course, the best way to enjoy a jam session is with a heavy-duty sound system and a 72-inch plasma screen or a video projector. You will be the resident visual-sonic artist. But intimate small-screen solo play is also very satisfying. The best feature is the possibility for live remote partners and audience. Invite your friends half-way around the world to join you in a jam session!
Technically, VisitorsStudio needs only an internet connection and a browser running the latest version of the Flash plugin. And, hey, if we ask, maybe they will port a Wii controller to VisitorsStudio! Wouldn’t that be fun? Let’s play!
One of the Honorable Mentions for the 2009 netart award is SiTO’s gridcosm project which, if there ever was a primordial interactive play-place online, this is it. Gridcosm was initiated by Ed Stasny way back in 1997 as an outgrowth of SiTO’s live online image mash-up collaborations. That’s in the PreCambrian era of internet time! It even has its own Wikipedia entry! But gridcosm clearly tapped into something fundamental — with a fresh and accessible interface design; solid back-end code; and exuding a rare social sensibility of precisely what it means to collaborate online — there are hundreds of contributors. A dozen years later, the collaborative space is continuously full with a vibrant and evolving palette of personalities and plenty evidence of creative juice spilling out onto the screen. The acronym SiTO originally came from OTIS (Operational Term is Stimulate) which was the motto of the nascent online collective collaboratory back in 1994 or so. So, kudos to gridcosm for sheer staying power and what looks to be a lively future. How many layers does an artwork need to have for it to be classified as cosmologically significant? Visit gridcosm and discover the answer to this profound question! It’s an open project for anyone to jump into — as are all the SiTO collaborative projects — so, check it out!
John Hopkins, Sydney, Australia, 15.Nov.2009
→ cats:: essays, texts, travelog
→ tags:: artist, code, connection, creative, curation, digital, documentation, email, eye, freedom, future, iDC, internet, learning, netart, network, performance, performances, personal, place, power, process, project, sound, space, system, things, video
education and standardization
Eduard Freudmann writes on the nettime list:
The Bologna process aims at an extensive convergence of European Universities with the Anglo-American education system. The aim is to enter competition in the global education market in order to strengthen university’s economic position and increase their research-dependent revenues. The establishment of regulative norms and the harmonization of standards are the basis and at the same time the precondition of this process: without standardization there can be no measurability, without measurability no comparability, without comparability no competition. Economization and the logic of competition are imposed at every level of knowledge production.
sotto voce: Standardization is inexorable as long as the Techno-social system has the energy input to expend on maintaining and propagating ordered sub-systems.
That energy input is, at base, the attention paid to it by the individuals who populate its institutional sub-systems.
When the Techno-social system runs out of energy input, it will gradually gain in disorder and degrees of autonomous freedom.
Learning takes place everywhere all the time. It is a mistake that you expect a state institution, an integral part of the Techno-social system to be a free and open system. It’s best to pay it NO attention and instead take your education fully into your own hands. Take your attention and give it fully to your peers, and you will learn everything you need to know. And at the same time, you will see the Techno-social system weaken as it loses your energy/attention input…
Leaning on/into the State in opposition only strengthens the reified/reifying bulwarks of State.
Walk away on a new self-determinate path and the State falls flat, a crumbled edifice of artifice.
Liquidity and Flow (rather than Solidarity) from Sydney, where the #2 source of GNP to Australia is Corporate/International Education — it’s right behind #1 which is the Extractives/Mining Industries.
Not much difference between the two, somehow. One extracts concentrated energy from the earth, the other extracts concentrated energy from the attention and lives of young people.
→ cats:: mailing lists, texts
→ tags:: difference, earth, economic, education, email, everything, flow, freedom, knowledge, learning, nettime, people, place, praxis, process, quotes, research, sotto voce, source, standards, system, teaching, techno-social
code and money
Michael Bauwens on the iDC list: I think the important insight that travels from free software to money is this. Power lies in the code and in the invisible structures that enable or dis-enable actions and relationships, what Alexander Galloway calls ‘protocolary power.’ The great insight of the current age is that money has a code as well. But just as we do not have the power to change the code of microsoft, we do not have (yet) the power to change to code of political money, so the alternative world-constructing route is to peer produce our own, differently coded money.
2 commentssotto voce: This brings up the thought that code and money are both likewise abstracted representations of Power that have to be actualized through two processes: 1) a participatory social grouping who choose to believe (have faith) in the power of the abstraction to cause material change in their lived existence and 2) a means for the abstracted instrument to interface with a real (material) regime of existence. Power, in the end has to be or has to have available a way to apply itself to life, to an individual life, to be delivered (as that change).
For example, code describes what a device can or should do in theory. It needs the device to make that actually happen. Code without the physical transmission of power (kilo-calories, joules, megawatts, whatever) is a complete abstraction and is of no consequence. The machine or interface that actualizes the code is embedded in a specific field of power flows — i.e., the electrical generation and delivery system, manufacturing systems that depend on transportation networks which depend on hydrocarbon fuel power, etc. This larger techno-social infrastructure that is essentially a field of directed energy flows depends on a whole host of humans believing that the code will ultimately improve their lives on earth. If there arises a doubt that the code will do this, the whole system starts to unravel. If it becomes clear that the code is failing to bring power to the user, they will stop putting their life-energy into propping up that techno-social protocol and the infrastructure it is embedded within.
The code of religious teaching, the code of social behavior, the code of the machine, and the code of economic instrument all have the characteristic that they are completely dependent on being actualized this way, else they have NO power. In the end, the code is merely a socially prescribed pathway along which real energy is forced to flow.
Faith in code(d abstraction) produces a shared or centralized capital of potential power, but there always needs to be a tangible means for translation from code to be-ing. The body is the primary means for code to become lived action or the source of applied and energetic change. That would be the minimum device necessary, all other devices are simply amplifications of the body-as-energy source.
With the demonstration of faith as an applied and directed energy flow through a code comes the often terrifying expression of directed social power. On the other hand, when the individual participant in a social system seeks and finds/makes expression not according to The Code, the dominant collective immediately loses a fraction of its ability to direct energy as it wills.
→ cats:: mailing lists, texts
→ tags:: action, amplification, code, earth, economic, email, energy, expression, flow, human, hydrocarbon, iDC, language, life-energy, machine, mediation, money, network, participation, pathway, potential, power, process, protocol, quotes, relationship, representation, semiotic, share, sight, socio-cultural, sotto voce, source, system, teaching, techno-social, travel
constancy of change
Responding to Michael Connor on the [NEW-MEDIA-CURATING] list:
In the gallery it presents a kind of ontological mirror reflecting back and stabilizing our own sense of self in its apparent stability and autonomy… By contrast time-based art, interactive art, and all art involving some form of interaction over time tend to do the opposite. Perhaps this may be a partial explanation of the continued resistance to such work in mainstream institutions.
sotto voce:
I’d say this dialectic is a cultural construct relating to the West’s inability to philosophically cope with the constancy of change in the universe. So many arbitrary scalar frameworks (and labels, names, abstracted linguistic tags) are put onto (material) stuff to give us a(n artificial) sense of stability. Art in institutional white boxes (whose very institutional-ness is critical to the fostering of that sense of stability); stone sculptures in public spaces; art market metrics. The very object-ness with which we frame the discussion here is embedded in the language of Newtonian fixity and precision of tracking the trajectories of Things. Along with the categorization process which allows a ‘safe’ social shorthand for circumscribing those things (which, in other world views are merely phenomenal events or flows of potential energy), a circumscribing of which has as primary intent the rendering as safe that phenomenal event to a nervous bystander who wants to believe in the monumental fixity of his/her social system.
→ cats:: mailing lists, texts
→ tags:: art, change, email, energy, language, media, system, things, worldview
atomic clock
Politic enlarges
a prosthetic order;
it affects
an ignorance
of madness and absurdity.
aAz
→ comment→ cats:: texts, third party texts
→ tags:: a.zega, third-party
lassitude
[09:]
A spring
an almost summer
and I am here among
these trees
luminous birds
ripe grasses
which gave such incomparable
unknowable
surprising form
to my first decagon of years—-
(surpassing
every schooling)…..
aa/z’
→ comment→ cats:: texts, third party texts
→ tags:: a.zega, birds, third-party
aurifex
[OWFA:]
Out of this bough
Winds pick
>From pollen cones
A cloud
a)a)
z’
→ cats:: texts, third party texts
→ tags:: a.zega, third-party
nature, natUral
Nature?
That ridiculous,
undifferentiated
conglomerate;
it exists,
it clowns
as vain reflection;
—-it does not live.
Nature,
with its Latin reverberation,
as transportation,
as birth,
yet incises,
knots
a passage.
(juice and syllable)
(bone and ganglion)
An.
→ comment→ cats:: texts, third party texts
→ tags:: a.zega, natural, nature, third-party
chiasmus- fossa- X
sexuality
rims
subtleties
gender
envies
and contemns it
aaa”
z(
→ cats:: texts, third party texts
→ tags:: a.zega, third-party
Xero-Peri-oNN
with its zero:)
dryness
veils
surveils us
as water
kisses
water
z’(z’(z’
A
→ cats:: texts, third party texts
→ tags:: a.zega, third-party, water
the Four, the Five; the Sink, the Skink…..
wow
bow-wow
and a swoon.
what an exhaustion,
what a prolongation,
what a
yeast-explosion
(souffle)
(implosion)
yesterday
was.
The Past is not dead;
it’s not even past.
Recently,
often enough,
my body has been a
contagious site
for arduous,
tenacious
spirits
for collisions,
elisions, litterings,
erosions,
floods
of certain humours,
certain histories.
Very much
in the Locus
of Mallarme and Naufrage,
Coup de des.
This “present” circumstance
(of intellectual inertia)
is untenable,
is impossible.
It Is Time—-
to cut the Strings
(of the Violin)—-
and to way with the giving Storm,
across the gravelled
waves.
The rigour,
the balance,
the elastic effervescence
of the Sycamore
surpass
every aspect
of the House.
No Need of Nature,
No Need of Art for This—-.
Franz
conceives of a “man”
who awakens in “his” bed
with the body of a scarab
(Old Egypt and its Love
of Puns);
a “man” who yet
(miraculously)
“retains” his human head.
What
might we say of a man,
who neither sleeps nor wakes;
who finds himself
inside
a Mural-Wall,
Wall-inside-a-Forest,
Land
travelling at Sea?
Wall: as Compass.
Forest: as its Clock…..
A….Reader? ….Reader-Hand?
Aestival,
estual,
Rain-Hand
Palus-Reeder?
(As with
*I Ching*—-
Biting-through-the-Sack….
What
kind of Sky?)
An.
– a. zega
→ comment→ cats:: texts, third party texts
→ tags:: a.zega, histories, human, inertia, nature, skin, sky, sleep, spirit, third-party, travel
iDC dregs
iDC list gets annoying and rewarding at the same time. but what of life spent on the keyboard? the topic is teaching… and the transition of the teacher into the link jockey.
→ commentsotto voce: While the offerings of IP_based networks seem unlimited, and in rhetoric, the superlative of unlimited is often applied, I think it is important to keep firmly in mind that it is not a space of unlimited knowledge nor is it a space of neutral knowledge. And, also, in this time, it is not a space of embodied experience aside from eyes absorbing statically-framed EM radiation, ears hearing sounds disconnected from their source, and fingers twitching across a very limited place. Not to mention underlying ideologies which accompany each form of mediated connection (largely invisible but very much real) — among others, that of consumption (extractive resources, electricity, and thus, the globe-spanning world that we exert irresponsible dominion over). In this regard, the (limited)vastness of that knowledge-space seems a bit tainted and out-of-touch perhaps. Expensive and consumptive. Exclusive, reductive, and reified. A teacher is a catalyst, and is one who, simply by being an Other we encounter in life, presents us with the unknown. If we trust that Other, a world opens up that was previously unknown, and (if) we (trust enough to) apprehend and engage it, it changes us, we learn. This unknown world is sourced in the entire comprehensible universe, and is available through that Other. These encounters may take place anywhere, anytime, and can be had ‘for free.’ We need only ‘pay’ the Other with our attention, our life-time, and life-energy. It seems that in our formal techno-social educational systems, these potential encounters with the Other are (being) replaced by more and more socially-standardized systems-of-relation (protocols, curricula, government mandates, abstracted monetary instruments) which seem ever more intrusive to and even suppressive of potential open encounters. This limits the creative potential of the outcome. The cumulative effect of this social hyper-formalization-of-encounter — because learning occurs precisely at the edge of knowing, not within the known — is that we look elsewhere for the dynamic of coming-to-be (learning) that keeps us alive and growing. To me this is the ultimate source of the loss of vitality that affects the Education World, a vitality that ultimately does not rest on technological mediation but on human encounter. Yes, human encounter is always mediated by the vast range of social protocols and tools, and learning encounters may happen within highly mediated (‘virtual’) spaces, but when we allow those encounters to slide continuously into more and more mediated spaces, the life-time available for less mediated human encounter shrinks. I think that this represents a wide loss to learning, education, community, and creative potential as it moves to extremes and forgets what it is predicated upon — the originary encounter between the Self and the Other.
→ cats:: mailing lists, texts, travelog
→ tags:: attention, community, connection, consumption, creative, creativity, education, email, encounter, eye, hearing, human, iDC, knowing, knowledge, learning, life-energy, life-time, loss, mailing-list post, mediation, mind, network, Other, place, potential, protocol, resources, Self, sotto voce, sound, source, space, system, teaching, techno-social, travelog, virtuality
07-10 January, 1959
→ comment
→ cats:: 50 years on, CH, notebooks
→ tags:: CH, military-industrial complex
Networked: a (networked_book) about (networked_art)
PROPOSAL :: Networked: a (networked_book) about (networked_art)
(a) Name, address, URL, email and one page CV of author.
John Hopkins
John Hopkins is a networker, artist, and educator occupied across a wide swath of techno-social systems with an extensive global network presence. He is active in numerous global creative networks beginning with the Cassette Underground and the Mail Art networks in the 1980′s and merging seamlessly into the propagating telecommunications networks of the present. He has engaged in many individual and collective dialogues concerning the facilitation of collaborative creative situations, and has facilitated or participated in numerous distributed projects.
(b) A 1000 word proposal that should be accompanied by an abstract of no more than 250 words and a list of keywords to indicate the subject area of the chapter. [Each of the commissioned chapters will contain text, images, videos, and/or audio.]
ABSTRACT (more …)
→ comment→ cats:: project, proposals
→ tags:: action, artist, communications, creative, culture, digital, distributed, documentation, email, everything, exchange, exhibition, expression, facilitation, flow, human, mediation, meditation, network, networking, nomadism, openness, participation, personal, potential, presence, process, project, resonance, share, source, stream, streaming, students, sustainability, system, techno-social, travel, video, voice, window, words, workshop, writing
nettime reflections
sotto voce: another short point (belch) I would risk making — I think there is a real danger in this stage of Empire to focus on personalities rather than structural relations of power. That is, the “Office of the Presidency” has changed greatly during the Bush regime, mostly not as a result of Bush himself but because a convergence of forces (okay, Cheney, Rove, embody the forces perhaps.. etc etc) — a convergence of forces that are structurally evolving at this moment in the Empire. Of course, those concentrations of power may simply wane during the Obama regime, or, more likely in my mind, is that they will increase, given the intense desires and energies and attentions projected at (the) Presidency. Given Obama’s awareness of media, this will be a ‘natural.’ But this evolution, whatever happens, will not be THAT closely tied to Obama, IMHO, but simply the trajectory of Empire… I am hopeful for a kinder and more intelligent Empire, but what else is a kinder Empire than one which is on the way down, unable to brutally control the sources of it’s power; add intelligence to kindness, and is that akin to beautifully playing the fiddle while Rome burns? Or simply more intricate and obscured warfare on less suspecting victims? Watch for some interesting machinations of power in the next 4 years… I have decided, personally, that I will have lived during the (first) peak and subsequent decline of the (first) American Empire. All’s to do is to document that life and find some humor among humans.
doh…!
→ cats:: mailing lists, travelog
→ tags:: archive, awareness, concentration, email, empire, evolution, focus, human, intelligence, mailing-list post, mind, natural, nettime, office, personal, power, project, sotto voce, source
netart 2008 – Conch

I spaced-out posting the netarts 2008 selections last November. here’s my brief jury comments:
This year’s netart award was very difficult to close in on. The absolute volume and traffic of data on the network does not seem to be correlated to its ultimate creative vitality. Can it be that the net has reached the saturation point as a means to realize the creative potential of its creators: that the signal-to-noise ratio has reached an asymptotic limit? Or is it merely an approach to the saturation point of the haplessly consuming audience? Is the net only a flooded communications platform in service of global capitalism? There is perhaps no particular reason to be overly cynical, although for this tech-no-madic curator the life-changes that accompany each further implementation of technologically-mediated connection seem to lose their appeal more and more quickly. For a creative, though, the question remains — how to be evolutionary when taking on the next tool presented by the Venture Techno-capitalists. Where to find something that avoids the clichés of, for example, the ubiquitously pop Web 2.0? There are the occasionally surprising implementations of the 2.0 paradigm, but they are often revealed as the tired exercises in the viral marketing of venture capital dreams. What inspiring sources are out there in the net? Are there any? Perhaps, but only if we leave the material behind to search of the ghost in the machine.
Where is the immaterial, the trace or evidence of the metaphysical, where is it hidden in the technological network of things? Is it actually hidden at all? Or is it simply not there? Has technology, in the form of global networks, banished those inexplicable essences from itself? Technology does have its obvious formative materialized essence, as it is another thing that presents itself to us in our limited sensibilities. But in the dislocated network, far from our touch, what is the apprehended essence, that attractor that keeps us intently focused on the screen. An attractor so compelling and full of gravitas that we chose to limit any change in our point-of-view and remain instead in a motionless screen-bent gaze, in a stationary orbit?
What draws us with this gravity, what draws us into its field of action? We are fascinated by the Light, sure, but our attention is bound by the gravity. The attractor of the machine lies within itself, not within us. We orbit the gravitational center of our own creation, the dense hubris of code. Without code there is only the material gap into which falls our embodied being, levity left to airs and vapors, (hydro)carbon (a)(e)ffluence and other oxidation-reduction reactions.
The grand prize goes to a work that is elegantly inexplicable, conch by the Japanese designer Yoshiyuki Katayama. Four topical and simple interactive works explore code as a means to transform time and space into essential visual essences. We may easily orbit the code while watching its realization. And time passes. Such is life.
The runners-up all seem to find simple interactions between code and presentation, leaving some viewers to perhaps simply shrug and move on. Somehow I like to think that these projects represent a search for the network coding of the koan — the Buddhist meditative tool — where the code is an essential step on the path to enLightenment.
Cloud of Clouds by Miguel Leal and Luís Sarmento keeps the sky open for interpretation as it should be, while Ethan Ham’s work, Self Portrait, leaves the self open for interpretation. And, to disagree with the Internet, as does the Disagreeing Internet well, that leaves our orbit around the gravitas of code very much open for not only interpretation but for fundamental questioning and even outright rejection. No more passive agreement with those Venture Capitalists!
Perhaps, when the last flicker comes from the last flat screen, we will understand that code is a chant to exorcise the machine, leaving the ghost (and us!) free to move on to something else. We shall see.
John Hopkins, Prescott, Arizona, USA, 04.Nov.2008
→ cats:: essays, travelog
→ tags:: action, code, communications, connection, creative, curation, documentation, dreams, email, essence, evolution, focus, gravity, internet, Light, machine, netart, network, noise, point-of-view, potential, project, quotes, reduction, sky, source, space, technology, things
tea
the morning tea-making process becomes a variable ritual: implemented across a variety of situations with a variety of tools and procedures, along with different people, it is a core expression. and it sounds different every time.
07 2008′, ’24 188
→ comment→ cats:: audio, third party texts, travelog
→ tags:: audio, expression, interior, meals, people, process, sound, travel, window
The Regime of Amplification: A Primer

I decide to release The Regime of Amplification: A Primer in advance of any hard-copy publication, with another chapter nearing its final stages, and several intermediate chapters forming more concretely. The following is the original ‘final’ text, although there will be a significantly altered in years to come.
This speculative essay addresses the process of amplification which expresses itself at a wide range of scales and affects and which models a fundamental aspect of all human presence. It opens with a brief description of a prototypical amplifier, then frames life as the coherent self-organizing expression of energy embedded in a universal field of energy flows. It examines simple biological models of amplification and suggests possible reasons for amplification processes to exist. Narrowing its focus, it looks first at the human species, then the body, and then the collective social system as an operative field of amplification. It subsequently explores the Regime of Amplification as a general manifestation of the prototypical TSS (techno-social system) — a system whose goal is to maintain the viability of localized sub-sets of the species in the face of competition as well as continuous and universal change. Two specific examples — the radio and the military — are presented to simply illustrate the principles suggested. The conclusion reiterates the affects of techno-social amplification on individual be-ing as well as on the entire continuum of relation that the individual is a part of. It suggests some fundamental pathways of action which have an immediate detrimental affect on the hierarchic flows of the Regime.
This essay is built on the subject of one chapter in a book-in-progress titled “Energy of Being :: Dialogue of Creativity” which explores in greater depth many of the issues that are danced only Lightly around here.
KEY TERMS
TSS (techno-social system), Regime of Amplification, energy, amplification, attenuation, flow, continuum of relation, life-energy, life-time, evolutionary development, natural selection, self-organizing, radio, military systems, resonance, social energy bank, life-time=energy=life; attention=life-energy=life-time, feed-forward system, biochemical amplification, concentration, rarefaction, command-and-control … (to be continued)
(more …)
→ cats:: essays, texts, thesis, travelog
→ tags:: action, amplification, amplifier, email, expression, flow, focus, human, model, pathway, presence, process, radio, system, techno-social
backwards? forwards?
starting with the UdK-Berlin block seminar tomorrow. 36 hours over two weekends. usually these are challenging and dynamic. good!
back to the brico list discussions:
sotto voce: Speaking as someone who first majored in mining engineering and ended up in geophysical engineering for a major oil company… (my profuse apologies in retrospect :-\\
I am very doubtful that “new” technologies will solve the problem — as what would be termed higher technologies require more intensive usage of the pre-existing techno-social system or infrastructure to develop those technologies. Things like nano-technologies, because of the consequent need for greater precision and so on, require that much more energy to maintain highly precise infrastructures. Not to mention another couple layers of machines (made by machines made by machines) all which ultimately sit on the extractive minerals industry. The greater the order/precision/complexity of a system the more inflow of energy you need to maintain that order. This is simple thermodynamics. The only way you can deal with this problem is to look for incrementally system-wise LESS complex solutions. This is the key weakness of forward-looking Utopian technological-development horizons. If it requires a greater degree of complexity, it will have a consequently larger foot-print related to primary industrial processes like mining, refining, and extraction..
And, the consequent human price is paid — as we drain energy resources OUT of a social system — it is thermodynamically no surprise there are larger degrees of social disorder in those systems (Nigeria, Middle East, Brazil, Appalachia, the Rheingebiet — actually EVERYWHERE that these extractive processes take place!)
I’m starting to have the belief that we will simply go through a peak of consumptive civilization and as energy sources are depleted, the global techno-social system will not be able to maintain the globe-spanning order (try driving tanks on vegetable oil…) it has now, things will become more local.
Imagine that it could very well be that in our life times, that the prospect of one of us visiting from Europe to Brazil will be as difficult and time-consuming as it was 200 years ago… or more! (200 years ago, there were still some trees in the world large enough to construct robust ocean-going vessels)…
Okay, so what to do in the mean time? I believe lowering complexity in our lives by avoiding higher-technologies when we have a choice — in eating, working, living, playing — complexity generated by participating in distant extensions in the food cycle, the communications cycle, any technology cycles, by higher precision devices and systems, by globally standardized systems of all sorts…
should I give up email and talk to my neighbors instead? yes, most likely… at least that way, if war breaks out, I will at least know something about my neighbor…
→ cats:: mailing lists, texts, travelog
→ tags:: action, communications, complexity, cycles, development, driving, email, engineering, flow, human, machine, mailing-list post, order, participation, place, process, resources, seminar, sotto voce, source, speaking, system, teaching, techno-social, technology, thermodynamics, things
imaginary relevance
can a lack of imagination be overcome through intensive observation of the world-that-is? what is imagination? the dream of what-could-be? realizing that there are parameters of be-ing which govern imagining, what can be done to optimize the process?
and, only marginally related to imagination…
sotto voce (posted to brainstorms on back-channel communication and surfing in the wired classroom): I think one of the elephants in the room is the question of relevance. By this I mean — yes, the network provides channels to access information about the apparent subject of the learning experience. But what about the learning approach where a group simply maps their own understanding of a ‘knowledge’ space, and extends that space with their OWN ideas, relevant to their situation, rather than the constant referencing to what is becoming the standard (knowledge) ‘out there’ in the (socially-defined, dominantly-positioned) network. I believe this loss of autonomy of the local group of learners will have DEEP repercussions in the future. Indeed, it represents a loss of idiosyncrasy and autonomy of the learning process AND a deep dislocation of local relevance. It also represents a deep loss of diversity in the dominant social system. (a deep gain in conformity!) This might explain how students are finding ‘public’ education as a real learning situation ever more irrelevant and in need of being avoided or dis-engaged from at all costs.
People will pay attention to information relevant to their situation.
unfortunately, to qualify the last sentence, they will also be easily distracted when seduced into believing something is relevant based on external pressures rather that internal impulses. c’est comme ça!
→ comment→ cats:: images, mailing lists, texts, travelog
→ tags:: autonomy, brainstorms, dislocation, education, email, future, idiosyncrasy, information, knowledge, learning, loss, mailing-list post, network, optimization, people, process, quotes, sotto voce, space, students, system, teaching, travelog
dkfrf review
Rinus makes some nice notes on the Amurikan evening at das kleine field recording festival last week in Kreuzberg.
(more …)
→ cats:: images, performances, texts, third party texts, travelog
→ tags:: artist, audio, community, culture, dreams, everything, eye, fear, freedom, heart, human, images, influence, information, Light, meals, memory, money, nomadism, pain, people, performance, performances, place, project, review, sight, silence, skin, society, soul, sound, space, spirit, trauma, travelog, video, vision, voice, window
metrics
responding to Roger Malina on metrics on the New-Media-Curating list:
sotto voce: A metric is a standard, and a standard is the fundamental building-block of a (our) techno-social system. We cannot have a techno-social system without standards, so the question becomes how many, how expansive, and how standard? Whenever standards are applied to a system, the system decreases in its degree of freedom and complexity, and increases internal control-ability for the duration of the time that the system has those standards applied (which is for how long that system has the excess energy to maintain the order that is required to apply standards).
If we seek for a ‘global’ standard when we have only, say, a national standard, our system will be poorer in its potential for creative innovation, period. As standards are applied on larger and larger systems (thinking of the development of global standards (for example, telephone plugs)) idiosyncrasy decreases and the opportunities within which we encounter the un-expected decreases (oh, as techno-road-warrior I can plug my modem in where-ever I travel, that’s cool — to maintain my position in the techno-social system I need this ability!). When (fewer) standards of a more local sense are applied, there are more opportunities for interstitial (TAZ’s) to arise simply because there are more interstitial gaps between standardized systems.
I vote for less standards, more idiosyncrasy.
Even if it means I am completely excluded from a standardized system of educational production, thank you… I will somewhat happily forgo the rewards that go along with standardization to maintain an autonomous situation for myself (and the students I encounter). Standards are about conformity, social harmony, control, power, and ultimately about stasis and death. A system with a too-high degree of standardization cannot innovate or deal with change. And, if all is change, well, that is something to deal with. (for example, the long-term effect of the Bologna Accord will be wider-scale reification of the educational system in Europe, no doubt!)
Now I realize the discussion here is proceeding based on the idea that we face a previously reified and unresponsive system of standards imposed by a techno-social system that was responding to other degrees of uncertainty that it felt were unbearable (to social stability). But I think it is problematic to think that another set of standards will function any differently. Truly open systems suggest a lack of standards which then stimulates the direct negotiation and exchange process at the granular human level — this process of exchange arises from difference itself.
→ cats:: mailing lists, texts, travelog
→ tags:: complexity, control, creative, death, development, difference, duration, education, email, exchange, freedom, human, idiosyncrasy, innovation, mailing-list post, potential, power, process, protocol, road, sotto voce, stability, standards, stasis, students, system, T.A.Z., techno-social, travel, travelog
the price you pay
in response to this question posed by Annick Bureaud on the [new media curating] list (in a discussion about access to digital information:
The question might be : how much do you (really) pay to get access to a document, how much the people who have worked to provide the access to this document are paid, who (ultimately) pays for this service?
sotto voce: The cost you pay is directly correlated to the depth of your embeddedness, your degree of participation in the techno-social system. For example, to simply ‘own’ a laptop, I calculated over the past 15 years I spend around USD 120 / month. This does not include cost of upgrades and peripherals, telecom, electrical, or other costs. This is only having the machine sitting on my lap. Of course, to participate in the techno-social system that ‘allows’ me to make a posting to this list, or to receive incoming postings, requires much more than that single expense. There are ways of minimizing or reducing the relative level of participation, but in a developed country, there are absolute minimums which, if I slide under, I remove myself from any ability to participate. Things like a fixed address, a bank account, a national ID number, a passport — each of which demands a certain set of other fixity/stability in regard to the system (which demands this to support its continued viability).
I ‘pay’ for the privilege primarily by spending some of my life-time in the service of propping up that techno-social system. Spending life-time in participating in system-sanctioned interaction with others who are also seeking legitimacy within the system. When I spend that life-time, it’s gone, I don’t get it back. I convert some of that resource, life-time, life-energy into an abstracted currency which allows me the ‘freedom’ to convert my life-energy into other sanctioned expressions of the techno-social system for my perusal and consumption. Through participating I lend my life-energy as a signature of legitimacy of the entire techno-social system that I am helping to prop up as a participant. What a system ‘sanctions’ is not always clear, but in the long-term, it is anything that promotes my participation in the system in such a way that the system profits in using my submitted energies in expressions that it deems necessary to its survival (not mine!)…
The ultimate payee in any social system are the individuals who participate in the system, at whatever level — through the spending of life-time (think, for example, ‘paying attention’) into that system. There are relative ‘winners’ and ‘losers’ depending on how you judge the relative punishments and rewards meted out by the system as it seeks your optimal participation.
I think that refusing participation at the degree of whether or not to publish based on an ideological detail within the system is a very small incremental shift in paying slightly attention to the ‘dominant’ system and slightly more to a subset of that dominant system. I use the word subset because the dominant system includes the entire globalized techno-social infrastructure of telecommunications and digital devices upon which in both cases we are totally dependent.
In order to participate in this forum here (as one possible niche, TAZ, where we can play for a time, before going back to paying attention to the dominant system …) or to write about these subjects or to circulate at all, we are dependent. I can understand the refusal as a statement against the hegemonic power of that system, and BRAVO for that. But what about a refusal to use tele-communications and instead only transmit orally the ideas to one person at a time. (Yeah, why not — what is it about numbers and spatial reach that so seduces us to believe in our own ‘influence’ on others..?) Imagine that, if everyone on every mailing list in the world would instead take the same amount of time they spend in eye-lid-locked paralyzed point-of-view gazing at the screen and instead engaged with those humans which were immediately around them…
some musings…
→ cats:: mailing lists, texts, travelog
→ tags:: action, communications, consumption, digital, email, expression, eye, freedom, human, influence, information, life-energy, life-time, Light, machine, mailing-list post, nature, participation, people, point-of-view, power, sotto voce, source, stability, system, T.A.Z., techno-social, things, travelog
Art and Teaching Philosophy
Art, at its social core, is the trace of an engaged pathway. A pathway that conducts the circulation and exchange of creative human energies as they are attenuated by a vast range of mediative (materialized) carriers. The artist is that person who opens and offers the Self in a directed seeking: to engage in a dialogue of human energies with an Other. Finding a proper pathway for those energies: transmitting: simultaneously receiving the expressions of the Other, this is the moving act of creativity. Creativity is the charged flow of energies between and through the Self and the Other over relative spaces and times.
These two proto-definitions are the basis of my art and teaching praxis.
Creative activities at the confluence of art and communication (science and technology) have an increasingly important role in cultural and social dynamics. The territory mapped by these activities, especially their impact on evolving social structures and networked systems, is an area of rich possibility and chaotic flows. As an artist, it is my interest to occupy the dynamic field of that intersection and, while exploring its fundamental characteristics, develop a deeper awareness of the process of human connection, exchange, and be-ing. Presence, as it may be variously manifest through mediation, is my primary “material,” and “genuine dialogue,” as Martin Buber expressed it, is my primary method. My research often explores the spontaneous unscripted abilities of the self to concentrate and focus energies and establish dialectic connection across more than just material gaps. In a space of indeterminate momentary outcomes, creativity finds a fundamental source.
The formation of material artifacts is for me an inspired activity and a specifically directed flow of energy in support of creative activities. However, I subscribe to a post-materialist worldview which transcends the mechanistic and Cartesian linkages between object and subject and instead looks at the energy content and configuration of a ‘work.’ One current area of exploration of this energy is the creation and constellation of ordered systems — archives or dataspaces — which I subsequently employ as sources in performative events and situations. These situations sometime incorporate artifacts, sometime rely solely on the momentary ambient environmental conditions, sometime cull the ordered space of archive; they all seek to establish a flow of the spontaneous and improbable. While I regard the material art-making process an important aspect of being — an aspect that allows for significant concentrations of personal energy and expression — I do like to approach it as an open-ended element of a wider practice where there is no defined ending point and change is the guiding principle.
As an artist, I am committed to the dynamics of the learning environment as a critical and important facet of my work. Teaching is a special case of the more general open situations referred to previously. I seek to create vital learning spaces — conceptual and physical zones where the exercise of free expression and spontaneous dialogue takes place — an environment that is both practical and experimental, realistic and fantastic, personally relevant and socially sensitized. I frequently build on my own explorations as an artist — using my personal creative experience as a referent and bringing my current creative energies and directions directly into the learning process. Personal rapport, dialogue, and humane contact are important factors in my conduct as an arts educator.
With the goal of defining fundamental conditions for personal and social evolution, my workshops are based in critical and dynamic dialogue over a wide variety of issues and concepts. I am against drawing arbitrary divisions between various concepts, cultures, disciplines, creative sources, and mediums of expression, but rather focus on weaving different ideological, conceptual, and especially personal energies into creative juxtaposition. The synergy of disparate trans-disciplinary energies and ideas through active communication and creative collaboration is a necessary element of inspired and relevant learning. Two specific roles that I take on is that of facilitator — to encourage open-ness — and information-source — to pass on to participants significant threads that I receive from my own substantial international network of collaborative connections working across the spectrum of art and technology.
I teach my students to accept and trust their own sensory experience in the world. In this process, they gain an inexhaustible energy source and free up their creative possibilities. I accomplish this by facilitating a trusting environment and stimulating connected collaboration. At any point in the dialogue between myself and the student, I would seek to engage at a level that is beyond institutionalized formality. My significant experience in second-language and cross-cultural situations provides my teaching activities with a certain independence from ideology-based systems and protocols. This makes the learning more transparent, participative, flexible, and spontaneous.
Any emphasis on language-based (and thus abstracted) theory needs to be balanced by intimate, practical, and principled exploration of the (materialized) actions of creativity to establish a lived practice. A student needs to be able to construct a finite methodology for approaching a new medium or idea — how to test the limits of a medium, how to stimulate experimentation without stifling spontaneous creation, how to build up discipline, concentration, and attention when working, and how to see critically and creatively while in vital interaction with the noumenal world and, finally, how to package their own human energies within carriers most appropriate to their expressive needs. Ways of working may and should be informed by theoretical understandings, historical precedent, critical viewpoints, but, most importantly, the establishment of this centered life-practice. It is extremely important that the student experience and identify specific life-long sources of energy where they might root their creative impulses. The creative oscillation between word and action must always be linked; and both, considered and used in concert, become an inexhaustible energy source and basis of a powerful practice.
As the writings of Paolo Friere discuss in detail, the teacher-student relationship should be characterized by a dynamic and balanced dialectic. Teaching is a truly human activity. Teacher and student are both the educators and the educated — learning is sharing. The measure of a successful learning experience may be drawn from how the shared wisdom comes into being in the life-practice of both the student and the teacher.
Outside the classroom, I am always interested in working with other artists and educators in creating new learning situations both on- and off-line, especially those that explore the rich textures of inter-disciplinary awareness. Being supportive of and supported by the academic community is crucial to the survival and growth of diversity. I am interested in dialogue and active consideration of the principle issues of higher education and am especially interested in the creation of projects and programs with international participation.
→ comment→ cats:: essays, texts
→ tags:: action, archive, artist, awareness, community, concentration, confluence, connection, creative, culture, education, email, evolution, exchange, expression, flow, focus, historical, human, information, language, learning, materialism, mediation, methodology, network, openness, participation, pathway, personal, place, power, praxis, presence, process, project, protocol, relationship, research, road, science, share, sight, source, space, students, success, system, teaching, technology, text, trans-disciplinary, travelog, vision, wisdom, workshop, worldview, writing
Frane the Virtual
→ commentFrane the virtual mori gloss
And barm in glory midas tock
Notter fen inbyro pressed
When quinsly Durham bilag lock
Full ennil bhutol durm intact
And japock frocks were kileray
Best green was in a tirade sterm
And murmer played the rudge all dayThen pult oh fromot liport yearned
Was thus the burlap empty cup
Lorn in excess pressed doily mange
Whilst fedro billing looked her up
Bright jiring elements were brash
Pre Raphaelite and over brushed
Through endless graze born phananthrope
In bobbing excess weedy rushedNo more the intent grim and foil
No more bereft than pindle bake
No more the dorey gimble oil
No more the stilted ingress flakeAnd so to hermane fillet brought
By verbose insight truly lost
Are brackish kalick wishing wrought
For sixpence and a far thing crossed
All lava braut in basket taal
Sought diamonds in the chilling moss
But finding nothing water raal
Was frane the virtual mori gloss– Rod Summers/VEC, Isleworth, 29 January 2008
→ cats:: texts, third party texts, travelog
→ tags:: loss, quotes, sight, travelog, virtuality, water

